The acclaimed project of British producer Martin Jenkins comes to Liverpool's Capstone Theatre.
Known for his haunting blend of vintage synthesisers, post-punk influences and retro-futurist electronics, Martin Jenkins has built an international following through his distinctive sound that evokes forgotten television broadcasts, library music and the pioneering work of the BBC Radiophonic Workshop. His atmospheric live performances combine nostalgic visuals with analogue-inspired soundscapes, creating an immersive experience that feels both unsettling and strangely familiar.
Jenkins refers to himself as the mysterious and nameless Head Technician in most of his online profiles, and extra detail is taken to make the audio and visual elements of his performances look and sound worn and vintage.
Pye Corner Audio first came to attention with four volumes of Black Mill Tapes on his own label, Pye Corner Audio Transcription Services. Like his contemporaries Demdike Stare and Ghost Box, Martin seemed to be tapping into some hidden energy current, channeling spirits via electrical means. The pioneering transmissions of the BBC Radiophonic Workshop could be detected lurking within the music’s staticky swirl; so could the ominous throb of John Carpenter’s film soundtracks.
While the musical landscape has shifted over the years, Pye Corner Audio’s retro-futurist transmissions remain timelessly compelling, resembling a rickety tape transfer of a collective nostalgia, waiting to be rediscovered."