Statement from The Culture Network LCR: Opposing Anti-Immigrant Rhetoric, Sept ’25

Statement from the Culture Network LCR: Opposing Anti-Immigrant Rhetoric

The Culture Network LCR stands firmly against the rise in racist anti-immigrant rhetoric and xenophobic narratives that are dividing our communities and scapegoating migrants for systemic failures.

We know that many in our communities are struggling to access healthcare, housing, education, or social services, or just the basic cost of living, but immigration is not the cause of these problems, it is because of poor political choices and constant underinvestment. Failures of government and relentless greed, not the presence of immigrants, is the real problem. Blaming migrants for these issues not only fuels hate but also distracts from the urgent need for accountable leadership and meaningful reform.

Immigrants are not a burden. They are our neighbours, colleagues, artists, caregivers, and friends. They contribute to the richness of our society in countless ways; Liverpool is a city built on immigration. Within the arts sector especially, migrant voices and stories have always played a vital role.

As artists, arts practitioners and arts organisations we know we have an important role to play in promoting social justice and striving for a more equitable and empathetic society.  We understand the transformative power of the art. Art makes space for understanding. It elevates unheard voices. It sparks dialogue and shifts culture. In times of division, it helps us imagine and build something better – together.

We call on leaders across the region, councillors, trades unions, and all those in positions of power in our regional authority to publicly reject anti-immigrant rhetoric, in fact all forms of prejudice wherever it appears. The racist riots that took place last summer following the tragic events in Southport, which led to the arson attack on Spellow Library, are a warning of the violence and intimidation communities will face if these racist and prejudiced narratives are not challenged. City leaders have a responsibility to protect all residents, challenge scapegoating, put pressure on central government for increased funding for investment in education, and services and policies which improve the living standards, physical environment and opportunities of all communities, and foster equity and inclusion.

We urge our cultural peers, civic institutions, and communities to join us in standing against xenophobia and affirming the dignity, humanity, and contributions of migrants. A more just and compassionate society is not only possible, it is necessary and our right! 

 

Ten brand new artistic commissions to mark Black History Month, held Oct ’25

Liverpool City Council’s Culture Liverpool team have announced ten brand new artistic commissions to mark Black History Month 2025 this October.

Under the theme Power and Pride, funding has been awarded to a diverse range of creative projects which will showcase and honour the rich contributions of Black communities to the city’s cultural, social, and historical fabric.

From spoken word and gospel music to textile arts and immersive technology, the commissions reflect a vibrant mix of artforms along with community and school engagement. Each project has been developed by local creatives and organisations committed to amplifying Black voices and stories in Liverpool.

Highlights include:

  • More Than Words by Brodie Arthur and Leah Watson – an open mic and panel event at the Everyman Theatre spotlighting Black performers and industry professionals.
  • Liverpool Lighthouse Gospel Project led by Helen Brown – a school-based programme teaching gospel music and Black history through performance.
  • Digital Immersive Portraits by Robert Awork – a living exhibition at St George’s Hall featuring impressive 3D-printed community portraits with embedded audio stories.
  • African Roots 2025 at The Black-E – a two-day celebration of African dance and cultural heritage.
  • Black Actors Collective Headshot Exhibition – a photographic showcase of Black performers, also hosted at the Everyman Theatre.

Other commissions centre around creative writing anthologies, visual arts workshops, carnival-inspired dance sessions, and textile-based storytelling.

All projects aim to foster pride, representation, and cultural understanding throughout Liverpool’s communities and have been funded through the UK Shared Prosperity Fund.

All the events can be found on the Culture Liverpool website.

WoW launch Black History Month 2025 programme with their celebrated walking tours!

WoW are launching their Black History Month 2025 programme with their celebrated walking tours!

Liverpool & Slavery Walking Tour – 4th October –  https://bit.ly/47X3zki

Influenced by activists Dorothy Kuya and Eric Scott Lynch, this walking tour explores the many sites and streets in Liverpool with direct links to the Transatlantic Slave Trade.

Great War to Race Riots Walking Tour – 11th October – https://bit.ly/46AJsGe

This tour explores the anti-black race riots that occurred in 1919 by covering the areas now known as Chinatown and the Baltic Triangle, that at the time was known as ‘Sailor Town.’

Dorothy Kuya Walking Tour – 18th October – https://bit.ly/4nNBJvn

Walk in the footsteps of one of the most prolific anti racist campaigners whose activism spanned over seven decades, Dorothy Kuya (1933-2013).

L8 Activism – 26th October – https://bit.ly/46A8k0C

From the vibrant nightlife and culture of the 1950s and 60s to the Black and anti-racist activism that developed through the 70s and 80s, this tour shares vital information in about the L8 area that you won’t find in history books.

The Maids returns to Unity Theatre after 30 years, in memory of Graeme Phillips, held 15 – 16 Oct ’25

A twisted game of power and and desire… Jean Genet’s The Maids returns to Unity Theatre on 15th & 16th October after 30 years! That Theatre Group CIC brings together stalwarts from Liverpool’s theatre scene in what was to be Graeme Phillips’ directorial follow-up to last year’s critically acclaimed Krapp’s Last Tape.

Exploring themes of oppression, isolation and incarceration, Unity’s Artistic Director Elinor Randle will direct a modern and radical interpretation of the classic – fusing opera, spectacle and movement. The production is inspired by the Unity’s former Artistic Director, the late Graeme Phillips MBE, who originally directed the play first in 1992 and then began working on the new interpretation, but sadly died earlier this month.

Producer and long-term partner, Peter Ward says:

“The ruby ring in the advertising symbolises the 40 years Graeme and I had, and the hundreds of theatre projects we worked on. Our personal and professional lives were intertwined by a shared passion for creating new groundbreaking work, nurturing emerging talent and providing a platform for established artists to take risks. As his partner and co-producer for four decades, I hope that presenting his vision, in what would have been his directorial swan-song, will go some way to repairing my broken heart and he continues to inspire me to create more work with and for older people living in care.”

Director, Elinor Randle says:

I’m thrilled to be working on this piece and to be carrying forward Graeme’s remarkable vision here at the Unity. It explores powerful themes of class struggle and power dynamics, while embracing a beautifully absurd style that allows for bold theatricality and movement. I feel fortunate to be collaborating with such a hugely talented team, and I can’t wait to see what we create together.”

This translation by Benedict Andrews and Andrew Upton was first performed on the 12th October 1987 at the Royal Shakespeare Company.” It contains explicit language and is suitable for ages 14+.

Accompanying the production, That Theatre Group has created a participatory programme with Afloat during which refugees and asylum seekers, under the guidance of Phoebe McSweeney, will explore themes of oppression, isolation and incarceration, which will result in an exhibition in Unity’s foyer.

Residents in 50 care homes have also been invited to create a flower in memory of a loved one who is no longer with us. Their flowers will be exhibited in public spaces around the whole of the Unity.

Cameron McKendrick and Samuel Perez Duran star as the Maids, whilst Jane Hogarth reprises her celebrated role as the Mistress from the 1992 staging of the play. She says:

“In the original production, I had the most spectacular entrance with flowers, lights, smoke you name it… It is a great role to play, but behind the glamour the Madam is utterly selfish and controlling making the lives of her Maids intolerable. The themes of feeling trapped and disenfranchised are so relevant for today’s audience with zero hour contracts and feeling of loss of control over your future. I’ve never had another entrance like it in 30 years, but am excited to see what Eli, Ashley and Phil have in store for me!”

A lavish set and Alexander McQueen inspired costumes will be designed by Ashley Shairp, who says…

“Graeme and I had been talking about the production for a few months, through words, pictures and eventually a model. Even though he was very poorly, he was captured drawing squares within squares, which is a motif I have tried to include in the final set design. Following the relentless flower imagery present in the text, I suggested early on that we set the whole play on a carpet of flowers. Graeme said, “I think we can play with that”. It is incredibly sad that Graeme won’t be part of this but I know we will all strive to keep his spirit present in the production and hopefully honour his visionary, magnificent life.”

As in the 1992 production, lighting will be provided by Phil Saunders, who says…

“I started working at Unity in the autumn of 1991 and, as I came to realise over the 30 odd years I was there, Graemes programme was packed, full on, and challenging! He asked me to design lighting for the show, and a particular scene he asked for ‘weird lighting’. I was never sure if he liked what I did, as he commented Its definitely weird”. Im very happy to be revisiting The Maids”, working again with Graemes ideas and realising them with such a fantastic team.”

The production and participation programme is supported by Arts Council England. In memory of Graeme Phillips, MBE, for anyone wishing to support this production and future productions in care homes, That Theatre Group would welcome donations; alternatively you can donate to Parkinson’s UK to assist in their research to find a cure.

Donate via That Theatre Group or Parkinson’s UK.

Book tickets here

Alan Turing’s Story Comes Alive in Breaking the Code at Liverpool Playhouse, held 21 – 25 Oct ’25

Hugh Whitemore’s Breaking the Code, a play about the life of mathematician and Second World War codebreaker Alan Turing, comes to the Liverpool Playhouse from Tuesday 21 to Saturday 25 October in a new production directed by Jesse Jones.

Based on Andrew Hodges’ book Alan Turing: The Enigma, the play follows his extraordinary career and explores how society’s prejudice towards his sexuality, and the brutal treatment he received from a homophobic and ungrateful state, changed the course of his life.

Jesse Jones, the director of Breaking the code said:

“The more time I’ve spent with Alan Turing through this play, the more extraordinary he becomes to me. We think of him as the man who cracked the Enigma code, but his story is so much bigger than that. Breaking the Code gives us the chance to see him in all his complexity – his genius, his humour, his contradictions, his bravery, and his pain. It breaks the code of him a little bit, and makes him human.

Alan Turing is played by Mark Edel-Hunt (Leopoldstadt, West End) alongside Niall Costigan (The Railway Children, Hull Truck Theatre) as Mick Ross; Peter Hamilton Dyer (The Promise, Chichester Festival Theatre) as Dillwyn Knox, Carla Harrison-Hodge (Cyrano de Bergerac, Jamie Lloyd Company) as Pat Green, Susie Trayling (Harry Potter and the Cursed Child, West End) as Sara Turing/Smith, and Joe Usher (Falkland Sound, RSC) as Ron Miller/Nikos.

Young Everyman Playhouse graduate Joseph Edwards, recently nominated for Best Performer in a Play at The Stage Debut Awards 2025 for his role in The Red Shoes at the Swan Theatre, Stratford-upon-Avon, joins the cast of Breaking the Code as Christopher Morcom/Sixth-Former.

Co-produced by Liverpool Everyman & Playhouse, A Royal & Derngate Northampton, Landmark Theatres and Oxford Playhouse, in association with HOME, this revival features new material that speaks to Turing’s enduring legacy in modern Britain and the development of Turing’s Law. It includes a new epilogue by Neil Bartlett, written in response to Turing’s Royal pardon in 2013.

The production features set and costume design by Jonathan Fensom, lighting by Johanna Town, sound and music by Robin Colyer, movement direction by Gerrard Martin, casting by Hannah Miller, and voice and dialect coaching by Gemma Boaden.

From triumph to tragedy, discover the story of a man who loved, lost and never stopped asking questions in his quest for truth and understanding. This new production of Breaking the Code runs at the Playhouse from Tuesday 21 to Saturday 25 October, with tickets priced from £11 to £36.

Tickets are available at www.everymanplayhouse.com/event/breaking-the-code/

LEAF Bold St – Farewell Flea Market, held 24 / 25 Sept ’25

LEAF Bold Street has closed its doors for the final time. It marked a fond and very emotional farewell for a true Liverpool institution, a cultural hub, creative sanctuary and gathering place where countless communities have bloomed over millions of cups of loose-leaf tea during 15 wonderful years.

This week, the LEAF Bold Street team are now preparing for their Farewell Flea Market sale of stock and equipment – the perfect opportunity to take a memento or memory home for good. It takes place on Wednesday 24th and Thursday 25th September, from midday – 3pm.

Natalie Haywood, who co-founded LEAF with her brother Graham, says: “Now the doors on LEAF on Bold Street have closed, we’ve got our flea market sale of stock and equipment this week. So for anyone wanting to take a piece of LEAF home, this is the time to do it, where everything is up for grabs. We know many customers have got such great memories from the venue and I’m sure there will be plenty of personal and unique memories inside the walls. The team will be ready to welcome visitors this week to the flea market. We’ve been truly humbled by all of the lovely and supportive comments, whilst celebrating and reminiscing all things LEAF Bold Street with our customers in the buildup to closing on Sunday, along with the brilliant events too. We’re all looking forward to the next chapter with the rest of our venues in Liverpool.”

Event

65 – 67 Bold Street is where the LEAF story began and its legacy will live on in the city at LEAF Smithdown Road, Little LEAF, One Fine Day, and OH ME OH MY. LEAF Bold Street will be fondly remembered as one of Liverpool’s hospitality originators – a trailblazer that did things differently. With a punk-tea shop ethos, siblings Natalie and Graham reimagined the humble cuppa, creating a destination that became treasured across the city and beyond from 2010 to 2025.

Over the weekend, LEAF Bold Street closed its doors for the final time. It marked a fond and very emotional farewell for a true Liverpool institution, a cultural hub, creative sanctuary and gathering place where countless communities have bloomed over millions of cups of loose-leaf tea during 15 wonderful years.

This week, the LEAF Bold Street team are now preparing for their Farewell Flea Market sale of stock and equipment – the perfect opportunity to take a memento or memory home for good. It takes place on Wednesday 24th and Thursday 25th September, from midday – 3pm.

Natalie Haywood, who co-founded LEAF with her brother Graham, says: “Now the doors on LEAF on Bold Street have closed, we’ve got our flea market sale of stock and equipment this week. So for anyone wanting to take a piece of LEAF home, this is the time to do it, where everything is up for grabs. We know many customers have got such great memories from the venue and I’m sure there will be plenty of personal and unique memories inside the walls. The team will be ready to welcome visitors this week to the flea market. We’ve been truly humbled by all of the lovely and supportive comments, whilst celebrating and reminiscing all things LEAF Bold Street with our customers in the buildup to closing on Sunday, along with the brilliant events too. We’re all looking forward to the next chapter with the rest of our venues in Liverpool.”

65–67 Bold Street is where the LEAF story began and its legacy will live on in the city at LEAF Smithdown Road, Little LEAF, One Fine Day, and OH ME OH MY. LEAF Bold Street will be fondly remembered as one of Liverpool’s hospitality originators – a trailblazer that did things differently. With a punk-tea shop ethos, siblings Natalie and Graham reimagined the humble cuppa, creating a destination that became treasured across the city and beyond from 2010 to 2025.

LEAF Bold St – Farewell Flea Market

65-67 Bold St, Liverpool, L1 4EZ 

Wednesday 24th and Thursday 25th September

Midday – 3pm both days

www.thisisleaf.co.uk / @leafonboldst 

 

50 Years of The Whitechapel Centre Exhibition at Open Eye Gallery, starts 25 Sept ’25

The Whitechapel Centre, a leading homelessness and housing charity for the Liverpool region, is 50 – and to mark the occasion an exhibition will be held at the Open Eye Gallery in Liverpool.

The exhibition will take visitors on an inspiring journey through the charity’s history and its vital role in tackling homelessness across five decades. It traces the evolving face of homelessness, showing how economic, social, and political influences have shaped people’s experiences and the services provided. A central timeline charts major events alongside the charity’s responses, revealing how its work has adapted to meet changing needs.

Visitors can also see a video, memory boards and personal stories of transformation, like Neil’s.

Neil Davies, 50, was homeless but thanks to The Whitechapel Centre his life has been transformed. Now he works for the very charity which helped save him.

Neil spent 18 months homeless on and off between 2018 and 2023. He explains, “After 30 years of addiction, I found myself homeless in Liverpool. I was in big trouble, facing the streets and had no other options. It was January 2023, I was rough sleeping and in a terrible state.”

After going to The Whitechapel Centre Neil says, “Over the next year they supported me with emergency accommodation, getting me into a rehab clinic, then more permanent accommodation, continued addiction support, food banks, housing information and much more. The Whitechapel Centre believed in me all the way – it was a massive first in my life.”

“They saved my life”

 After volunteering for the charity, he got a job there. “Now I’m giving back and helping those in need just like I was. It’s a dream come true. Simply put, I would not be where I am today if it had not been for The Whitechapel Centre and all of those involved – they saved my life and allowed me to start a new one.”

Neil’s story will be on display in the free exhibition, which has been curated by a co-creation team including people who have a lived experience of homelessness, thanks to funding from The National Lottery Heritage Fund.

Helen Featherstone, Director, England, North at The National Lottery Heritage Fund, said: “The Whitechapel Centre has been doing important work for many years related to homelessness in Liverpool. We are delighted to be supporting the charity, thanks to money raised by National Lottery players, to explore and share the history of homelessness in the city, and how it has changed throughout the 50 years the charity has been in operation.”

The 50 Years of The Whitechapel Centre exhibition runs at the Atrium Open Eye Gallery, 19 Mann Island Liverpool, L3 1BP, from 25 September to 19 October, 10am-5pm Tues-Sunday. Entry is free.

Huge all day electronic music festival to take over Capstone Theatre, held 1 Nov ’25

Liverpool is set to host an unmissable celebration of electronic music this autumn as Levitation Festival takes over The Capstone Theatre on Saturday 1st November. Running from 1pm until late, the all-day event promises an immersive journey through the cutting edge of experimental, ambient and electronic sound.

Organised by Castles in Space, the revered UK label known for championing boundary-pushing artists, Levitation Festival has become an annual highlight for electronic music enthusiasts. This year’s edition brings together a stellar line-up of performers, each carving out their own unique territory within the genre. Special merchandise will be available only at the festival — a must for collectors and fans alike.

The project of Neil Grant, Lo Five has been exploring experimental electronic ambient textures since 2015. Inspired by early rave, Japanese ambient of the 80s, IDM, and soundtracks, his work reflects themes of human consciousness and spirituality. His forthcoming album, Superdank, is due on Castles in Space’s Lunar Module imprint this November.

With a three-decade career spanning punk, techno, and minimalism, Jo Johnson is an artist of remarkable versatility. In 2025 she is unveiling her slow-evolving album Alterations track by track on Bandcamp, alongside her intimate Alterations Remnants project for subscribers.

Composer and modular synthesist Loula Yorke has established herself as a prolific and adventurous voice in UK electronic music. Following several releases in 2024—including Volta and A Man On a Galloping Horse Wouldn’t See It—she returns with Time is a Succession of Such Shapes, crafted during her year-long monthly mixtape project.

Doncaster’s Mat Handley has built Pulselovers on foundations of analogue synths, field recordings, and nostalgic sonic textures. Joined on stage by John Alexander (Floodlights) on guitar, expect a set weaving favourites with previews from his next album.

Mark Burford’s music under the Field Lines Cartographer name is deeply atmospheric, weaving analogue and digital synths into evocative, otherworldly compositions. With BBC 6 Music support and acclaim from electronic heavyweights like James Holden, his live performances are known for their subtle intensity.

Former Pulled Apart By Horses guitarist James Adrian Brown has embraced an expansive electronic sound as a solo artist, merging analogue synths, piano, and strings into cinematic ambient landscapes. His debut album on Castles in Space is set to mark a bold new chapter in his career.

Blurring serenity and unease, Stone Anthem conjures haunting atmospheres with modular synths, vocals, and field recordings. Written in solitude in a remote Spanish mountain hamlet, the forthcoming album Where Trees Go To Die promises to be a meditation on nature, decay, and transformation.

Set in the elegant surrounds of The Capstone Theatre, Levitation Festival offers not just performances but a communal celebration of adventurous sound. With its carefully curated line-up, exclusive merchandise and the intimate setting of one of Liverpool’s finest venues, the festival is set to be a landmark event for fans of forward-thinking electronic music.

Levitation Festival takes place on Saturday 1st November from 1pm at The Capstone Theatre in Liverpool. Please visit the Capstone Theatre website to book your tickets.

Wonder Arts, St Helens awarded National Lottery fund for 12 new projects

Wonder Arts in St Helens have been awarded an incredible £266,784 from TNL Community Fund to deliver their Communities of Wonder project for the next 4 years.

Over the next four years, Wonder Arts will run a rolling programme of 12 projects (three each year) designed specifically to meet the needs of groups of young people in St Helens.

Through a wide range of arts activities, they’ll explore themes chosen by young people themselves, including mental health and wellbeing (post-Covid), the environment, and diversity.

The projects will focus on creating lasting positive change:
🌟 Improved Mental Health: Young people will feel more positive, more involved, and better supported.
🌟 Improved Confidence & Wellbeing: With greater life satisfaction, higher levels of happiness, and reduced anxiety.
🌟 Improved Life Choices & Aspirations: By developing new creative, social, and transferable skills that will open up future opportunities.
🌟 And it won’t stop when each project ends! Communities of Wonder is designed to have a solid, long-term impact; leading to volunteering opportunities, work experience, and continued skills development for the young people involved

They want to say a massive thank you to everyone who plays The National Lottery; you’re helping make a real difference in St Helens and across the UK.

Stay tuned, and join them on this journey as they create communities full of wonder, creativity, and possibility.

The Florrie hosts Candlelight®, the multisensory live concert series that reimagines classical music, starts 18 Oct ’25

Renowned for bringing classical music to unique spaces that are part of each city’s cultural heritage, Candlelight® will be presented for the first time in The Florrie. Candlelight is a series of live concerts produced by Fever, designed to democratize access to classical music.

Starting on 18 October, The Florrie will be transformed into an intimate setting illuminated by thousands of candles to host this series of performances, kicking off with tribute to Pink Floyd.

The Florrie is the perfect setting to host this one-of-a-kind musical experience that has enchanted audiences in more than 150 cities worldwide. Candlelight performances have taken place in a variety of breathtaking locations, from modern rooftops with panoramic views to iconic cathedrals, palaces, libraries, and gardens. Notable venues include the Atomium in Brussels, the Eiffel Tower in Paris, the Burj Al Arab Jumeirah in Dubai, Victoria Hall in Geneva, Central Hall Westminster in London, the Palau de la Música Catalana in Barcelona, and Niagara Falls in Ontario.

Performed by a local string quartet in Liverpool, Candlelight collaborates with talented local musicians who share the belief that classical music can resonate with a broader audience. This innovative format offers a unique musical experience through a diverse selection of programs designed to cater all tastes. Candlelight appeals to a wide range of attendees, including those who might never have considered attending a classical music concert. In an intimate candlelit setting, audiences can immerse themselves in the timeless masterpieces of composers like Vivaldi, Mozart, and Chopin, while also experiencing fresh, reimagined interpretations of popular hits from artists such as Queen, ABBA, Coldplay, and Ed Sheeran.

Candlelight: Tribute to Pink Floyd
Venue: The Florrie
Dates and times: October 18 at 19:00
From: £15.00
Tickets can be purchased at: https://feverup.com/m/391985

Candlelight: Tribute to Adele
Venue: The Florrie
Dates and times: October 18 at 21:00
From: £14.00
Tickets can be purchased at: https://feverup.com/m/391990