Fifteen Years of RAWD – And A £15,000 Challenge To Celebrate

RAWD 15 for 15 Campaign

Liverpool-based disability-led arts organisation RAWD has launched a year-long celebration and £15,000 crowdfunder to mark its fifteenth anniversary.

Fifteen Candles. One Big Wish.

November 2026 marks a landmark birthday for RAWD – fifteen years of radical creativity, disabled-led performance, and fearless advocacy. To mark the occasion, RAWD is launching a £15,000 crowdfunder: 15 for 15.

From a small drama group in a church hall to now packed-out venues, RAWD has spent the last decade amplifying the voices of learning disabled artists.

A RAWD member’s parent says: “RAWD is exceptional. Our daughter can’t wait to get there every week, her confidence has soared and getting the chance to perform and putting forward her ideas is doing wonders for her self worth.” 

Now, as the organisation steps into its next chapter, it faces one of its biggest challenges yet – ensuring this work can continue.

Over the next year, RAWD will invite its community of artists, allies, and audiences to take part in a series of “15-themed” challenges and events. From dancing for 15 hours, to baking 15 cakes, to raising £15 for the cause – every act will help sustain the organisation’s vital work empowering disabled artists and amplifying their voices on stages across the North West.

Creativity, Community And Courage

Since its beginnings in a church hall, RAWD has grown into one of the region’s most exciting inclusive arts organisations – co-creating joyful, defiant work that challenges stereotypes and celebrates disabled creativity week in, week out.

Co-CEO and Creative Producer Alice Lapworth says: “Turning fifteen is more than a milestone – it’s a moment to look back on everything our community has built, and to imagine what comes next. We’ve spent fifteen years creating space for disabled artists to thrive, but the fight for equality isn’t over. This crowdfunder is about investing in the next fifteen years of change.”

Funds raised through 15 for 15 will directly support RAWD’s creative programmes, training opportunities, and inclusive performance projects in 2026.

Why Your Support Matters

In an increasingly difficult climate for arts and disability funding, RAWD’s work has never been more vital – or more vulnerable.

Fifteen years on, the organisation remains driven by the same belief that started it all: that creativity is a powerful tool for independence, confidence and expression. But to keep that mission alive, RAWD needs the help of its community, audiences and allies.

This crowdfunder is a call to everyone who believes in a more inclusive future:
Help us raise £15,000 – and help us make sure RAWD is still here in another fifteen years.

Join The Movement

As part of the campaign, RAWD will deliver a year-long programme of monthly events, including (but not limited to) 15 hours of Karaoke, a Mother’s Day Craft Event and a Halloween event. Supporters are encouraged to attend and get involved, with full event details available on RAWD’s website.

In addition, RAWD is inviting its community members to take on their own “15” challenge — whether that be creating 15 paintings, writing 15 poems, completing 15 acts of kindness, or undertaking another meaningful activity inspired by the campaign theme. Participants are encouraged to share their efforts to help raise awareness and vital funds.

Supporting RAWD is not limited to financial contributions. There are a number of free and impactful ways to get involved, including volunteering at fundraising events, sharing campaign messages across social media, and helping to spread the word within local networks.

The campaign has officially launched, with full details available at rawdproject.co.uk. You can donate to the project via Just Giving.

Making Theatre From Lived Experience workshop – Collective Encounters, held online 12 Mar ’26

A masterclass workshop exploring both practical and ethical approaches to making theatre from lived experience in community settings.

Much of participatory theatre aims to tell the stories of communities who have been marginalised and amplify hidden stories that aren’t given space in the mainstream media. The term “theatre from lived experience” has become common in the participatory theatre lexicon to describe an approach to making theatre with communities which deals with the real issues in their lives.

In this event we will explore creative exercises which support the process of making theatre from lived experience; and the ethics of this practice. Attendees will be introduced to approaches used by the Collective Encounters team in their participatory projects.

Held: Online, 12 March, 10am – 1pm.

Access: This event will use live transcription. If you require BSL interpretation, please get in touch no later than two weeks before the event. If you have any other access requirements please email admin@collective-encounters.org.uk

Tickets: Collective Encounters is offering 25% off tickets for Culture Network members. Full price tickets are costed as follows.

  • For attendees supported by their organisations the full price of a ticket is £40.00
  • For freelancers and individuals from non-regularly funded organisations attendees the price of a ticket is £30.00
  • For those on low or no income the ticket price is £18.00

Email admin@collective-encounters.org.uk and quote MASTERCLASS25 to secure a ticket with 25% discount. They will invoice you for payment.

Curators and dates announced for Liverpool Biennial 2027

Lucía Sanromán and Aimee Harrison. Credits- Yvonne Venegas:Fiona Finchett.
Lucía Sanromán (Credit: Yvonne Venegas) and Aimee Harrison (Credit: Fiona Finchett)

Liverpool Biennial has announced Lucía Sanromán and Aimee Harrison as Co-Curators for the 14th edition of the festival, taking over historic buildings, unexpected spaces and art galleries across the city from 5 June to 12 September 2027.

Lucía Sanromán, currently Chief Curator at Museo Universitario Arte Contemporáneo, MUAC, in Mexico City, is a respected international curator with extensive experience delivering socially engaged and civic-led art projects. Aimee Harrison has worked for Liverpool Biennial since 2019 as Curator of Learning and throughout her career has produced artist projects with children and young people, d/Deaf and disabled people, older adults, migrant communities, people within the criminal justice system and those in addiction recovery. Harrison is being supported by The Ampersand Foundation to be seconded to the Co-Curator role for the 2027 festival, which will be informed by perspectives and experiences of childhood and youth in Liverpool and across the world.

Liverpool Biennial, the UK’s largest free festival of contemporary visual art, has been transforming the city through art for over two decades. Further details and participating artists are set to be announced later this year.

Lucía Sanromán, Co-Curator, Liverpool Biennial 2027, said: “Few global art biennials have so consistently contributed to place-based and socially engaged art practice, and to my own understanding of this genre, as Liverpool Biennial. It is a privilege to continue to expand and grow this legacy with my Co-Curator Aimee Harrison. Aimee has unmatched experience in creating art projects and programmes in collaboration with children and youth in Liverpool and brings unique vision to her work, as well as a set of values regarding the key role of art in society which is unusual in our field.

At a moment when the values of community and collectivity are being constantly tested, Liverpool Biennial 2027 suggests a path forward through art, offering a deep dive into the experiences of a group whose most marked characteristic is perhaps invention and imagination.”

Aimee Harrison, Co-Curator, Liverpool Biennial 2027, said: “I feel privileged to co-curate the 14th edition of Liverpool Biennial and am looking forward to working alongside Lucía Sanromán. Her expansive, research-led practice complements my own socially rooted, community-led approach in a way that feels both generous and generative.

Having worked with communities in Liverpool for over 17 years, it means a lot to realise this Biennial in my home city. Together with Lucía and our Liverpool Biennial colleagues, I am excited to shape a festival for everyone that is grounded in the experiences of children and young people.”

Dr Samantha Lackey, Director, Liverpool Biennial, said: “We are absolutely delighted to have both Aimee and Lucía at the helm for Liverpool Biennial 2027. This model of co-curation provides opportunity for reciprocal learning, combining an authentic and committed understanding of Liverpool with an international perspective. I look forward to working with Aimee and Lucía over the coming months, as we begin to shape the 2027 festival alongside our regional, national and international partners.”

The 13th edition of Liverpool Biennial, ‘BEDROCK’ took place from 7 June – 14 September 2025 and was curated by Marie-Anne McQuay. The independent evaluation of Liverpool Biennial 2025 can be viewed here.

Liverpool Biennial is supported by Arts Council England, Liverpool City Council and founding supporter James Moores.

Winner of International Slavery Museum’s major artist commission announced

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National Museums Liverpool is pleased to announce digital sculptor, Rayvenn Shaleigha D’Clark, has been awarded the £30,000 contract to lead the artistic direction and development of the iron panels that will form part of the International Slavery Museum’s new Entrance Pavilion.

Selected from more than 150 applicants, Rayvenn will work with architects, structural engineers, fabricators, and community partners to reflect the histories, legacies, and lived experiences represented in the museum.

The panels will be the visible ‘skin’ of the Entrance Pavilion (designed by Feilden Clegg Bradley Studios, with planning permission given in October 2024), symbolically transforming iron, once used in chains and manacles, and deeply ingrained in the infrastructure of transatlantic slavery, into a material of remembrance and resilience.

The significance of the Entrance Pavilion was recently recognised with a £200,000 grant from the Wolfson Foundation towards its construction.

Michelle Charters OBE, Head of International Slavery Museum, said:

“In a hugely competitive field, Rayvenn impressed us not just with her ideas, experience and creativity, but also by how much collaboration was instinctively embedded in her practice, using art as a tool for civic connection and collective cultural memory.

“We are looking forward to inviting Rayvenn, a rising star in the international art world, to Liverpool, to meet our passionate community stakeholders and develop together panel designs for the Entrance Pavilion and create a lasting legacy for a structure that is central to International Slavery Museum’s transformation, and a powerful statement that our ancestors will never be forgotten.

“It was a privilege to look through the many talented and inspiring artists who applied and on behalf of all the jurors, we would like to thank all those who took the time to engage with the project to produce such high-quality applications.”

Rayvenn is well-versed in public art projects that drive social change. Her recent landmark UK public project titled ‘Mother Vérité’, unveiled in October 2025, was the first statue to honour postpartum in a city where only 4% of sculptures depict women.

In the summer of 2024, Rayvenn unveiled a monumental multi-million-pound commission – titled ‘Black Renaissance’ – a new and original series of bronze artworks permanently installed at Equal Justice Initiative’s (EJI) Freedom Monument Sculpture Park, a 17-acre site dedicated to shedding light on the history and resilience of the survivors of transatlantic slavery in the United States.

Rayvenn’s accolades also include being named Forbes 30 Under 30 (2024) for being the youngest, early-career Black female sculptor (under the age of 30) to be commissioned at a high level of funding and scale, and a joint award with Maybrey Precision Casting at the Casting Metals Federation (2024) for the most technically challenging casting component for her work in the US.

Artist, Rayvenn Shaleigha D’Clark, said: “I am truly honoured to have been selected by National Museums Liverpool and the jury to lead the design and development of this important and exciting project. The project’s focus on co-production as the foundation of the design process directly aligns with my commitment to socially engaged practices, using public art as a tool to extend lived experience and nurture collective cultural memory.

“The International Slavery Museum is a phenomenal museum that gives life and breath to narratives of transatlantic slavery, opening the door to the truth of a hidden history of our enslaved ancestors in ways that are both educational and welcoming for all.

“As a Black British-Caribbean artist, I am emotionally connected to this work. This project draws upon decades of community conversations, visual storytelling, agency, reciprocity and shared authorship, and my role as an ‘active listener’ is to interpret, translate and embed these insights into the vision for the museum.”

Led by Feilden Clegg Bradley Studios (FCBStudios), the redevelopment of International Slavery Museum and Maritime Museum will sensitively respond to the existing Grade I-listed buildings: Hartley Pavilion and Dr Martin Luther King Jr Building (previously the Dock Traffic Office).

Kossy Nnachetta, Partner, Lead Architect at FCBStudios said: “FCBStudios would like to publicly congratulate Rayvenn for rising to the top of a very competitive field of artists. Her passion for using art to tell collective stories and her commitment to co-production clearly shone through. We are very excited to see the creativity Rayvenn will bring to the process and look forward to working with her on this globally important commission.”

International Slavery Museum is now closed for redevelopment. It is expected to reopen to the public in 2029. 

Exhibit Launch Duality Vessels: Voices of Strength – St George’s Hall Stable Art Gallery, held 10 Mar – 30 Apr ’26

The art exhibition at St George’s Hall Stable Art Gallery explores identity, resilience, and the realities of ‘honour’-based abuse and harmful practices. Each artwork holds personal meaning, reflecting journeys of strength, expression, and reclaiming voice.

Duality Vessels is the exhibition outcome of ‘Culture is Beautiful’, a creative programme delivered by Savera UK in partnership with women from the local community, led by Amina Bihi.

This project was made possible through the generosity of their funders and supporters.

Held: 10 March – 30 April

For more information, visit here

Queen of Lovers Rock Janet Kay joins Africa Oyé 2026 Festival line-up

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The next wave of artists for Africa Oyé’s 2026 festival have been announced.

The first Black British female reggae artist to have a number one in the UK; a feminist trio from Togo with a transcendent live show; and an Afrofuturist singer-songwriter will play the iconic Liverpool festival this June.

Janet Kay, Nana Benz Du Togo, and Kizaba join the three artists already announced for Africa Oyé ’26 – eco-punks Fulu Miziki, Afrobeats heavyweight Patoranking, and the Afrofuturist chanteuse Fatoumata Diawara.

Queen of Lovers Rock, Janet Kay, makes her Oyé debut in 2026. The multi-award winning artist is best known for her stellar hit single ‘Silly Games’, which placed her in the Music Guinness Book of Records as the first Black British born Female Reggae artist to hit the top of the UK Pop Charts.

As a ‘sixties child’, Kay was exposed to the singing greats – especially those from the Tamla Motown stable – and her love for singing was born. She has since been produced by a host of legendary producers/artists, including the late great Alton Ellis, Jackie Mitto and Sugar Minot.

Kay’s impact on the UK reggae scene has been inspirational – and her sweet, heartwarming vocals continue to win her many fans around the world. Joining the line up for Sunday at the festival, she will be sure to bring an unforgettable performance to Oyé.

Also announced to perform as part of Oyé’s Sunday line-up is Nana Benz Du Togo. The group consists of 3 formidable feminist voices. Armed with nothing more than their vocals and a vintage Korg keyboard, this powerful ensemble create a unique blend of voodoo tradition and soul.

Nana Benz du Togo channels an organic sound steeped in sub-bass and layered with complex polyrhythms, creating a hypnotic foundation for the voices of these three electrifying electro-soul preachers. Their transcendent live shows are nothing short of spiritual – a blend of ancestral energy and modern fire.

Afrofuturist singer-songwriter and pioneer of Congolese Electric music Kizaba returns to Oyé in 2026 with a full ensemble, after successfully opening the 2022 festival as a solo artist.

He skilfully blends ancestral vocals with the vibrant sounds of Congolese soukous and Afrobeat – rooted in an ‘afro-pun philosophy’, and framed by a futuristic aesthetic – with seminal performances at the New Orleans Jazz festival and WOMAD Chile.

The Kizaba live show delivers a truly unique musical experience. Driven by a vibrant and authentic energy, the performance invites audiences on an Afro-futuristic journey – a tribute to ancestral heritage reimagined through the modern sounds of today’s world. Kizaba perform on the Saturday at Oyé ’26.

Paul Duhaney, Artistic Director Africa Oyé:

“We’re really excited to announce this latest wave of artists for the festival. Janet Kay is a history making artist with songs that define lovers rock and is the latest in a long list of iconic reggae acts that have played Africa Oyé. Nana Benz Du Togo have been on our radar for a while and I’m delighted we could get them over to Liverpool this summer. And Kizaba needs no introduction for anyone who saw his brilliant solo set in 2022. We had the pleasure of seeing his new live show at a WOMEX showcase last year and knew straight away that we had to have him back.”

The UK’s biggest celebration of African and Caribbean music and culture makes its return to Liverpool on 20th and 21st June this summer, following a fallow year in 2025 due to rising infrastructure costs, changing legislation, and the increasingly difficult challenge of keeping the event free.

The organisers of the ‘jewel in Liverpool’s festival crown’ are committed to making it as affordable as possible for its audience, with low ticket prices and children under 12 receiving free entry to the event (with a paying adult).

The Africa Oyé festival began back in 1992 as a series of gigs in Liverpool city centre, originally coming out of the monthly “Club Corinto” nights which were produced by the Nicaragua Solidarity Campaign. Its growth over the last 33 years has seen the festival take place in multiple locations including Birkenhead Park, Princes Park, and Concert Square. Africa Oyé has taken place in the picturesque surroundings of Sefton Park since 2002.

This year’s celebration on 20th and 21st June 2026 will be the first ticketed Oyé in Sefton Park in the festival’s history, and as ever, the event will be an eclectic mix of international live acts, emerging talent, community performances, family friendly workshops, DJs, world cuisine, arts & crafts and much more.

Festival tickets are on sale now via TicketQuarter and africaoye.com.

New live music venue Gracy’s launches in Liverpool for ’26

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Gracy’s plans to bring indie sounds to Liverpool  city centre with local bands playing throughout the week, as well as themed party nights and other events to celebrate Liverpool’s vibrant music and social calendar in 2026 and beyond.

The events space is replacing what was The Liver Suite in Brunswick Street and takes its name from the nearby Three Graces landmark on the Pier Head.

Situated at the rear of the new Moody Blues bar on The Strand in the heart of the Liverpool City Centre Business District – which has turned former Reds’ watering hole Jurgen’s into an Everton-themed venue – Gracy’s will operate as a stand-alone space.

As well as live acts from across Merseyside and beyond, Gracy’s will host tribute acts to bands like Fleetwood Mac and Deacon Blue, and it has already lined up an 80s night and a Latin night with the focus on South American culture and ‘dancing the night away.’

There will be Sportsman’s Evenings with football legends like Mark Ward being put in the spotlight for Q&A sessions while customers enjoy a drink and a bowl of curry or scouse and, as well as great value weekly deals, there’ll be special packages for Mother’s Day, Aintree Grand National Festival, rugby union’s Six Nations Tournament, big name events on the waterfront, and more.

The venue has been described by co-owner Paul Moody, as a real ‘hidden gem’ in the heart of the city centre.

Private and intimate, the walls are illuminated by colour-changing neon lights. There are booths along the back wall, and it has a private bar.

Centrally, the room will hold a varying combination of tables and chairs – or left clear to create a dancefloor – which is why Paul is hoping that, as well as events to which everyone is invited, Gracy’s will become a city go-to for people’s personal milestone events too, from birthdays to Christenings, Christmas parties, and everything in between.

“We can tailor and dress the space however people want, and it’s been really well received so far,” says Paul.

“We can provide the food and the DJ, and the staff – who everyone says can’t do enough for them – and the space itself is free with a deposit given back to guests on the day.

“In the city centre that’s excellent value for money, and it’s such an amazing prime location.” Paul goes on: “Whether it’s public or private, we want Gracy’s to become known as the place to have a great party; or see an up and coming indie band – that’s the kind of vibe we want to set.

“It’s the place to have fun; to have a brilliant time and to celebrate.”

Gracy’s, 50 Brunswick Street, Liverpool, L2 0PL

Michael Robert Murphy to play Liverpool and releases lo-fi single, Corkscrew.

Michael Robert Murphy, Liverpool’s pre-eminent psych priest has released his latest single, Corkscrew, drawn from the upcoming deluxe reissue of his celebrated 2025 album, Chaos Magick. It comes on the eve of three live dates, taking in Glasgow and London before a Merseyside homecoming on Fri 27 February 2026.

Having enjoyed the cult-success that was afforded his influential band, The Wicked Whispers, prior to their amicable disbandment in 2018, Murphy has since channelled his own poetry and purpose into a run of sell out solo albums. His latest, Chaos Magick, released in summer 2025, found the songwriter stripping back his sound, mixing lo-fi analogue methods of recording with progressive modern technique.

Recorded amidst the natural wonders and untamed climate of the Wirral, supported by producer, Liam Power (By The Sea), Murphy’s self-originated and performed arrangements were embellished with contributions from Echo and The Bunnymen’s Will Sergeant and both Ian Skelly and Paul Molloy of The Coral.

A late runner but never in danger of being lost, Corkscrew is a previously unheard and unreleased gem from the album sessions which now joins a further three tracks (including In A Dream That Holds The Key from Murphy’s hugely successful 2025 Radio X session) completing the Chaos Magick Deluxe Edition. Accompanied by a video shot by Dan Hewitson (Brooke Combe, Jamie Webster), Corkscrew’s story is illustrated using scenes from Liverpool’s Anglian Cathedral, the historic manor, Sudely House and an abandoned railway line that cuts through Murphy’s home city.

Murphy says: “No song gets left behind but, while we were reflecting on the album running order, pushing ‘Corkscrew’ into contention would have changed the balanced vibe and pace of ‘Chaos Magick’. But this enriched version of the song feels really special, it lives as an important companion to the album. It’s me singing to anyone that I have seen going through a tough time. The music is there for a friend if a sympathetic ear is ever needed.”

Chaos Magick gave up a run of similarly reflective, carefully constructed singles last year, including Lift The Curse, Prometheus Fountain, Whispers On The Wind and Cyclone. Those tracks, alongside previous sell-out releases, including songs from 2020’s Metamorph EP and the James Skelly-produced Puzzles/Holding On AA-side single, are in contention for set-list addition for the following confirmed Michael Robert Murphy shows:

• Sun 22 Feb – Glasgow, McChuills
• Thu 26 Feb – London, The Stags Head
• Fri 27 Feb – Liverpool, ARC:HIVE

Alongside links to both the original and updated, deluxe edition of Chaos Magik, final remaining tickets for all dates can be booked via https://linktr.ee/michaelrobertmurphy

For further information on Michael Robert Murphy’s releases and future live announcements, connect online at:

https://www.instagram.com/michael_robert_murphy
https://x.com/MRobertMurphy
https://www.facebook.com/MRMurphyMusic
https://www.tiktok.com/@michaelrobertmurphy

Production of Letter to Brezhnev coming to Liverpool’s Royal Court in ’26

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This brand new show is Frank Clarke’s stage adaptation of his stunning film, Letter to Brezhnev, which has been described as “having done more than perhaps any other film before or since in putting Liverpool on the cinematic map.”

A Liverpool love story that promises to be an instant classic. Don’t miss the boat.

Tickets

Held: 11 September – 17 October

Stalls tickets are available with a meal (served at your table before the show) for an extra £14 for one course and £20 for two courses at evening shows

Click here to see their menu or an extra £10 at matinees (scouse or blind scouse only). If you are eating with them please arrive at least an hour before the performance.

Powerful Capstone Theatre show shines spotlight on Cynthia Lennon, held 29 / 30 May

A powerful stage production will tell the story of Cynthia Lennon in Liverpool this spring.

The musical called This Girl will be performed at the Capstone Theatre on 29th and 30th May and will feature original songs including ‘Mother Mary’ by Julian Lennon.

The story of John Lennon’s first wife shines the spotlight on the woman who loved, supported and ultimately lost one of the most famous men in the world.

This powerful show has already captivated sell-out audiences in Liverpool and London previously and has been described as a moving celebration of a remarkable woman whose story has too often been overshadowed.

Cynthia was a student from Hoylake who fell in love with a young musician called John when they met at Liverpool Art College in 1957. She became Cynthia Lennon, his wife, and mother of their son, Julian.

The play charts the emotional journey of Cynthia’s life before, during and after Beatlemania. It tells the story of a lovely person whose life was full of good and bad times, but also one peppered with laughter and humour.

Tickets for the show are available now via the TicketSource.