The Fifth Guest

***SOLD OUT***

As Hallowe’en (Samhain) approaches, four guests arrive at an Irish mansion for a murder mystery dinner.

The house, situated on an island, is reputed to be haunted by the spirit of the Lost Girl. As the evening unfolds, it becomes clear that there’s another agenda at work, and the four guests are forced to confront some difficult questions. Who can they believe? And who is the Fifth Guest? This dark comedy holds the answers!

The play is to be held in The Hope Street Theatre, connected with The Liverpool Arts Bar. Please be aware that there are 8 steps in to the venue. Once inside, there is same-level access throughout.

PK’s seisiún

Completely informal opportunity to come a long for a tune. The first seisiún of two in the Festival, the other takes place here again on Fri 28 Oct 2022.

Bring an instrument, your voice and a will to play along. There’ll be Festival friends to help bring the gang together, whilst a fully stocked bar -in one of the most historic and quirkiest pubs in Liverpool- eases you towards the dawn.

PK’s is short for Peter Kavanagh’s.

PK’s seisiún

Completely informal opportunity to come a long for a tune. The second seisiún of two in the Festival, the other takes place here the Fri prior (21 Oct 2022).

Bring an instrument, your voice and a will to play along. There’ll be Festival friends to help bring the gang together, whilst a fully stocked bar -in one of the most historic and quirkiest pubs in Liverpool- eases you towards the dawn.

PK’s is short for Peter Kavanagh’s.

Reroot

Reroot is a short animation, produced in English and Gaeilge by Northern Irish TV and film company Dogleap Productions.

It is intended for a family-friendly, multi-age audience. Commissioned by Liverpool Irish Festival, Gael Linn and An tUltach, it links to the Festival’s theme (hunger) by looking at character identities and how they’re motivated by different needs (mental health, community cohesion, culture and environment). Below, the creative team explore the film’s meaning and development, along with how a film is made, financed and supported.

The film will only be available to watch during #LIF2022. To view the film, enter the password “R00Ts2022” (in the box below).
English language version

Irish language version

Animatic-Animation-Action
Context for Reroot
Reroot is a deceptively simple film with lots of moving parts. Delivered by an ensemble of discarded objects, quirky weeds and wildflowers, they communicate universal stories with surprising ease.

The story follows Plastic Bottle after she’s been thrown into a weed-filled patch of urban wasteland, under a Belfast carriageway. She’s down-in-the-dumps and homesick. Ever the optimist, she tries to fit in with the eco-community and makes friends with the wild lives growing around her. After meeting a (not-so-prickly) Nettle, a comforting Claddagh Ring and a fearless Face Mask, they learn it’s okay not to be okay and not to know your way; we’re all wildflowers in this world.

Connor: “Whilst humans battle with issues of division and diversity, our eco-community suffers. Reroot provides viewers -young and old- with an opportunity to talk about difference in a positive, celebratory way, whilst learning about our natural world, carbon foot printing, cultural heritage and the importance of minding ourselves (and the minds of others). If we have the right conversations for actionable change, then humans can live in harmony, embracing all kinds of identities”.
People
The film was created, directed and produced by Connor Richmond, who has credits including Emmerdale (ITV), feature film Boys From County Hell (2020), children’s animated series Pablo (CBeebies/RTÉjr), Sol (TG4/BBC Alba/S4C) and upcoming BBC One drama Blue Lights.

Connor -who won the open call pitch- is honoured to produce the short, having gained additional support from multiple investors to engage the project and crew. “It’s such a special opportunity to tap into the imagination of our viewers; to celebrate and explore folklore and the welfare of our wildlife and wild lives in a contemporary and original way. It’s a story about individuals, place and connection. What grounds us (and them), through the thunder and rain of such dark times, is the colour and zest of our collective community spirit; our sunshine and light! Friendship is instinctive meaning we can break down barriers to overcome difference. Really, we’re all wildflowers learning how to grow, so this is about all of us. No flags or divisive borders, just the colours of the rainbow and our character’s conversations”.
Place and purpose
Set in Belfast –a place currently on the front pages due to Irish Sea border and Brexit debates- the underpass represents a mythical space, woven in to the fabric of folklore and fairy tales. It’s the perfect space to hear indigenous words from the wild. Irish-language voiceover director, Clíodhna, adds, “it’s a wonderful opportunity to set the Irish language on the world stage. Encouraging us to return to our Reroot reminds us of the importance of identity”. She recalls the proverb: ‘Níl aon tinteán mar do thinteán féin’ (‘there’s no place like home’), before explaining “Reroot celebrates the beauty of our native place. Through the excitement and playfulness of these wild lives, audiences can find a true sense of belonging, hope and heritage”.

As the war in Ukraine rages; news of refugees, displacement and the creation of diasporic migrant groups is rife. For those with a sense of ‘home’ there is a commonly held belief that identity and language provide roots. Chiming with ‘hungers’ and need for nourishment, warmth and safety, the film nods to diasporic experiences of being far from home; feeling lost and lonely and being isolated within new communities. These feelings can trigger mental health issues and anxiety, flagging the importance of personal wellbeing; connecting with nature; breathing fresh air; laughing and crying; listening and learning… nourish to flourish.
Animatic to animation
Resources: funds and humans
Producing animation is a multi-levelled process with many stages of production. Though ‘only’ a short film, it’s is executive produced by DAL Productions and Gallagher Films and received funding from Northern Ireland Screen’s Irish Language Broadcast Fund, CelAction, Turning Point NI, Causeway Coast and Glens Borough Council, Aisling Ghéar Theatre Company and independent financier, Cherry Love, from Lovely Looks Boutique (Limavady) as well as the initial commission.

Reroot is written by Claire Handley; with animation directed by Liam Weatcroft, animated by Jessica Maple and edited by Charlotte Kieran. Reroot was storyboarded by Rosie Cash; art directed and designed by Maebh McHugh; Irish-language voiceover directed by Clíodhna Ní Chorráin and musical score composed by Calum McCormick. It features a star-studded cast of contemporary talent, including Siobhán McSweeney (Derry Girls/Holding), Liam Fox (Emmerdale), Orla Mullan (Marcella/The Fall), Morgan C Jones (Boys From County Hell/Vikings), Diona Doherty (Give My Head Peace/Penance), Aaron Barashi (Thomas and Friends/Ladybird & Bee), Aidan McCann (Red Rock/The Holiday), Sadbh Breathnach (Sol), and Liverpool-actor Philip S McGuinness (The Responder/The Alienist).
Process
After the script is written, storyboards are drawn, before an animatic (a visual moving story board) is edited to a temporary ‘scratch’ voiceover. This helps pace the energy of the story, influencing the shape of the musical score. Later follow rough cuts referred to a ‘first pass animations’, honed over time. Talent recruitment and voice recordings take place throughout, whilst character artwork and background designs are finalised. After the characters are ‘rigged’ and placed within the layout of the scene, the process of animation begins. This is followed by sound-mixing, scoring and final mastering. This lengthy process is a collaboration between many crew-members who, in this instance, all work within the Northern Ireland screen industry.

Writer, Claire, comments “it’s been an absolute pleasure to help bring Reroot to the screen. In a world where we can often feel adrift, this story underlines the societal goal of sustainability and peaceful co-existence. I’m so excited for audiences to meet these little characters”.

Claire wrote the script based on Connor’s original story. Together they’ve developed each character’s meaning. Dandelion symbolises the return of life and resilience. Forget-Me-Not embodies true love and respect. Nettle represents healing. Claddagh Ring epitomises friendship, loyalty and love. Face Mask presents mental health struggles (especially relating to the pandemic) and -lastly- Plastic Bottle depicts non-environmentally friendly, single-use waste.
Connection
“As we meet the wild lives -in their patch of wasteland- we realise this barren, abandoned space is their world. For them it’s a place of adventure, learning and friendship. Together, they are diverse and dynamic; they have an ecology and learn to love what ‘home’ means to them”, comments Connor.

Connor further reflects, “It’s been an incredible pleasure to co-direct this film, as we put forward important messages, whilst showcasing an incredible variety of creative talent. I’m proud of what has been achieved and I am looking forward to the audience getting to join us in the wildlife”.

Reroot ‘s creative team would like to thank all financiers, cast and contributors for supporting the project. “We hope to remind viewers, around the world, that no matter where you find yourself, you can always find a way back home. Using your identity by speaking with people about it is a way of keeping it alive. If there is an action to take away from Reroot , it is to speak to one another, learn from one another and understand the skills and differences we can offer one another as well as going green. We encourage you to do both”.

Sweeney’s Unquiet Islands: exhibition

Sweeney’s Unquiet Islands is an exhibition of original prints made by Northern Irish Wirral-based artist Martin McCoy.
Origin
Taking their starting point from the medieval Irish story Buile Suibhne (bˠɪlʲə ˈhɪvʲnʲə or “Bwullya Hevna”), renamed Sweeney in modern texts, Martin uses the motif of landscapes -as described in the story- to create a contemplation on our relationship to place and the role of location in shaping identity.

To summarise, the story describes the cursed life of Suibhne (Sweeney), King of Dal Araidhe. Having fallen foul of the Christian Church, Sweeney is condemned. He is forced to spend his remaining years roaming Ireland and the Western Isles; at night, in all weathers, in a constant state of anxiety. Stripped of his human status -and bound by his physical and metaphorical hunger- he questions his identity.
Art
Martin’s etching series replies to the text. Manipulating known locations and layering them in ways that create ambiguous qualities, Martin mirrors Sweeney’s ravings. The images confuse and distort our understanding, helping us to question what we know about the images.

The exhibition will feature a show catalogue. The exhibit will feature additional works from Pamela Sullivan’s The Forgotten. Also on display will be information about Hot Bed Press, the local print studio in which exhibition was pressed.

The Liverpool Irish Festival proudly presents this exhibition in partnership with The Williamson Art Gallery (funded by Wirral Council).

[lif_events ids=”4406″ heading=”Related events and posts” post_type=”post”]

Sweeney’s Unquiet Islands: Private View

The official opening of this all-new exhibition.

The Private View (PV) will feature a few words from the artist Martin McCoy; The Williamson’s curator and the Festival, along with live music. This will be the first opportunity to see 20+ artworks responding to the Buile Suibhne/Sweeney story, which considers identity and landscape; mental health and fragility. Please see exhibition listing for more details.
Exhibition details
Sweeney’s Unquiet Islands is an exhibition of original prints made by Northern Irish Wirral-based artist Martin McCoy.
Origin
Taking their starting point from the medieval Irish story Buile Suibhne (bˠɪlʲə ˈhɪvʲnʲə or “Bwullya Hevna”), renamed Sweeney in modern texts, Martin uses the motif of landscapes -as described in the story- to create a contemplation on our relationship to place and the role of location in shaping identity.

To summarise, the story describes the cursed life of Suibhne (Sweeney), King of Dal Araidhe. Having fallen foul of the Christian Church, Sweeney is condemned. He is forced to spend his remaining years roaming Ireland and the Western Isles; at night, in all weathers, in a constant state of anxiety. Stripped of his human status -and bound by his physical and metaphorical hunger- he questions his identity.
Art
Martin’s etching series replies to the text. Manipulating known locations and layering them in ways that create ambiguous qualities, Martin mirrors Sweeney’s ravings. The images confuse and distort our understanding, helping us to question what we know about the images.

The exhibition will feature a show catalogue. The exhibit will feature additional works from Pamela Sullivan’s The Forgotten. Also on display will be information about Hot Bed Press, the local print studio in which exhibition was pressed.

The Liverpool Irish Festival proudly presents this exhibition in partnership with The Williamson Art Gallery (funded by Wirral Council).

[lif_events ids=”4406″ heading=”Related events and posts” post_type=” “]

The Forgotten: a workshop

The Forgotten is a work series by Pamela Sullivan that considers Ireland’s forgotten people and the abandoned homes they left behind.

Linked with her guerrilla exhibit (across Liverpool) and #LIF2022 gallery interventions, alson called The Forgotten, Pamela will run an ‘make-and-take’ adult workshop, in which participants make their own paper cottage, whilst reflecting on the history, times and stories that created such abandoned spaces.

St Brigid’s Day (Lá Fhéile Bríde)

Liverpool Irish Festival is proud to present you with an array of St Brigid’s Day activities.

Taking place across the country, and from our archive, we hope you find plenty to engage in. Whilst Omicron continues to run rife, we are keeping these online in 2022. We sincerely hope to meet for something in person in 2023. Below we list our headline event, Women’s Voices in Arts and Media, followed by some key work from the Festival’s St Brigid’s and In:Visible Women archives, followed by a short listing of other events on offer for St Brigid’s Day.

Women’s Voices in Arts and Media
Originally premiered online (now available below), 7pm, Tue 1 Feb 2022

Key to our offer this year, is our engagement in the Women’s Voices in Arts and Media discussion, led by the Consulates General of Ireland in Cardiff, Edinburgh and Manchester (bookable using the ‘Book now’ button) or using this Eventbrite link. The speakers will discuss the importance of female voices in today’s world, linking with empowerment and -from the Festival’s point-of-view- the work we do via In:Visible Women.

The online discussion will feature a distinguished panel of women from the worlds of arts and media. The event moderator will be Ellen Coyne, news correspondent and columnist with The Irish Independent, author of Are You There, God? It’s Me, Ellen. Joining Ellen will be Sorcha Carey, Bethan Kilfoil and -the Festival’s own- Emma Smith.

Sorcha Carey is Director of the Edinburgh Art Festival, Chair of Festivals Edinburgh and incoming director of Collective – Centre for Contemporary Art in Edinburgh. Bethan Kilfoil is a Programme Editor for RTÉ AND former BBC Wales correspondent. Emma Smith is Artistic Director and CEO of Liverpool Irish Festival and former Executive Director of LOOK Liverpool International Photography Festival (2015).

Watch now: stories of strength; creative storytelling
The Widow’s Friend (3min film + background notes) – A song commisison from Cathy Carter based on the story of Kitty Wilkinson, a Derry-Liverpudlian who helped save the city -and country- from cholera in the 1800s.

The Art of Living: The Life and Times of Miss Amy June Furlong (30min film + article) – A pictorial, narrated view of a life through quotes; this film documents Liverpool’s acclaimed life model, Amy June Furlong, who was painted by the greats, incluing Lennon, Freud and Bacon. June’s life is presented by oral-historians, filmmakers and archivists, The Sound Agents.

Darluchdagh’s Song (3min film + background notes/lyric sheet) – Ciara Ni É and Aoife Ní Mhórdha present a poem, set to music, about St Brigid’s closest friend, companion and confidant, Darluchdagh. The poem helps us to understand the world Brigid inhabited and the love she shared.

In:Visible Women 2021: Mother and Baby Homes – In 2021, following the release of the Mother and Baby Homes Commission of Investigation Final Report, the Festival worked with National Univeristy of Ireland, Galway and the Tuam Oral History Project to learn more about the personal encounters and lasting effects of the Mother and Baby Homes. Enlightening, caring and generous, the series of six online presentations…

see and bear witness
hear and listen
locate and learn
interpret and express
reflect
hope

…on the experiences of those most affected. Before proceeding, we recommend reading In:Visisble Women: Today’s Care, an article we published to support the series. As anyone might expect, entering the world of the Mother and Baby Homes, can cause upset. Whilst we have been careful with our words, we ask you to be gentle with yourself and mindful that the topic is sensitive and emotive.

Enjoy for the day

29 Jan 2022: London Irish Centre St Brigid’s concert
30 Jan 2022: Hammersmith Cultural Centre Casey Sisters concert
31 Jan-14 Feb 2022: Look our for the Herstory lightshow (link) at sites across Dublin
1-28 Feb 2022: Irish Film London present a month-long programme of the best female-led short films
1 Feb 2022: If you are in Kildare, you may enjoy the activities of Solas Bhride.

You can also check on the To Be Irish website, for more Irish cultural activity listings, year-round.

Life, Love and Laments

June is Gypsy, Roma, Traveller History Month.

To acknowledge our Gypsy, Romani and Traveller communities, the Liverpool Irish Festival has partnered with

Irish Community Care
National Museums Liverpool, and
Pride of Romani

…to build and show a digital exhibition, named Life, Love and Laments. Available to see, in the atrium of the Museum of Liverpool, the exhibition charts family lines through Gypsy, Romani and Traveller communities in the north west; sharing personal stories, terms and histories.

We would like to thank all the partners -and particularly Charmaine Smith- for the contributions made. A PDF of the slides can be viewed here.

You can also pick up on the Irish Trail running through the Museum (link for more info on that, here).

A Very Odd Birthday Party

This film opens in One Drive.

Give it a couple of moments to load, then hit the right-facing arrow to have it play. Trailer (c) Aaron Howell, music (c) Hannah M Donelon.

A Very Odd Birthday Party revels in the complexities of family, working-class identity and memory. It asks:
Can you ever really know someone? Or know too much? Are there parts of ourselves we must simply reconcile with in silence?
This is your invitation to Michael Moriarty’s birthday party.

Once there, you’ll join mother-to-be -Eveline- and her dad -Michael Moriarty- on a journey that penetrates the psyche, humour and trauma of first- and second-generation migrants in the UK.

Longlisted for the Women’s Prize for Playwriting, A Very Odd Birthday Party is a new play by Hannah Donelon featuring live, traditional music. Anna Berentzen (Headlong Origins 2022; Royal Exchange; North Wall Theatre) directs a talented cast of actor-musicians in a tale filled with humour, suffering, loss and hope. The play includes themes of dementia and displacement, with some sexual references (14+ age recommendation).

Hawkseed’s tour is supported using public funding by the National Lottery through Arts Council England and by funding from the Consulate General of Ireland, Manchester. A Very Odd Birthday Party received development funding from The Production Exchange and is delivered in partnership with The Met and Liverpool Irish Festival.

Hawkseed Theatre support, celebrate and develop new writing for the stage; raising often under- or misrepresented voices on stage. Creative audio description will be embedded into the script, with expertise from Chloë Clarke.

For this performance, the theatre company are offering “pay what you decide” tickets. These tickets are available for those facing financial difficulty, so that you can still access Hawkseed‘s work. Please only select this option if you are facing financial difficulty. After the show, there will be an opportunity to pay whatever feels right for you.

The Liverpool Irish Festival is pleased to be working with Hawkseed and Liverpool Royal Court to present this production.

Other tour dates:

20 Oct 7.30pm The Met, Bury
21 Oct 7.30pm  Interplay Theatre, Leeds
24 Oct 7.30pm Rotherham Civic Theatre, Rotherham
30 Oct 5pm King’s Head Theatre, London.

Director- Anna Berentzen
Writer- Hannah Donelon
Audio Description Consultant- Chloë Clarke
Set and Costume Designer- Ellie Light
Sound Designer- Charlotte Barber
Lighting Designer- Charly Dunford
Stage Manager- Sophie Rushworth
Producers- Sara Abanur and Lauren Cresswell
Musical Supervisor- Emma Sweeney
Photographer, Videographer and Marketing Support- Aaron Howell
Running time- 90 mins approx.

This performance contriutes to the Festival’s In:Visible Women, Family and Heritage work strands.