Taking in Liverpool’s waterfront in the way many migrants will have over centuries, this tour tells much about the formation of Liverpool’s waterways and those who had a hand in the developments.
Due to scheduled works on the waterways, we are unable to take visitors to Clarence Dock, where many Irish migrants entered the city, this time. Instead, passengers start their tour in the Royal Albert Dock, sailing to Canning Dock, Salthouse Dock, Duke’s Dock, Wapping Dock, Queens Dock, Coburg Dock and Brunswick Dock before returning to the mooring. Lasting almost an hour, passengers will hear about the birth of the docks, their history and the people that made them, transforming a sleepy fishing village in to a City of Empire.
Children must be supervised by those that bring them.
Bookings and timings
Tickets are extremely limited (no more than 12 per journey) so booking is essential. Please be mindful of the limited ticket numbers available and to return unwanted tickets in advance so that other people can take advantage of this free offer.
Tours will leave The Pride of Sefton mooring at 11am, 12.30pm, 2pm and 3.30pm on Sat 30 Oct 2021 only.
Please be sure to book for the tour time you want and note the departure time. You are asked to be at the mooring site 10mins before expected departure.
The boat will have to leave on time in order to return and depart for its next tour. It will leave without ticket holders if they are not present.
Following the success of her previous play Kitty (as performed at #LIF2018), Liverpool playwright and author Carol Maginn now presents the story of another Irish migrant who confronted and overcame the many hurdles of early 19th Century society.
This play tracks the journey of Dr Barry from poverty in Cork to family in London, study in Edinburgh, and then a tumultuous and prestigious career in the British army, bucking societal pressures at every turn. This is a modern retelling of the life of a powerful historic pioneer.
We’re delighted to perform this work in the atmospheric lecture theatre of the Liverpool Medical Institution, which opened in 1837, at the height of Barry’s surgical work and medical reformism. To think that Dr Rutter (LMI’s first president) and Dr Barry may have exchanged letters or learning in the same building is to live in the play, just a little!
With local director Zara Marie Brown, and the generous co-operation of the Liverpool Medical Institution staff, this will be a unique evening, and one to remember, and we urge you to book as soon as you can!
This play runs at 6pm and 8pm on Thurs 28 and Fri 29 Oct. The 8pm showing on Thurs 28 Oct will also have a Q&A with the writer and others.
Following the success of her previous play Kitty (as performed at #LIF2018), Liverpool playwright and author Carol Maginn now presents the story of another Irish migrant who confronted and overcame the many hurdles of early 19th Century society.
This play tracks the journey of Dr Barry from poverty in Cork to family in London, study in Edinburgh, and then a tumultuous and prestigious career in the British army, bucking societal pressures at every turn. This is a modern retelling of the life of a powerful historic pioneer.
We’re delighted to perform this work in the atmospheric lecture theatre of the Liverpool Medical Institution, which opened in 1837, at the height of Barry’s surgical work and medical reformism. To think that Dr Rutter (LMI’s first president) and Dr Barry may have exchanged letters or learning in the same building is to live in the play, just a little!
With local director Zara Marie Brown, and the generous co-operation of the Liverpool Medical Institution staff, this will be a unique evening, and one to remember, and we urge you to book as soon as you can!
This play runs at 6pm and 8pm on Thurs 28 and Fri 29 Oct. The 8pm showing on Thurs 28 Oct will also have a Q&A with the writer and others.
From Here To There is a one night collaborative effort, featuring musical acts from both sides of the Irish Sea.
During the Festival’s 2020 online incarnation, Cork City based company, Unemployable Promotions compiled an online showcase of their roster, entitled From Here, featuring live performances from the city’s iconic venue, Coughlans. We organised for the Cork company to team up with well-known Liverpool based promoters and label, Mellowtone. The two shared each other’s events, with a view to continuing to work together in 2021.
This year the two promoters will work together, IRL (‘in real life’!), here in Liverpool’s District. Featuring performances from two great Cork City based acts, Sara Ryan and Míde Houlihan (along with their bands), as well as from local favourites, Karen Turley and Seafoam Green from the Mellowtone roster.
The event is the second in what promises to create an ongoing relationship between Unemployable Promotions and Liverpool Irish Festival, bringing a taste of Cork City’s thriving original music scene, and showcasing its acts alongside some of the best local artists, in a way that compliments both.
“There’s a great connection between Cork and Liverpool, and actually a lot similarities that you’ll find in the people” says Unemployable co-owner, Michael Grace. “We started coming to Liverpool years ago, originally following our football loyalties, and ended up making some friends, and falling in love with the city. A huge part of that was the music. We’re delighted to have the chance to showcase some of our acts at the Festival and we’re really looking forward to collaborating with Mellowtone again, who have been so great since we were first introduced”.
This event is held in partnership with Unemployable Promotions, Mellowtone and District.
Additional info:
Míde Houlihan (pictured left) is a West Cork bred singer-songwriter, whose folk-pop compositions have received national notice and acclaim over the last number of years. In 2015 Míde won the IMRO Songwriting Award, and released her debut album: Coloured In. Having put herself on the map with extensive touring, Míde followed up with her next EP: Shifting Gears (2019). Songs from both releases played regularly on Ireland’s national radio earning Míde support slots with John Spillane, Bill Shanley and Mick Flannery, who she would go on to co-write with, releasing their collaboration, Idle Words (2020). On performing live, Míde is a regular on the festival scene, appearing at Clonakilty International Guitar Festival, Quiet Lights (Cork), Glór (Ennis), Ireland Music Week (Dublin), Women’s Work (Belfast) and many more. Míde and her band recently recorded her forthcoming EP Trampoline, set for release in October.
Sara Ryan (lead image) is a Kildare-born Cork-based singer-songwriter, who has been a regular stand out act in the Irish scene since winning Best New Artist Award at the Irish Folk Awards (2017). Her debut album, Breathe featured a number of singles included in RTE’s Recommended List. Sara’s distinctive voice and blend of folk, pop and soul results in a signature sound that is at the heart of her well-deserved success. After regular touring in Ireland and Germany, Sara signed a publishing deal with Atlantic Songs (London/Cork) and is currently writing and recording new music. Appearances at Doolin Folk Festival, Women’s Work, The Last Broadcast and others have established Sara as a powerhouse in the live music world, where she continues to make waves.
Karen Turley (pictured left) is a Singer-Songwriter from Ireland based in Liverpool. In the past she has performed in The Bluebird Cafe in Nashville and is influenced by the likes of Dolly Parton and Brandi Carlile. She is currently gearing up to release her first full length studio album with her Country, Folk-Rock trio, ‘Motel Sundown’.
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Seafoam Green (image below) are Irish songwriting duo Dave O’Grady and Muireann McDermott Long. The pair specialise in what we now call Americana. If you want blues, gospel, and folk, they’ve got it, but what they’ve actually perfected across two albums and countless live shows is the sound of a glorious rock n’ soul revival. Seafoam Greeneven find room for a dash of Dublinese, just to remind people where they’re coming from. Heavy hitters like Rich Robinson, Derek Trucks, and Tyler Greenwell have all chipped in, and it’s not hard to hear why, for this is thrilling, vital, and – that word again – soulful music.” Pat Carty, HotPress Magazine.
A one-woman, one-act play about how a love affair for football began when our narrator saw the Republic of Ireland qualify for their first World Cup in 1990.
Watch as memories the memories of travelling to see Ireland play their second World Cup final (1994) in the USA, before moving to witnessing Roy Keane’s ejection from World Cup 2002. Remember how the horrors of Hillsborough impacted on the people of Dublin as well as Liverpool and consider how sexism and racism flag up the parochial, narrow-mindedness of some fans towards others. The finale is a whistle stop tour of Liverpool’s memorable night in Istanbul, whilst the play -as a whole- reflects the ties between Liverpool and Ireland via their shared love of football.
Written and performed by local writer, actor and Irish-Scouser Geraldine Moloney Judge.
NB: The Liverpool Philharmonic has entry requirements aligned with Covid-19 safety. If attending, please make sure you are aware of these and are able to pass their requirements. Information is at this link.
Following the success of her previous play Kitty (as performed at #LIF2018), Liverpool playwright and author Carol Maginn now presents the story of another Irish migrant who confronted and overcame the many hurdles of early 19th Century society.
This play tracks the journey of Dr Barry from poverty in Cork to family in London, study in Edinburgh, and then a tumultuous and prestigious career in the British army, bucking societal pressures at every turn. This is a modern retelling of the life of a powerful historic pioneer.
We’re delighted to perform this work in the atmospheric lecture theatre of the Liverpool Medical Institution, which opened in 1837, at the height of Barry’s surgical work and medical reformism. To think that Dr Rutter (LMI’s first president) and Dr Barry may have exchanged letters or learning in the same building is to live in the play, just a little!
With local director Zara Marie Brown, and the generous co-operation of the Liverpool Medical Institution staff, this will be a unique evening, and one to remember, and we urge you to book as soon as you can!
This play runs at 6pm and 8pm on Thurs 28 and Fri 29 Oct. The 8pm showing on Thurs 28 Oct will also have a Q&A with the writer and others.
Following the success of her previous play Kitty (as performed at #LIF2018), Liverpool playwright and author Carol Maginn now presents the story of another Irish migrant who confronted and overcame the many hurdles of early 19th Century society.
This play tracks the journey of Dr Barry from poverty in Cork to family in London, study in Edinburgh, and then a tumultuous and prestigious career in the British army, bucking societal pressures at every turn. This is a modern retelling of the life of a powerful historic pioneer.
We’re delighted to perform this work in the atmospheric lecture theatre of the Liverpool Medical Institution, which opened in 1837, at the height of Barry’s surgical work and medical reformism. To think that Dr Rutter (LMI’s first president) and Dr Barry may have exchanged letters or learning in the same building is to live in the play, just a little!
With local director Zara Marie Brown, and the generous co-operation of the Liverpool Medical Institution staff, this will be a unique evening, and one to remember, and we urge you to book as soon as you can!
This play runs at 6pm and 8pm on Thurs 28 and Fri 29 Oct. The 8pm showing on Thurs 28 Oct will also have a Q&A with the writer and others.
IndieCork has partnered with the Festival since 2013, bringing a wealth of new Irish filmmaking talent to our screens.
Producing a dynamic showcase, especially for emerging Irish voices, IndieCork often illuminates the zeitgeist, showing the preoccupations of the makers. Revealing subject trends, new genres and styles arising from Ireland, Mick Hannigan’s curation -as Director of IndieCork- brings new work directly to the Liverpool Irish Festival, accessible from your home armchair.
IndieCork have their own online platform on which to view two #LIF2021 programmes, Mountrath Unlocked and New Voices from Northern Ireland. To watch -from 10am, Thurs 21 Oct-midnight, 31 Oct 2021)- you will need to register here: indiecork.filmchief.com/hub/browse To register, an email address is required. You must authenticate the address by replying to a registration email, after which you will be able to log in.
Mountrath Unlocked (Dir: Maurice O’Connell; Ireland, 2021, 53 mins, Documentary; UK Premiere)
When a forgotten town, in the middle of Ireland, is forced apart by a global crisis, the people look into their past for answers to their future.
“Ar scáth a chéile a mhaireann na daoine,” is an Irish saying that translates, literally, as “People live in each other’s shadows”, meaning we rely on each other for shelter. So it is in Mountrath Unlocked. Filmmaker Maurice O’Connell has been resident in the small County Laoise town for some years now, and -in documenting how the people of Mountrath are coping with the Covid pandemic and its consequences- he creates a charming and intimate portrait of an Irish community of interlinked, mutually-supporting, lives.
The screening will be followed by an interview with Maurice conducted by Mick Hannigan of the IndieCork Film Festival.
New Voices From Northern Ireland
Filmmaking in Northern Ireland is currently going through something of a renaissance. Derry Girls, A Bump Along The Way, and others, have portrayed a vibrancy and a spirit of optimism. This specially curated programme of short films, from Northern Ireland, many funded by Northern Ireland Screen, gives expression to new cinematic voices but also, explicitly or implicitly, portrays new visions of life in the Six Counties.
This programme includes Rough, screened at #LIF2020, which has subsequently gone on to win Best Fiction Short at Krakow Film Festival and an Irish Film & Television Academy Award for Best Irish Short 2021. As the catalyst for a prompting a closer look at contemporary shorts from Northern Ireland, it Is shown here to set the scene for the new works, including Hold the Sausage (also see Hold the Sausage event listing for 30 Oct).
This is a partnership programme with IndieCork, who we thank with deep gratitude for their commitment to supporting filmmakers and to their longstanding relationship with the Festival.
Watch Party
Due to some licence timing issues, the films will now be available from 8pm on Wed 27 Oct 2021. We are sorry to disappoint anyone hoping to view the films at 8pm on 26 Oct as printed in our newspaper. We are bringing them to you as quickly as we can.
Use this link to join: https://indiecork.filmchief.com/hub
Original posting
Susan McKay’s Northern Protestants – On Shifting Ground has been a summer 2021 bestseller on both sides of the Irish border.
Described as “vital reading”, which “seamlessly weaves together personal stories and political events with deep emotional intelligence” (Claire Mitchell, The Irish Times) and “fascinating and constantly thought provoking” (Sean O’Hagan, Observer), it is a portrait of a community at a point of political crisis.
It is a sequel to Northern Protestants – An Unsettled People, published in 2000, when the Good Friday Agreement was new and memories of the relentlessly violent years of conflict were raw. There was relief; hope for better times ahead. If the killing could stop, anything might be possible. The new book explores how people from the Protestant community feel now -20 years on from the agreement- rocked to its foundations by Brexit; 100 years on from the formation of the Northern Irish state.
Susan will be interviewed by Eoin McNamee, whose novels, closely based on crime stories, are thought to take “a surgical scalpel to the thin skin of history’s corpse” (David Peace, The Thought Fox). Their conversation will explore how we look at the exchange between fact and fiction; truth and document; memory and ‘fact’.
For copies of the book visit blackstaffpress.com/northern-protestants-on-shifting-ground-9781780732640
Presented with the publishers The Blackstaff Press.
♀️?
The talk will be broadcast on YouTube (search for the Liverpool Irish Festival channel), which requires no tickets. If you would like to be part of the live Zoom transmission, and take part in the online Q&A, you will need to book. Ticket numbers are limited. Once you have booked, Eventbrite (the booking system) will send you all the necessary links to gain access to the event on the evening.
Original posting
The ground beneath our feet holds many stories.
A plaque on Mulberry Street -erected by the Great Hunger Commemoration Committee- for the Liverpool Irish Famine Trail in the 1990s, marks the resting place of some 2,600 people, who emigrated from Ireland during the Famine. They got to Liverpool, but no further. The site is now occupied by the University of Liverpool, but anyone who stops to read the plaque can’t help but be transported into history which is at once very close to and very remote from today’s city.
2600, a short film shot on Mulberry Street this summer, moves us one step closer, exploring how we can adequately remember those lost, anonymous lives. Made by research-based theatre and film production company Sidelong Glance as part of the Whose History? project, 2600 records a collective act of remembrance, which recognises the long afterlife of the Great Hunger in today’s Liverpool.
Join us for a screening of 2600, and a panel discussion with the director, Dr Eleanor Lybeck (Institute of Irish Studies, University of Liverpool) and fellow experts, as they reflect on commemoration and collective experience in the cultures of Ireland and its diaspora.
Further reading
2600 is the second of four short films in the Instutue’s Whose History? series. 2600 was inspired by the Irish Famine Trail memorial plaque on Mulberry Street, which marks the resting place of some 2600 people. To watch the short film and learn more about its background, visit this link.
2600 is also the focal point of Near this Place: Famine Lives and Afterlives (the event listed above), an online panel discussion hosted by the Liverpool Irish Festival, featuring Dr Eleanor Lybeck, Lecturer in Irish Literature at the Institute of Irish Studies and Whose History? project lead and owner of production company Sidelong Glance, who worked on the film.
Whose History? explores questions of belonging and identity through the stories and experiences of people who have lived, worked and studied on the site of the University of Liverpool’s South Campus over the past three centuries. Below is the release schedule for the four films in the series:
‘Hey Joe’
Based on an interview with a community activist and fundraiser, this film takes place beside the memorial to Black Merchant Seamen in Falkner Square Gardens which he campaigned for.
https://www.liverpool.ac.uk/irish-studies/whose-history/hey-joe/
Available now.
‘2600’
Inspired by the Irish Famine Trail memorial plaque on Mulberry Street, which marks the resting place of some 2600 people, this film is almost entirely wordless.
https://www.liverpool.ac.uk/irish-studies/whose-history/2600/
Available now.
‘eJoy of Cooking’
This film focuses on the contemporary experience of students at the university today. Through their words we take different journeys.
https://www.liverpool.ac.uk/irish-studies/whose-history/ejoy-of-cooking/
Week beginning 25 Oct 2021
‘Let Her Witness It’
A re-imagination of the celebrated readings given by Mary E. Webb, the African American actor, during her tour of Britain in the 1850s with her husband, the writer Frank Webb, especially the reading at the Royal Institute in Liverpool in July 1857.
https://www.liverpool.ac.uk/irish-studies/whose-history/let-her-witness-it/
Week beginning 8 Nov 2021
These four films profile figures who have shaped Liverpool’s past and present, from anonymous Irish Famine migrants to contemporary XJTLU students; from a nineteenth-century African-American actress (whose performances brought the urgency of the abolitionist cause to life for Victorian Britain), to a community activist who challenged and reimagined the ways we think about war and commemoration.
Whose History? examines and celebrates the unique relationships between people and place, and between the University and the city. Professor Dinah Birch, Pro-Vice Chancellor for Cultural Engagement, said: “We at the University are proud to share in and be part of the rich history of Liverpool. We celebrate those people, events, buildings, and institutions which make and have always made this a world-class city. At the same time, we realise that in order to understand our heritage fully, we need to recognise those aspects of the past which we find disappointing, disquieting, and distressing. It is only in knowing the past, and in confronting it, that we might improve upon the present. Whose History? strikes a balance between acts of celebration and acts of recognition”.
This major civic engagement project builds on the success of the University’s Culture Unconfined Festival in May 2020, which brought literature, music, drama, and discussion to virtual audiences around the world during the first lockdown. The Culture Unconfined website continues to host some of the online performances, such as Rita Ann Higgins reading of her poem ‘I must wash down the banister’.
Professor Peter Shirlow, Director of the Institute of Irish Studies, said: “Whose History? is a fine example of the way in which the Institute aims to break down barriers between groups and communities. It challenges the invisibility of communities excluded from ‘official’ narratives. Recognition is an act, not merely of remembering, but of challenging cultural exclusion and purposeful historical amnesia”.
The four Whose History? films, based exclusively on primary sources, including interviews, literary texts and newspaper reports. Each was shot, on location, on the South Campus in July and August 2021. Informed by conversations with experts from the University, and by local historians and practitioners, they were generously funded by awards from the University of Liverpool Beacon Fund, the Alumni & Friends Fund, the School of the Arts Small Research Development Initiative Fund and the Institute of Irish Studies. Support from the Beacon Fund allowed Sidelong Glance to employ two current undergraduates to work on the development, production and promotion of the films.
Dr Lybeck, who devised and directed the films, said: “Liverpool isn’t where I’m from, but it’s a place where I feel I belong. Through Whose History?, I wanted to draw attention to some of those episodes in the city’s history that I find most compelling. It’s been a privilege to be guided through the production process by people with a special understanding of Liverpool’s past, and to have the chance to bring their stories to life.”
To participate in the conversations about all the films in this series, visit Whose History? and Sidelong Glance on Instagram (@whosehistory) and Twitter (@sidelong_glance).
For further information, and with any queries, please contact Dr Eleanor Lybeck: eleanor.lybeck@liverpool.ac.uk
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