Bedrock: A Sensory Exhibition Tour wit...

Join artists from Blue Room, Bluecoat’s inclusive arts project supporting learning disabled and neurodivergent artists, for an explorative tour of our exhibition Bedrock.

Sun 22 Jun, 1-2pm & 3-4pm

Blue Room artists will lead an interactive gallery tour sharing their perspective on the exhibited works. The artists will bring to life the sensory experience of the gallery followed by a behind-the-scenes look at creative responses made in their supported studio at the Bluecoat.

Free, booking required.
Donations welcome.

Gender, Identity and Art: Breaking the...

Join Collective Encounters for the launch of Gender, Identity and Art: Breaking the Archetypal Mould, a brand new exhibition created by Women in Action*. Through powerful visual artworks, the exhibition explores shifting representations of gender, sexuality and womanhood, challenging traditional archetypes and celebrating diverse identities.

Come along to meet the artists, hear about the inspiration behind their work, and be part of a conversation about health, wellbeing, working conditions, LGBT+ identity and class struggle.

This exhibition is part of Radical Retrospectives: Looking back to look forward, Collective Encounters’ programme, celebrating and archiving 21 years of the organisations’ work across the Liverpool City Region.

*Trans women are and will always be welcome in our women’s groups. The same goes for non-binary, gender fluid and gender queer people who feel included by the term women.

Unfolding

Open Eye Gallery is proud to present an annual exhibition of new talent graduating from BA Photography and Social Practice (UCEN Manchester).

Photography and Social Practice course is delivered by UCEN Manchester and Open Eye Gallery. This year UCEN students are presenting four projects.

Malayeka Kousar is exploring the notion of home with its warm atmosphere. Micheal Davidson’s Unheard Frequencies project is about the connection between dogs with separation anxiety and music. Tyla Mchugh looks at the intersection between the character and the performer playing them. Emily Moran’s project is on different towns of Manchester.

They are delighted to be supporting new photographic talent at the beginning of their artistic careers.

Image by Tyla Mchugh

Joanne Masding: Body of Pieces Live Pe...

Join Bluecoat for a live performance in our galleries by Joanne Masding, who will read extracts from her first book, Body of Pieces, in a performance activated with props and staging.

Body of Pieces follows two female characters, The Surgeon and The Dancer, as they attempt to interact with a series of hard to grasp and vaguely defined objects, and one another, within the bowels of a fictional archive.

In the lawless space of a museum built out of written fiction, precious artefacts are eaten and melded with, body parts are carved up and ballooned outwards, and objects, artworks and children, are birthed, created and made real.

In this choreographed arrangement of extracts from the book Masding will test out ways of animating the voices and registers of the characters, objects and materials that speak through the text.

Turner: Always Contemporary

Tickets for the Walker Art Gallery’s major exhibition exploring the work of JMW Turner and his enduring impact on later generations are on sale – exactly 250 years since the artist’s birth on 23 April 1775.

Turner: Always Contemporary (25 October 2025 – 22 February 2026) will include National Museums Liverpool’s collection of Turner’s oil paintings, works on paper and prints, alongside modern and contemporary artworks that delve into themes of travel, landscape and artistic experimentation.

A number of important and influential artworks from major galleries across the UK will feature in the exhibition, ranging from work by Maggi Hambling and Jeff Koons through to paintings by Annie Swynnerton and George Frederick Watts. Prints by British artist Emma Stibbon, recently acquired by National Museums Liverpool, will also be displayed for the first time.

The exhibition will offer a new perspective on Turner and his legacy, highlighting how he grappled with issues that remain relevant today: climate change; immigration; tourism; and the role of the artist. Alongside Turner’s works, visitors will encounter pieces by Claude Monet, Bridget Riley, Ethel Walker and many more, bringing together 250 years of art to examine Turner’s timeless appeal.

Dr Melissa Gustin, Curator of British Art at National Museums Liverpool, said: “This is a hugely exciting opportunity to reconsider National Museums Liverpool’s collection of works by Turner. This exhibition will showcase the treasures in our collection and explore how Turner’s work has always been challenging, exciting and contemporary for audiences in Britain and around the world.”

Turner captured the power and changeability of the sea in a remarkable way, and it is perhaps for his immediately recognisable seascapes that he is most renowned. The exhibition charts his changing painting practice, moving from calm coasts in watercolour to raging storms in oil, impacting generations of artists in the process.

For Turner, painting was not just about capturing a picturesque view. He, and the artists inspired or shaped by him, used the world around them to explore the pressing issues of their day, and to push the boundaries of what art could be.

Turner: Always Contemporary will show how his paintings and drawings raise questions about the role of commerce, colonialism and industry that are as relevant today as they were when they were first imagined by the artist. The way people of Turner’s generation engaged with and shaped the lands, rivers and seas still impact us today and can be traced through art.

The exhibition is supported by Lead Partner Quilter Cheviot. Nigel Hibbert, Head of Office at Quilter Cheviot Liverpool, said: “Liverpool is a city rich in culture and heritage and is not just an important centre for culture in the northwest of England, but also the United Kingdom more broadly. As a business, Quilter Cheviot has a long history of working closely to support organisations in the arts and cultural sector.

“We were delighted when the opportunity to become Lead Partner of the Turner: Always Contemporary exhibition presented itself to mark Turner’s 250th anniversary, plus all he has influenced through to modern day. A great alignment with Quilter Cheviot’s heritage and values.”

To purchase tickets, visit: liverpoolmuseums.org.uk/turner

ParisToxteth Exhibition by Lawrie Vaus...

Paris Toxteth presents

An Exhibition of work by Liverpool based Artist and Animator, Lawrie Vause will be opening at The Egg Cafe from Monday 05.05.2025.

Showcasing Lawrie’s art in the form of paintings, hand printed posters and sculpted pieces.

On Thursday 8th May, a live screening of the artist’s films will be supported with live music accompaniment, presented at 7pm and 8pm.

Free at The Egg Cafe, top floor, 16-18 Newington, L1 4ED, just off Bold Street.
The exhibition runs through to 16.06.2025.

Echoes of Brazil Exhibition

Echoes of Brazil exhibition by Anne Wiziack.

This inspiring exhibition is a celebration of Brazil’s rich cultural and natural heritage, presenting a beautiful collection of works that explore themes of sustainability, diversity and the importance of indigenous communities.

More than an exhibition, Echoes of Brazil has been designed as an immersive experience. Visitors will have the opportunity to scan QR codes to listen to the Brazilian music that inspired Anne’s creative process, offering a deeper connection with the artwork.

Event

In a significant gesture of support, a portion of the profits from the exhibition will be donated to Bolsa Oro @bolsaoro ,which promotes sustainability through a reverse logistics system to transform plastic waste into valuable materials and generate economic opportunities in local regions in Brazil. And to the Instituto Socioambiental @socioambiental, an organisation dedicated to defending the environment, the rights of indigenous peoples, quilombolas, ribeirinhos and traditional communities in Brazil.

So the darkness shall be the light, an...

Wild landscapes filled with atmospheric light evoke changing seasons, and loose brush marks can make the viewer believe they can feel the spray of a waterfall on their face. This series of paintings by Helène Dougherty are windows of escapism – to places unlike where the artist lives. Views of the ocean and the towering waterfalls, which fascinate Helène, capture the energy of water as it moves.

These, along with the forests and skies are inspired by places in Wales, remembered and referenced from photographs, and then painted in her studio in St Helens.

The title of the exhibition, taken from TS Eliot’s poem ‘East Coker’ refers to Helène’s use of light and movement and this collection of work is part of the artist’s drive to paint more loosely and less figuratively. In order to develop as a painter she is fighting against a tendency to use tighter brush marks to paint realistically – this theme of change is also referenced in that poem:

“In order to arrive at what you are not
You must go through the way in which you are not.”

Event

These softer, looser connections between the parts of the picture make the most of the qualities of paint and give the audience space to react emotionally to the work – placing themselves in these landscapes and allowing their memory to dance in the light.

Amartey Golding

Amartey Golding’s solo exhibition marks the conclusion of FACT’s multi-year Resolution project, which explores how art can affect public attitudes and influence decision-making in the justice system.

Known for his emotionally impactful work, Golding collaborates with imprisoned men at HMP Altcourse (Liverpool, UK) to create a large-scale chainmail sculpture weighing over 200 kilograms. Together, the group have crafted an intricate garment that represents their shared stories and explores themes of trauma, identity, and societal behaviours. The exhibition features the resulting chainmail garment alongside a new audio work, inviting visitors to reflect on how art can affect public attitudes and create a space for dialogue and representation.

Feature Image: Amartey Golding, In The Comfort of Embers (2023). Solo Exhibition at Power Plant Toronto Canada, 2023. Courtesy the artist. Photo by Toni Hafkenscheid

Firing Up Bridge Cottage

Firing Up Bridge Cottage presents work by ceramic artists including internationally-renowned sculptor Emma Rodgers, ‘Great Pottery Thrown Down’ finalist and emerging artist Jacob Chan, and comedy legend turned artist Johnny Vegas, alongside others.

Event

The exhibition connects Bridge Cottage in Port Sunlight to Rodgers’ studio nearby at the historic Fire Engine Station. Many of the artworks have been specially created for the exhibition, drawing on stories from Port Sunlight’s past, as well as the village’s unique architecture and character.