TRS Biennial 2023: ¡Gender Dada! Melo...

The event is a chance for us all to throw our gender assumptions up in the air, laugh at the ensuing chaos and emerge refreshed!

It is an art event, designed to cleanse our palates and revaluate our perceptions of gender. The emphasis is on using nonsense as a tool, set against a background installation of the artist’s personal fairytales, populated by supportive magical beings. These magical beings were created through collaborations, both with adults & the artist’s (then young) child.

About the Artist

Melody Carey Art is a project centred around a fictional autobiography written by Kelly Stubbs. Kelly didn’t have the understanding she needed to come out as a transgender woman, until relatively late in life. After more overtly political projects like Liverpool Trans Pride & promoting access to art for transgender people, she has been developing her autobiography and associated art practice, as a way of coming to terms with both the joys and barriers she faces as a transgender woman.

This event is part of The Royal Standard’s Biennial 2023 programme and will be ticketed

TRS Biennial 2023: Set to Default: Dan...

Daniel Halsall is a painter who creates modern minimalist figurative paintings that draw on Modern day themes on technology, vector glyphs, computer data, and living in the digital information age.

Daniel is well known for his creative work with Gondwana Records founded by Daniels brother Matthew, collaborating on artwork with acts such as Matthew Halsall, GoGo Penguin, Mammal Hands, Svaneborg Kardyb, Jasmine Myra, and Dwight Trible to name a few.

With the latest series of paintings in the exhibition, music plays a big inspiration on the work, the paintings take influence by the sounds of Autechre, Aphex Twin, Nils Frahm and Plaid. Inspiring playful painting jams with vibrant colours, echoing the intense sounds and melodies in these musicians work.

The exhibition will run from 6th July to the 12th of July at The Royal Standard art gallery, in the heart of Liverpool’s Baltic Triangle.

TRS Biennial 2023: How to Wear High He...

Elisa Sallis and Xanthe Tilzey present an immersive exhibition housed at The Royal Standard.

The exhibition will include multidisciplinary mediums, and will culminate in an ultra-over-stylised vision of what it means to be a feminine artist in our contemporary white cute context by bringing together their practices and blurring the boundaries between their resepctive styles and mediums.

How to wear high heels celebrates all things kitsch, textured and gorgeous.

PV 23rd june 6pm-late

TRS Biennial 2023: From Point A to Poi...

“From Point A to Point B” is an exhibition by Elizabeth Challinor that focuses on bringing the curatorial processes and methodologies to the forefront of the exhibition, to highlight how exhibitions get from Point A (initial conception) to Point B (final exhibition).

This exhibition serves as a culmination of a larger ongoing research project that featured a short series of smaller exhibitions. Each exhibition was developed collaboratively with 2 artists over a 5 week period, meeting weekly to develop ideas through discussing their individual practices, and concluded with a one-night exhibition. The aim of these exhibitions was to work collaboratively and communicatively, and explore how exhibitions can be generated through ongoing creative discussion and sharing ideas.

“From Point A to Point B” explores the development and curation of this series of exhibitions, featuring notes, transcripts, images, recordings and more from each exhibition, following the creative journey, process and evolution of each exhibition, and hopes to offer an in-depth look at how the artists worked together, how their work and ideas merged together, and how the exhibition unfolded as time went on.

The participating artists were Amy Cadwallader, Beth Wise, Ami Zanders, Olivia Vacanti, Mia Cathcart, and Sophie Baskerville.

TRS Biennial 2023: Under the Cracked L...

The Royal Standard is proud to present the debut solo show of Freddy Francké.

Under the Cracked Lid of The Beetroot Man is an ‘earth shattering’ culmination of ‘interdisciplinary’ works exploring the artists’ attempts at self-identification and vulnerability from the last two years curated in a calming, sensory and accessible environment.

Expect more woeful themes than you can shake your fists at the clouds at.

PV will be held on 9th June at 6pm

Wellbeing Weekend

To mark the end of Mental Health Awareness Week, Arts Bar Liverpool are holding a Wellbeing Weekend. The two day event will feature visual art by Alisha Friday, Amy Cummings and Kathleen Charters, much of which will be available to buy.

Event

In addition to the exhibition, the venue also welcome back Steph from Foru Plants who is a horticultural creative who specialises in edible produce and on Sunday the 21st, Joe Dillon, guitarist with Hushtones, will provide a soundtrack via his vinyl collection.

Reflections

Featuring Clare Wrench, Carol Miller, Lorna Morris, Rob Edmondson, Jacob Gourley and John O’Neill.

A new exhibition at dot-art, ‘Reflections’ is open to the viewer’s interpretation of the word. Some may envision sky reflected in bodies of water, mirror images or perhaps are drawn to a more personal reading of inward-looking moments of reflection. The artists in this exhibition have interpreted the theme through these various lenses and offer up their diverse artistic approaches through portraiture, landscape and photography to support the viewer’s own contemplation of what ‘Reflections’ mean to them.

Clare Wrench – Clare has always loved to paint reflections on water, incorporating this in her landscapes and cityscapes. She is inspired by Claude Monet’s impressionist waterlilies series and fascinated by how light reflects off the surface of the water. “Reflections upon water are one of my favourite things to paint, such as a ripple in the water of a lake causing a distortion in the image reflected. Water can also reflect a mirrored image which often takes the form of a pattern, abstract shape or the unusual forms on a crest of a wave.”

Jacob Gourley – Jacob’s practice is often figurative, utilising social commentary and imagined worlds as parallel styles, both in balance between realism and abstraction. Pre-pandemic, Jacob drew inspiration from his day-to-day travel. The outcome was a body of work which depicts rail and bus passengers in a public transport setting. Since then Jacob’s work has migrated to the ‘Lotus’ series, marking a turn in his practice towards a more other worldly/surreal type of work.

Lorna Morris – “’Twinkling Waves’, an oil painting, is a view from the shores of Lake Coniston in the Lake District – the home of my favourite writer on the art of seeing – John Ruskin. The silhouette is my daughter, but she is also you, the spectator, paddling on the shore as the steam gondola takes its final passengers home from their day’s adventure. Three distinct forms of water: clouds, steam and the ripples from the gondola all reflect and refract the same evening sky.

‘Reflections of Rockcliffe,’ another oil painting, is of Rockcliffe beach viewed through the reflections of a mirror in Port Donnel Cottage. I played in the little rockpools at Rockcliffe as a small child. The mirror symbolises the many years that have come and gone and my distance from the past. I see the memories through a filter of the mirror in a cosy sitting room. There in the reflection is the beach where I collected winkles and searched for crabs with my darling Grandad.”

Carol Miller – Although primarily a painter, Carol also takes photographs. She uses contemplative photography, focusing on taking the time to actually see, reflecting on the present, becoming aware of what is surrounding her to reveal richness and beauty that is often overlooked. Instead of emphasizing subject matter or the technical aspects of photography, the contemplative approach allows her to see and make images based on fresh perceptions. The resulting images are edited on her phone using a basic photography app.

John O’Neil – John studied illustration in Cambridge and completed a Fine Art Degree at Liverpool John Moores University. Liverpool’s rich and varied architectural heritage contrasting with the new urban skyline provides material for John’s evolving cityscapes. The movement of light and transient colour changes influences his expressive responses in drawing and painting and provides endless inspiration for his creative process.

Rob Edmondson – “Much of my work is based on the landscape of the North of England, I revel in the physical manipulation of the paint and experimenting with unusual techniques. Implicit in each painting is the use of light, colour, depth, and movement. Through visual devices I hope to capture the soul, in essence the mood of each special, secret place. This quote from Roald Dahl, could summarize my approach to art, “And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it.””

All artworks are for sale.

Join them for the Private View of the exhibition on Thursday 25th May from 5pm-7pm.

All welcome, but please register here: https://reflections-PV.eventbrite.co.uk

The dot-art Gallery can be found at 14 Queen Avenue, Castle Street, Liverpool, L2 4TX (just 5 minutes’ walk from Liverpool One).

Opening times: Tuesday – Saturday, 10am-6pm

The exhibition runs Friday 26th May – Saturday 15th July 2023.

Queer Joy

Skittles has joined forces with Gay Times, Queer Britain, and Getty Images to provide a sneak peek into the group’s upcoming exhibition, Queer Joy.

Popping up in Liverpool’s iconic Grand Hall, Royal Albert Dock from 11th – 13th May, the free exhibition will explore the concept of “Queer Joy” – defined as the deep happiness that brings warmth and purpose to queer lives.

The exhibition will showcase striking portraits of queer people, captured by a variety of emerging international photographers. Through these images, the pop-up exhibition aims to shine a light on the unfiltered, queer self-expression that is vital to the LGBTQ+ community and highlight the feeling of Queer Joy.

Uncovering Birkenhead Working Class Hi...

Over the past year Convenience Gallery have been working with the local community to uncover memories of working class history, memory and life.

Building the beginning of a people’s history for the area. Unearthing the places, memories, and stories of the people who have worked and lived here in Birkenhead and Wirral over the past 100 years right up to present day.

Throughout the process they have held a number of sessions at the Stork Hotel, a brilliant pub of national significance in Birkenhead. Alongside events with The Wirral Deen, Christchurch Oxton, Spider Project, OOMOO, Birkenhead Market, Future Yard, Ron’s Places and Bloom Building. They will be hosting a final event and exhibition at the Stork, a historic pub, a pillar of the community and totem to history.

This event will include music, art, stories, films and more:

Over one hundred stories shared by local people throughout the project. These stories explore the lives and memories from the community across birkenhead. Uncovering stories of worklife, family life, community and social, music, events, locations of significance and much more.

This will showcase the creative’s outcome from the project with community shaped artworks from Jon Edgley, Charlie Ann Buxton, Astles, DJ Bell, Tash Evans and Declan Connolly.

They will be sharing the community built soundtrack of Birkenhead, showcasing an intergenerational playlist shaped by local people and mixed by DJ bell from SugarShack sound system,

They will be asking What Next? And how will we continue to tell the people’s story of Birkenhead?

They can’t wait to bring together all the stories and outcomes of this wonderful project into one place. Come and join them, have a drink, check out the wonderful historic location, share in the people history of Birkenhead and help them shape the future of this project.

This event is part of the Uncovering Birkenhead working class history project and is supported by Historic England’s Everyday Heritage Grants: Celebrating Working Class Histories.

Home. Perspectives

The exhibition Home. Perspectives brings together diverse projects from 17 Ukrainian artists who offer distinct approaches to image creation, and ways of seeing and thinking about Ukraine.

The exhibition is free and held 5 – 21 May, 10am-5pm, with a launch night on the 4th, 6 – 8pm. To apply for free tickets to the launch event see here.

The exhibition is curated by Mariama Attah, Viktoria Bavykina and Max Gorbatskyi, together with six invited curators representing different cultural institutions across Europe and the UK.

The invited curators are Kateryna Filyuk (IZOLYATSIA. Platform for cultural initiatives, Kyiv and 89 books, Palermo), Ben Harman (Stills – centre for photography, Edinburgh), Louise Pearson (National Galleries of Scotland), Amelie Schüle (FOAM Amsterdam), Monika Szewczyk (The Arsenal Gallery, Białystok), and Lindsay Taylor (the University of Salford Art Collection, Salford) who shared their perspectives on Ukrainian photography through the projects they selected and commented on.