The Sea Exhibition

Featuring Amanda Oliphant, Chris Routledge, Simon Cooper and Samantha Danford Jones

“The sea is as near as we come to another world.” – Anne Stevenson

High tides and rolling waves – take in the wonder of our ‘blue world’ through paintings and photographs in “The Sea”. The great beauty of the deep can represent many things; endless possibilities, brewing storms, a calm horizon, or a place of pollution – the artists in this exhibition take on some of these concepts in their artwork.

Chris Routledge – “These cyanotype prints, of Whitehaven and Maryport harbours, are early works from a larger and ongoing series about the Cumbrian coast. These towns were once important ports, but were overtaken two centuries ago by better-connected cities like Liverpool and Bristol. Harbours are always interesting, outward-looking places, but like the past, the sea keeps melancholy secrets.

I spent several hours standing with my large format camera looking out to sea and thinking about all the people who have come and gone through these harbour entrances, of fortunes made and lost, and lives changed forever.”

Amanda Oliphant – “Painting the landscape presents endless challenges, with constant changing weather, light and atmosphere, whether it is on the Wirral Peninsula or along visiting coastlines, I am always being driven by the elements that collide everyday but also by the peaceful serenity of a place, never two days being the same.”

Samantha Danford Jones – “The sea holds an immeasurable presence to me, with a depth and impenetrable life of its own; I have the utmost respect for her mystery which is both powerfully tremendous and fascinating. I have lived near or on the sea my entire life; for me, the flow of the ocean represents freedom, peace, solitude, sensuality and life.

I am always keen to raise awareness and encourage conservation of the ocean by supporting and following organisations such as Mission Blue, led by the legendary Dr Sylvia Earle who campaigns to protect swathes of ocean designated  ‘Hope Spots’, around the world, Greenpeace who put huge boulders in the sea to stop trawlers dragging netting and over fishing,  Zero Plastic Waste, coral gardeners who are re planting coral around the globe or divers planting mangroves to help protect low lying coastal areas from flood and devastation.”

Simon Cooper – “With these paintings, I’m not truly sure as to what they represent; do they describe better now than then, a situation so dreadful and devastatingly life-levelling that it was extremely difficult to paint whilst experiencing, or do they show what is happening now and which continues to happen every day – that of life flooding in at every opportunity?

They definitely show a massive change of direction within myself and within my art; instead of a frozen moment in time, an ‘Eno-esque’ ambient mood of momentary stillness & stasis that has saturated my work since the mid-1980’s, these new works show movement, albeit upon stormy and tempestuous waters, with swell that threatens to capsize and swallow at any and every moment. My trajectory is altered, destination unknown – yet the content clearly shows a new and very real way forward…”

All artworks are for sale.

Join dot-art for the Private View of the exhibition on Thursday 2nd February from 5pm-7pm.

All welcome, but you must register here: https://TheSeaPV.eventbrite.co.uk

The dot-art Gallery can be found at 14 Queen Avenue, Castle Street, Liverpool, L2 4TX (just 5 minutes’ walk from Liverpool One).

Opening times: Tuesday – Saturday, 10am-6pm

The exhibition runs 3rd February – 25th March 2023.

 

Craig Easton: Is Anybody Listening?

Craig Easton’s solo exhibition Is Anybody Listening? features two projects: Bank Top and Thatcher’s Children.

This exhibition forms the starting point of a regional tour accompanied by an engagement programme Our Time, Our Place, to empower young people in local communities. This programme will include discussions on photo ethics, photography workshops and a mentoring programme.

Craig Easton won the Sony World Photographer of the Year in 2021 with his series Bank Top. He shoots long-term documentary projects exploring issues around social policy, identity and a sense of place. His new book, Thatcher’s Children, is published February 2023.

Michael Brennand-Wood: The Encirclemen...

The Encirclement Of Space charts the influence of lace on Michael Brennand-Wood’s work from the earliest examples made as a student in the 1970’s to his most recent commission.  The exhibition contains the largest collection of his lace works ever shown together, representing all stages of his lace research.

Many of the works are of a very large scale, in a wide range of media: paper, fabric, thread, metal, mosaic, wood, slate, wax and resin. The works are monumental, exploratory and designed to challenge our perception of what we understand and associate with lace.

As part of the exhibition a brand-new commission specifically for the Williamson will be unveiled. Return to Origin-Musical Chairs is based on our archive of designs and fabric samples from the Arthur H. Lee & Sons fabrics company. The commission was supported by The Contemporary Art Society.

Chinese New Year: Anthony Wong ‘Cabi...

Part of Culture Liverpool’s Year of the Rabbit programme for the 2023 Chinese New Year.

Anthony Wong is a classically trained goldsmith running a studio practice from the Bluecoat, one of the oldest buildings in Liverpool, designing and making by hand using traditional methods.

Throughout January you are invited to the jewellery showcase, ‘Cabinet of Curiosities’, here at the Bluecoat Display Centre to view his exquisite pieces.

“I am a jeweller, storyteller, the son of a Chinese immigrant. I tell the stories of others through their commissioned objects and pieces, by encapsulating these messages and memories that they share with me.

A spotlight showing of work following on from my masters work from RCA Jewellery and Metals Course and in connection with my most recent DYCP Arts Council England Award and supported time entitled, ‘I Thought I was Here but  I Must Have Been Mistaken’, a journey-based activity time including journeys North, South, East and West in the UK.

Questions of belonging, placement and connections to home, in reference to my fathers original journey of 597 miles to join the Merchant Navy, at the turn of WWII.” – Anthony Wong

Image: ‘A Thousand Dinners Later’ by Anthony Wong. Silver, gilding metal, Lapis Lazuli, stainless steel. 2018.

be | longing

Three artists explore landscape and reconnection, through photography, oil paint and watercolour. The exhibition features Eli Pascall Willis, Janine Pinion, Donalda O’Neill and sculpture from Ralph Shuttleworth.

The exhibition is held at The Lake Gallery in West Kirby. The gallery is open from 10am-4pm on Thursday, Friday and Saturday each week.

See The Lake Gallery website here

Photie Man: 50 Years of Tom Wood

‘Photie Man’ celebrates the internationally-acclaimed Irish artist Tom Wood (b. 1951), showcasing his iconic images of Liverpool and bringing together his work from across all decades, it will be the first major retrospective of Tom’s work in Liverpool.

Embraced locally as ‘photieman’, Wood has dedicated much of his career to the people and places of Liverpool and Merseyside to create an intimate, diverse and knowing portrait of the city and the surrounding area, and his pioneering photographs capture a definitive phase in the social and political history of the region. He is one of the most influential photographers working today.

Highlights include epic and renowned projects such as ‘Looking for Love’ from the Chelsea Reach nightclub in New Brighton, and Wood’s widely-praised Bus Series (‘All Zones Off Peak’). Unseen long-term studies of two major local institutions, Cammell Laird Shipyard and Rainhill Hospital, feature alongside his images taken around the city’s football grounds.

The exhibition will also explore Wood’s use of found photographs and landscape photography taken in Ireland and North Wales, alongside never-before seen film work from the artist.

Tickets go on sale early 2023

Flower Fairies TM

To mark the 100-year anniversary of her first book, Flower Fairies of the Spring, this exhibition will feature around 45 original illustrations, with digital projections and costumes inspired by the fairies, designed by Vin Burnham.

Explore the inspirations behind Barker’s paintings, as well as the flora and fauna featured in the work through National Museum Liverpool’s botanical collections.

First published in 1923, there were originally 170 drawings – accurate depictions of flowering plants and trees, into which are incorporated, caricature figures of fairies, designed to accompany the species drawn. The Fairies were often based on real children, from Barker’s sister’s nursery.

The Flower Fairies books by Cicely Mary Barker (1895 – 1973) are owned by the Warne Archive.

Tickets are free and available from early 2023.

Donations welcome

Whilst ticketed entry is free, your donation helps us to continue to deliver a programme of extraordinary exhibitions and events each year, such as Flower Fairies, which otherwise wouldn’t be possible with your support.

Image credit: Illustration from Flower Fairies of the Garden by Cicely Mary Barker © The Estate of Cicely Mary Barker, 1944

Happiness!

Happiness! is an exhibition filled with fun and humour. Celebrating one of Liverpool’s iconic comedians, the exhibition charts the life and career of the legendary Sir Ken Dodd, and his connection to today’s comedic stars.

This exhibition highlights Ken Dodd the entertainer – comedian, performer, actor, and singer. Ken’s unique blend of whimsical, physical, surreal and theatrical humour transformed the UK’s comedy scene.

Using memorabilia from Ken Dodd’s personal archive, this show will explore Ken’s career and how his comedic approach continues to be used and adopted by some of the UK’s most well-known and emerging comedians.

Fondly remembered for the magical world he created, including Ken Dodd’s Diddymen, his tickling stick and the jam butty mines, his true passion was his natural gift for making people laugh. The exhibition will build on Ken’s passion, looking at the science of comedy, happiness and why laughter is good for our health.

The show will also explore the role Liverpool has played both as an incubator of entertainment for countless comedians, as well as its association with northern humour and identity.

*This exhibition has been extended to run until 7 July 2024*

The Liverpool Collection 2022

The Liverpool Collection is an exhibition packed with artistic perspectives on the beautiful city of Liverpool.

As our bustling and vibrant city returns to pre-pandemic times, so does a sense of normality. But as we know, things are never stable, as demonstrated on the political and economic stage over recent months. We hope Christmas joy and a sense of reflection as we wrap up 2022 will be found for our visitors in our annual Liverpool Collection exhibition, with visual reminders of the beauty and creativity in our own local community.

dot-art is an independent Liverpool gallery supporting the work of local artists and our Liverpool Collection is an annual showcase of how these artists interpret their home city. Included in the exhibition are instantly recognisable Liverpool locations alongside nature walks and hidden nooks around the area. The range of works span from abstract to figurative pieces and provide customers a fantastic array of choice for gifting art this festive period.

Artists like John Petch have created geometrical paintings and prints of iconic Liverpool buildings. Megan Dunbar has dreamy oil pieces of the stunning Sefton Palm House and Carol Miller takes us on a walk through green pockets around Allerton and Otterspool.

This exhibition offers a wide range of art gifts with prints and paintings starting from £40 and our exclusive NEW limited edition Liverpool Baubles. Sustainability and climate consciousness is very important to us at dot-art, so as of this year our classic Liverpool Baubles will now be made from sustainably sourced wood.

As part of the new bauble launch, we are also creating limited edition versions, hand painted by our dot-art Artists Ali Barker, Suzanne Grace and Nathan Pendlebury. Each artist will be adding their unique style to the iconic buildings of Liverpool.

Ali Barker will be representing stained-glass light rays on the Metropolitan Cathedral. Suzanne Grace will be marbling the Sefton Palm House and Nathan Pendlebury will be livening up the Liver Building with his zingy pop-art style. There are just 50 hand painted versions of each bauble, available for £25 each or get all three, gift boxed, for £50!

Tick off your shopping list with affordable art gifts and share your love of local art with the ones you care for this Christmas time.

All artworks are for sale

Join dot-art for the Private View of the exhibition on Thursday 24th November from 5pm-7pm, for mulled wine, hot chocolate and Christmas Carols from the Scrapyard Choir!

All welcome, but you must register here: https://TLCPV22.eventbrite.co.uk

The dot-art Gallery can be found at 14 Queen Avenue, Castle Street, Liverpool, L2 4TX (just 5 minutes’ walk from Liverpool One).

Opening times: Tuesday – Saturday, 10am-6pm

The exhibition runs Friday 25th November 2022 – Saturday 28th January 2023.

 

April Lin 林森

April Lin 林森 presents The Earthly Realm is Out of Balance – a research-driven, choose-your-own-adventure game that investigates how meaning around ancestry is constructed, sustained, and embodied.

Who counts as an ancestor, and what does having an ancestry mean?

By texting with a chatbot, you are invited to converse with The Interface, an otherworldly guardian who tends to The Hall of Understandings, a cosmic library containing different perspectives, practices, and provocations on ancestry. The Interface needs your help as the library has fallen into disuse: the ecological, political, and spiritual consequences of this on the Earth are growing harder and harder to reverse.

By playing the game and texting with the chatbot, you help The Interface by contributing your reflections on ancestry or by exploring existing Extracts from The Hall of Understandings. With each participation, The Earthly Realm is Out of Balance furthers its experiment in building an archive premised on a collective, healing, and nuanced discussion around belonging, while hinting at the intergenerational web of connections we are all part of.

The game is accessible remotely via Whatsapp or playable in gallery as a digital-organic nest.

Add The Interface on Whatsapp using the QR code here