A Day In The Life

A Day In The Life takes its inspiration from the newest addition to the Williamson’s collection: Grayson Perry’s ‘Six Snapshots of Julie’, a set of prints capturing moments from the life of the artist’s fictional everywoman, Julie Cope.

The pictures accompanying Perry’s prints in this display likewise show ordinary people – individuals, couples, families, friends – going about their everyday lives in the places they live, work, and visit on holiday.

Although the subject matter is ordinary, many of these pictures are extraordinary and absorbing, capturing the fleeting events, situations, and emotions we experience every day. They are snapshots of the moments of happiness, sadness, boredom, and contemplation that make up our daily lives.

Open Wednesday & Thursday 10:30-5, Friday 10:30-9 and Saturday 10-4:30

Image courtesy Grayson Perry & Paragon | Contemporary Editions Ltd

On the Waterfront

Liverpool’s docks transformed the fortunes of the city. Their story is a 300 year journey that turned a small, regional port into one of the world’s great maritime centres.

From the opening of the world’s first commercial wet dock in 1715, this exhibition documents the changing fortunes of Liverpool’s waterfront and the impact the docks have had on the city.

A section dedicated to the Three Graces at the Pier Head includes reproductions of two recently donated Stewart Bale images of the Cunard building under construction during the First World War. One of the photographs, dated 1913, is now the oldest image held in the Stewart Bale collection.

The exhibition also recognises 21st century changes to the waterfront including another National Museums Liverpool venue, the Museum of Liverpool.

The waterfront has changed greatly in appearance and use since the construction of the Old Dock, but it remains an important symbol and focal point of the city.

PHLEGM

Since May last year, Phlegm has been running as an alternative space for creative self-education.

Participants responded to bi-weekly prompts, took part in workshops, and shared and received peer feedback during informal Zoom crits. This exhibition is a celebration of those who’ve made it to the end of the project, showcasing pieces of work that have been in development for the past month or so.

The artists are from various places across the UK, including Liverpool, London, The Black Country, Ireland, and Bristol. They also have varying backgrounds: some have never had a formal education in the arts, whilst others have been practising in their fields for years. Some are musicians, some are writers, some are fine artists and some are professionals in other fields harnessing their creativity for the first time.

Artists:
Aislinn O’Reilly
Annie Dobson
Aoife McCollum
Bobbie Hook
Catherine Johnston
Christine Bramwell
Jed Timms
Kyra Cross
Laura Jane Round
Lydia Johnston
Maja Lorkowska

Given the current COVID rates & guidelines, they’re asking people visiting The Royal Standard to wear a face covering when inside the building, and would advise that visitors have a negative lateral flow test result before arriving. They want to keep their community as safe as possible, and ask that you consider following this advice before visiting TRS.

Suki Chan: CONSCIOUS

The Bluecoat is presenting the largest overview to date of Suki Chan’s multi-platform project CONSCIOUS. Suki Chan is a critically-acclaimed artist and filmmaker whose work uses moving image, photography, and sound to explore our perception of reality.

CONSCIOUS brings together different perspectives from scientists and ordinary people which shake up our preconceptions about individual and collective consciousness. Within her wider study of consciousness and perception, the artist worked with people living with dementia to explore how memory loss can destabilise our understanding of the present, while opening up other realities.

The exhibition includes photography, sculpture, virtual reality and three films Memory (2019); Hallucinations (2020) and Fog In My Head (2021), a major commission by Film London.

On the Brink

An exhibition by dot-art artist members: Carol Miller / Clare Western / Chris Routledge / Frank Linnett / Susan Brown / Oliver McAinsh / Mark Reeves

The Earth has always known species loss, from the dinosaurs onwards, but we are now seeing this loss at hugely accelerated rates, due the actions of humans. Generation by generation we see our animal kingdom and natural surroundings changing drastically; not only is there a reduction in the diversity of species, but a loss of their habitats, homes and means of survival. More and more species find themselves on the brink.

Just after COP26 the feeling now more than ever is one of impatience, that we are heading for disaster and cannot see the actions needed for preventing global warming, species loss and catastrophic weather events.

Such a large global issue that affects everyone in the world can often feel too large to contemplate; This exhibition pulls focus to the impact of climate change to species and habitats in the UK. Each of the seven exhibiting artists has examined aspects of nature and wildlife affected by climate change and used the visual to give a face to this issue that seems too big to see, yet is staring us in the face.

Chris Routledge has created a series of cyanotypes of Larch trees with orange slashes of enamel paint cutting through. Larch trees are dying from fungal infection, which has spread from the international plant trade, and thrives in the warmer climate Britain is now experiencing. More worryingly, the disease affects many other types of trees and to prevent the spread of the disease larches are being felled across northern England. First, they are marked with an orange dot to be sentenced for cutting down. The orange splash of colour in these works which is applied with a glass rod also represent the sap of a freshly cut Larch.

The exhibition includes abstract paintings by Claire Western representing the disease phytophthora ramorum, responsible for the decline in Larch trees as well as other shrubs and vegetation. Felling is currently the easiest way to control the disease, however this means a lot of deforestation, habitat impacts and leaves the landscape sparse and unsightly. These paintings are created with charcoal, using deep colours of moss and rust whilst incorporating the textures of bark and ring patterns within the trees in line work.

Oliver McAinsh presents a series of drawings using photos taken at the Natural History Museum, Exploring the relationship between the crowds and the exhibits, the present and the past. The prominence of each is varied; either people are fully immersed by the intricate relics, demonstrating our obsession with other species, or it’s the sea of people that swamp the extinct creatures, leaving little room for anything else.

dot-art Director Lucy Byrne said: “Species loss is a key issue in the climate agenda. Nature and climate are interlinked: climate change is one of the greatest threats to the natural world but restoring nature can tackle climate change by locking away carbon in healthy ecosystems. At dot-art we are committed to tackling the issues around sustainability and climate change in creative and innovative ways, demonstrating the power of art to stimulate debate and action. On The Brink follows on from our climate focused projects in 2021, Heavy Gardening and the Wild Walls Mural, and 2022 will also see the further development of the Tree Stories project.”

Join dot-art on Zoom for a digital Private View of the exhibition on Thursday 27th January from 5pm, with a virtual tour, short talks from the exhibiting artists and a Q&A session. All welcome, register here: https://onthebrinkprivateview.eventbrite.co.uk.

The dot-art Gallery can be found at 14 Queen Avenue, Castle Street, Liverpool, L2 4TX (just 5 minutes walk from Liverpool One). Opening times: Tuesday – Saturday, 10am-6pm

Past Present Future: Celebrating Craft

The Walker Art Gallery celebrates 50 years of craft collecting with a series of new displays that showcase the work by established and emerging makers in the North West who present their work on the international stage.

Past Present Future: Celebrating Craft, draws on the gallery’s outstanding collections of late-twentieth-century craft.

The exhibition includes studio ceramics, glass, metalwork and furniture, and demonstrates how makers combine the traditional skills of the past with ideas for the future.

The artists featured in Past Present Future: Celebrating Craft are Julia Carter Preston, Halima Cassell, Jacob Chan, Claire Curneen, David Frith, Margaret Frith, Hugh Miller, Attila Olah, Verity Pulford, Emma Rodgers and Paul Scott.

The exhibition is shown in a series of displays in the Walker’s Craft and Design Gallery, as well as in Rooms 5 and 11 when the Gallery reopens in spring 2021 (date to be confirmed).

Past Present Future: Celebrating Craft is supported by the Art Fund’s Professional Network Grant and is presented in partnership with the Williamson Art Gallery and the Bluecoat Display Centre.

A range of work by the makers featured is on sale at the Bluecoat Display Centre, College Lane, Liverpool.

Home and Away

Home and Away is a new exhibition featuring paintings of both foreign and local views.

The foreign views are all from the collection of George Holt, the former resident of Sudley House. These paintings of faraway places highlight the Holt family’s interest in travel, foreign countries and local customs. It is more than a decade since many of these works have been on display.

The exhibition also includes views of Liverpool and the local area in the 19th century, while the Holts were at Sudley. These paintings largely come from the Walker Art Gallery’s collection and give a wonderful idea of what the Holts would have seen as they went into the city for shopping, business or leisure. There are also views of the Wirral when it was still very rural.

The display includes two works by John Atkinson Grimshaw of Liverpool’s Custom House on the dock road in moonlight; a building which was severely damaged during the Liverpool Blitz and later demolished. Paintings by Jean Leon Gerome, Thomas Creswick, Frederick Goodall, Charles Trevor Prescott and Eduardo de Martino are also on display.

Let the Song Hold Us

Let the Song Hold Us is a powerful new exhibition that explores how songs and stories shape our shared histories as they pass through generations and places.

It features artworks exploring families and collective identities. Rae-Yen Song’s vibrant sculptures bring to life ancestral rituals through performances and augmented reality.

Sansour and Lind’s opera mourns the loss of love and homeland, while Arunanondchai’s film finds hope from the ashes. Minott’s works pay homage to the Windrush generation and Sodipo centres Black and trans voices to create a new archive of stars.

In the Window – December –...

Wait and See is a collection of twenty-four shadow-boxes, one to be opened on each of the days of Advent, from the first of December until Christmas Eve.

Each box is unique, and is made using collage, printmaking and bookbinding techniques, with layers of opaque and translucent paper creating three-dimensional scenes.  The boxes can be lit from the front or from behind, creating a play of light and shadow.

As well as for Advent Elizabeth’s boxes could be given to mark a special or memorable date such as a birthday or anniversary as each one has a number on the front which is lifted to reveal each magical scene she has created.

The boxes are inspired by Victorian toy theatres, Eastern European animation, and fairy tales, and by my own memories of making Advent calendars as a child. And I wanted to make a thing of delight to brighten dark days, to make something glad.

Elizabeth Willow

The Tudors: Passion, Power and Politic...

The Tudors: Passion, Power and Politics will open at the Walker Art Gallery on 21 May 2022, featuring around one hundred objects.

This includes almost seventy works from the National Portrait Gallery, a selection of additional loans, and paintings from the Walker Art Gallery’s collection. It is the first time such a significant number of the National Portrait Gallery’s renowned Tudor portraits have been lent for exhibition.

The Walker’s show will follow a smaller exhibition of 25 works at The Holburne Museum in Bath in January, with both exhibitions encompassing some of the most famous portraits from the National Portrait Gallery’s Tudor collection.

The exhibition presents the five Tudor monarchs, Henry VII, Henry VIII, Edward VI, Mary I and Elizabeth I, some of the most familiar figures from English history and instantly recognisable in the portraits that have preserved their likenesses for five hundred years.

The dynasty’s reign over sixteenth-century England, from 1485 to 1603, encompassed the tumultuous years of the Reformation; a literary renaissance; conflict with Scotland, France and Spain; conquest and colonisation in Ireland and America; and the expansion of England’s global reach through piracy and trade.

This major exhibition at the Walker will explore the Tudors from a range of perspectives. It will spotlight some historically underrepresented aspects of the period, including Black Tudor history and LGBTQ+ history.

Image: Queen Elizabeth, (c) National Portrait Gallery