The Singh Twins: Slaves To Fashion

It’s a proud moment for WoW to host the Liverpool launch of The Singh Twins‘ latest book, Slaves of Fashion: Art of the Singh Twins – Personal Reflections on Hidden Stories of Empire, Colonialism, and Their Legacies (Manchester University Press, 2025).

This richly illustrated, artist-designed book showcases ‘Slaves of Fashion’, an award-winning series of portrait-based allegorical and narrative works by contemporary British artists The Singh Twins. ‘Slaves of Fashion’ explores diverse histories and legacies of empire and colonialism through the history of Indian textiles. It is a global story of conflict, conquest, exploitation, slavery, intercultural exchange, and changing fashion.

The series connects these themes to the trade in luxury goods during an age of maritime exploration, colonisation, and industrialisation—all driven by the commercial interests of competing and expanding European imperial powers, from the fifteenth to the mid-twentieth centuries. The book includes detailed interpretations of the artworks, representing The Singh Twins’ personal reflections on this story and its relevance to topical debates around racism, cultural ownership, decolonisation, ethical trade, and consumerism. It also offers insight into the making of the artworks, which draw on academic research, historical archives, and museum collections.

The Singh Twins will discuss their work and this incredible publication, illustrated with images from the ‘Slaves of Fashion’ series, and will be signing copies of Slaves of Fashion.

Slaves of Fashion has been produced with the generous support of Sikhlens, USA. Sikhlens is a non-profit organisation based in California that is dedicated to promoting Sikh history, heritage and culture across the globe through diverse educational and arts initiatives, and grants.

The Singh Twins are internationally recognised contemporary British artists, known for their highly detailed narrative, symbolic, and eclectic style, combining hand-painted and digital techniques. Through their work, which they describe as Past-Modern, they comment on modern-day society, politics, and culture, challenge Eurocentrism in the art world, and demonstrate the contemporary relevance of history and tradition. They have each received many awards, including being made Honorary Citizens of Liverpool in 2009.

Health and Happiness: Two Plays for the Human Voice

Following Tom Hall’s successful WoWFest audio plays, Bartleby: A Tale of Wall Street (2023) and Anything for a Laugh (2024), One Hour Theatre Company presents two short plays for radio, as a collective listening experience.

Set in Argentina during economic collapse, but with a British tone, My Own Free Voice features Jane Hogarth as an un-named woman, and the drama explores the centrality of family relationships to the maintenance and projection of happiness, loyalty, and the nation, under military dictatorship.

Both plays are directed by Victor Merriman, featured in I Live Alone as the Protagonist, who takes another man’s turn in an A&E waiting room. Chancing his arm, this loquacious and jocular working-class Dubliner sets in train a series of unpredictable events reminiscent of the dark comedic writings of Flann O’Brien. Sound design, recording, and editing: WeZ Nolan.

Addressing Palestine

Acclaimed poet Anthony Anaxagorou, and writer and performer lisa luxx, gather for an evening of poetry, discussion, and critical engagement with the ongoing crisis in Palestine.

In keeping with Writing on the Wall’s commitment to freedom, social justice, equality, and universal human rights, the event seeks to amplify marginalised voices while fostering deeper understanding and solidarity. Through powerful literary expression and lived testimony, the speakers will explore the cultural, political, and humanitarian dimensions of the Palestinian experience. This gathering offers a space for reflection, unity, and resistance, and affirms the call for a just and peaceful resolution that upholds the rights and dignity of all people in the region.

Anthony Anaxagorou is a British-born Cypriot poet, writer, and publisher. His books include How To Write It (2020), After the Formalities (2019), shortlisted for the T.S. Eliot Prize, and Heritage Aesthetics (2022), which won the RSL Ondaatje Prize. He is the artistic director of Out-Spoken, a poetry and music night at London’s Southbank Centre, and publisher of Out-Spoken Press. He also edits Propel Magazine, which features emerging poets, and curates WriteBack, a British Library literary series. During the lockdown, he was a Writer in Residence for WoW’s online centre, The Writer’s Bloc. In recognition of his contributions to literature, he was made an honorary fellow at the University of Roehampton in 2019 and elected a Fellow of the Royal Society of Literature in 2023.

lisa luxx is a writer, poet, and performer known for her powerful explorations of identity, feminism, and activism. Her work has been featured on BBC Radio 4, in The Guardian, and at international literary festivals. As a spoken word artist, she has performed across the UK and beyond, using poetry as a tool for social change.

Proceeds will be donated to MAP (Medical Aid for Palestine).

Democracy: Rights on the Line

When is a Nazi salute not a Nazi salute? When performed – twice – by Elon Musk, Trump’s loyal Mitläufer (hanger-on). Orwellian dystopia unfolds: protesters jailed, activists punished, and the BBC bowing to right-wing pressure – all just in the UK. In the US, Green Card holders are detained for lawful protest, scientists deported over critical phone comments, and Venezuelans falsely branded as criminals. Meanwhile, Trump flirts with Putin, excusing an invasion his own supporters recently condemned.

And then there’s Gaza. ‘Never again,’ we said, but only one side meant it. As the Israeli State commits genocide in broad daylight, democratic leaders barely raise a whisper in protest.

Yet, as Dr. Martin Luther King said, ‘Freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed.’ WoWFEST’s panel, featuring Chris Nineham, Niheer Dasandi, and Roger Hill, discusses democracy under attack—and how we can fight back.

More guests to be announced!

Chris Nineham is a founder and vice-chair of the Stop the War Coalition. Arrested in 2025 during a pro-Palestinian march, he pleaded not guilty to Public Order Act charges. He helped organise the historic 2003 anti-war protests, the 2001 Genoa G8 protests, and the European and World Social Forums. A regular media commentator, he writes for Stop the War, Counterfire, and others.

Niheer Dasandi, author of Is Democracy Failing (2018), is Professor of Global Politics and Sustainable Development. His research focuses on human rights, development, climate change, and foreign policy. He co-chairs the Lancet Countdown’s Public and Political Engagement Working Group. Niheer’s has published a range of books, and his work appears in leading journals.

Roger Hill hosted the UK’s longest-running alternative music show on BBC Radio Merseyside for nearly 40 years. A key figure in Youth Theatre, he has worked at Liverpool Everyman and beyond, now focusing on Live Art and storytelling.

Liverpool and the Un-Making of Britain

Join the team for an insightful conversation as Sam Wetherell discusses his critically acclaimed work Liverpool and the Unmaking of Britain, a profound exploration of the city’s role in shaping the narrative of modern Britain. Sam will be interviewed by Janaya Pickett in the magnificent Concert Room of St George’s Hall, Liverpool, as part of the Writing on the Wall Festival 2025.

Expect an engaging dialogue that delves deep into themes of history, identity, and the radical rethinking of Britain’s story, all set against the backdrop of one of the most storied cities in the UK. This event promises to be a thought-provoking evening for anyone interested in understanding the complexities of Liverpool’s past and its far-reaching impact on the present.

This is an unmissable event for lovers of history, literature, and the evolution of British identity. Book your tickets now and join us for a conversation that will challenge and inspire.

John Rees: The Fiery Spirits

Writing on the Wall are delighted to welcome back historian John Rees to present his compelling work of narrative history, The Fiery Spirits: Popular Protest, Parliament and the English Revolution.

As WoW proudly celebrates 25 years of radical storytelling, John uncovers the hidden stories of influential MPs and their allies who envisioned a kingdom without a crown. The so-called ‘fiery spirits’ who brought a desperate nation to the brink in the Civil Wars include the future regicide Henry Marten, the firebrand William Strode, the formidable colonel Alexander Rigby and Sir Peter Wentworth, descendant of a long line of anti-monarchists.

More than a book of political intrigue, The Fiery Spirits is a testament to the power of the people. Its reflections on mass demonstration resonate deeply today as four independent candidates sit at Westminster as a direct result of solidarity with the Palestinian people.

John Rees is an influential historian, broadcaster, campaigner. His books include Timelines: A Political History of the Modern World, The Leveller Revolution and A People’s History of London, co-authored with his partner Lindsey German. He also produces documentaries and presents current affairs programmes for the Islam Channel. Currently, he is a Visiting Research Fellow at Goldsmiths, University of London. He is a National Officer of the Stop the War Coalition, which opposes the British establishment’s disastrous addiction to war, and a founding member of the organisation Counterfire.

The Resilience of Refaat: Honouring a Voice of Gaza

In December 2023, the world lost a singular voice. Refaat Alareer, poet, editor, teacher, and mentor, was killed by an Israeli airstrike in Gaza, along with six members of his family. His final poem, If I Must Die, written just weeks before his death, echoed across borders and languages, giving voice to the grief and resistance of a people under siege.

Refaat Alareer was a Palestinian writer, poet, and professor of English literature at the Islamic University of Gaza. A passionate educator and mentor, he was a co-founder of We Are Not Numbers, a platform amplifying young Palestinian voices. His poetry and essays captured the struggles and resilience of life in Gaza, making him a vital literary figure. Through his teaching, writing, and activism, he shaped a new generation of Palestinian storytellers.

But Refaat’s legacy did not end there. A towering figure in Palestinian literature, he helped shape a new generation of writers and thinkers, not only through his words, but through his presence, his mentorship, and his belief in the power of storytelling.

Join them for a special evening of remembrance, reflection, and resistance, as they celebrate the life and work of Refaat Alareer and the community he built around him.

With readings from his poetry and prose, and reflections from three people who knew him personally: Yousef Aljamal, Gaza-based writer, translator, and editor of If I Must Die: Poetry and Prose, a tribute to his former teacher, Ahmed Nehad, writer, translator, and fellow lecturer at the Islamic University in Gaza, who Refaat mentored for many years, and Basma Ghalayini, translator and editor of Palestine +100 and Palestine -1, two ground-breaking science fiction anthologies imagining past and future Palestine’s.

This event, in partnership with Comma Press, is part of Liverpool’s growing cultural response to the ongoing crisis in Palestine, rooted in solidarity, shaped by stories, and driven by the belief that voices like Refaat’s must continue to be heard.

Liverpool Biennial 2025: Bedrock

The 13th edition of Liverpool Biennial, titled ‘BEDROCK’, will take place 7 June – 14 September 2025, curated by Marie-Anne McQuay.

The theme draws on Liverpool’s distinctive geography and the beliefs which underpin the city. It is inspired by the sandstone which spans the city region and is found in its distinctive architecture. ‘BEDROCK’ also acts as a metaphor for the social foundations of Liverpool and the people, places and values that ground all of us. 30 artists and collectives will respond to the theme of the 13th edition.

Liverpool Biennial is the UK’s largest free festival of contemporary visual art. Taking place in historic buildings, unexpected spaces and art galleries, the Biennial has been transforming the city through art for over two decades. A dynamic programme of free exhibitions, performances, screenings, community and learning activities and fringe events unfolds over 14 weeks, shining a light on the city’s vibrant cultural scene.

‘BEDROCK’ draws on Liverpool’s distinctive geography and the beliefs which underpin the city. It is inspired by the sandstone which spans the city region and is found in its distinctive architecture. ‘BEDROCK’ also acts as a metaphor for the unique social foundations of Liverpool, haunted by empire, and the people, places and values that ground us.

Taking over historic buildings, unexpected spaces and art galleries, Liverpool Biennial – the UK’s largest free festival of contemporary visual art – has been transforming the city through art for over two decades. A dynamic programme of free exhibitions, performances, community and learning activities, and fringe events unfolds over 14 weeks, shining a light on the city’s vibrant cultural scene.

New venues and sites announced today (25 March 2025) for the 13th edition include 20 Jordan Street located in the city’s Baltic Triangle, Pine Court, the heritage site of Pine Court Housing Association in the heart of Chinatown, and The Black-E, Liverpool’s pioneering arts and community centrewhich join venues such as Bluecoat, FACT Liverpool, Liverpool Cathedral, Liverpool Central Library, Open Eye Gallery, Tate Liverpool + RIBA North and Walker Art Gallery.

A series of outdoor works are set to be installed at sites across the city including Liverpool ONEMann IslandSt John’s Gardens and the grounds of The Oratory at Liverpool Cathedral.

Click here to register for Liverpool Biennial 2025 Previews – Registration is open until 30 May.

The participating artists for Liverpool Biennial 2025 are:

Alice Rekab (Ireland/Sierra Leone); Amber Akaunu (UK/Nigeria); Amy Claire Mills (Australia); Ana Navas (Venezuela/Ecuador/Netherlands); Anna Gonzalez Noguchi (Spain/Japan/UK); Antonio Jose Guzman & Iva Jankovic (Netherlands/Panama/Serbia); Cevdet Erek (Turkey); ChihChung Chang 張致中(Taiwan/Netherlands); Christine Sun Kim (USA); DARCH (India/Somaliland/Wales); Dawit L. Petros (Eritrea/Canada/USA); Elizabeth Price (UK); Fred Wilson (USA); Hadassa Ngamba (Democratic Republic of the Congo/Belgium); Imayna Caceres (Peru/Austria); Isabel Nolan (Ireland); Jennifer Tee (Netherlands); Kara Chin (UK/Singapore); Karen Tam 譚嘉文(Canada); Katarzyna Perlak (Poland/UK); Leasho Johnson (USA/Jamaica); Linda Lamignan (Nigeria/Norway); Maria Loizidou (Cyprus); Mounira Al Solh (Lebanon); Nandan Ghiya (India); Nour Bishouty (Lebanon/Jordan/Palestine/Canada); Odur Ronald (Uganda); Petros Moris (Greece); Sheila Hicks (France/USA); Widline Cadet (Haiti/USA).

Liverpool Biennial 2025 Programme

Outdoor Works

Celebrating Liverpool’s iconic architecture and public spaces, a series of newly commissioned outdoor artworks will be installed at sites across the city centre.

Alice Rekab presents a multi-city billboard project in Liverpool and Edinburgh, in partnership with EAF25 (Edinburgh Art Festival). In Liverpool, the work is co-created with students from The City of Liverpool College through a series of workshops. Displayed throughout Liverpool ONE, these collaborative works explore experiences of race, migration and belonging. Meanwhile at Bluecoat, the artist presents a multi-layered gallery installation titled ‘Bunchlann/Buncharriag’ (Irish Gaelic for ‘Origin Family’ or ‘Bedrock’).

Anna Gonzalez-Noguchi presents a modular sculpture at Mann Island, inspired by the historical import of ‘foreign’ plants into Liverpool. The three towers, constructed out of metal and reflective materials, incorporate seating, spinning elements and tubular structures engraved with records of the city’s botanical collections.

Isabel Nolan presents a steel and concrete sculpture in St John’s Gardens, supported by Art Fund. The design is inspired by a drawing of a stained-glass window held in the St Nicholas Pro-Cathedral archive and the leadwork in the windows of Liverpool Metropolitan Cathedral’s Lutyens Crypt. Painting and textiles by the artist are also shown at the Walker Art Gallery.

A selection from Petros Moris’ ‘ALONE’ series of mosaic sculptures referencing an abandoned playground and his parent’s own mosaic studio, will be exhibited in the grounds of The Oratory at Liverpool Cathedral, as well as at Bluecoat and Walker Art Gallery.

Further works will be exhibited across the city on streets, shop fronts, hoardings and other unexpected places:

Anna Gonzalez-Noguchi – Eurochemist, Berry Street

ChihChung Chang 張致中 – Chinatown

Kara Chin – Berry Street

Odur Ronald – SEVENSTORE, Jamaica Street

Liverpool Independents Biennial 2025

Independents Biennial 2025 will return to Liverpool City Region with 22 new artistic commissions, 64 artists and new work appearing across Liverpool, Sefton, Knowsley, Wirral and St Helens.

The artist-led festival, which runs concurrently to Liverpool Biennial, is created to showcase the vibrant art and art scene of the city-region.

The Independents Biennial has been showcasing the work of grassroots artists since 1999 and has been known by various names including Tracey, Biennial Fringe and Liverpool Independents. It is managed by Art in Liverpool but programmed at venues and locations across the city-region by artists, artist groups, art studios and artist networks.

In 2025, art will be exhibited at over 120 locations, some of which are traditional art spaces, others which are empty or unused high street or retail units. This year’s venues include Bidston Observatory, Hilbre Island, Dibbinsdale Nature Reserve, Bluecoat, The Atkinson, Huyton Village, The World of Glass, Crown Building Studios, Liverpool ONE, Mersey Ferries, Hamilton Square, Victoria Road in New Brighton and Fort Perch Rock.

The artists who are commissioned as part of Independents Biennial live and work in one of Liverpool city-region’s boroughs.

Those commissioned artists are Claire Beerjeraz, CBS Gallery, Rebecca Chesney, Jon Davies & the Sound Art Network, Alan Dunn, Ellis Eyo Thompson, Amy Flynn, Freddy Franke & Rat Shack, George Grace Gibson & Gee Collins, Ellie Hoskins, Anna Jane Houghton & Abbie Bradshaw, Noel Jones & 24 Hope Street, Brigitte Jurack, Dongni Laing, Georgina Tyson & The Royal Standard, Sufea Mohamad Noor, Daniel O’Dempsey, Tom Stockley & Ruaíri Valentine, The Drawing Paper (Show), Stephanie Trujillo, Jacques Verkade & Callan Waldron Hall, and Les Weston.

Outer Waves Festival

Liverpool’s new alternative music and arts festival, OUTER WAVES, debuts on 24th-25th May 2025.

Set to take over venues across the North Docks, including Invisible Wind Factory and Make Liverpool, the festival promises a bold programme of experimental music, boundary-pushing visual art, and innovative collaborations—filling a long-missing gap in the city’s cultural landscape.