Archive Launch (In-person)

Join Collective Encounters as we launch our new digital archive, celebrating 21 years of theatre for social change in the Liverpool City Region.

This evolving archive brings together the voices, memories and stories of the many people who have shaped Collective Encounters. It reflects on what cultural memory means and how we tell, preserve and question our shared histories.

The launch includes a live performance from Heritage Police, who invite us to interrogate who decides what counts as heritage—and what gets left out.

All are welcome to come along, explore, and reflect on what it means to build a shared cultural memory.

We will also be hosting an online launch event on the same day, find out more here.

 

Archive Launch (Online)

Join Collective Encounters as we launch our new digital archive, celebrating 21 years of theatre for social change in the Liverpool City Region.

This evolving archive brings together the voices, memories and stories of the many people who have shaped Collective Encounters. It reflects on what cultural memory means and how we tell, preserve and question our shared histories.

The launch includes a live performance from Heritage Police, who invite us to interrogate who decides what counts as heritage—and what gets left out.

All are welcome to come along, explore, and reflect on what it means to build a shared cultural memory.

There will also be an in-person launch event happening on the same day, find out more here.

 

Review at the Rathbone: Private view

A private view to open a new show: Review at the Rathbone. Visitors can speak to the artists and meet the makers.

In 2024 Liverpool Irish Festival recruited several artists to work with citizen groups across Merseyside to create art works responding to Liverpool Irish Famine Trail sites. The resulting work can be seen in our app, but this exhibit provides an opportunity to see the original art works close-up, with some works on show for the very first time.

The Rathbone family – William IV (b.1757-d.1809), William VI (b.1819-d.1902) and Eleanor (b.1872-d.1946) especially – were key figures in the abolition of slavery, nursing and Ireland’s land league, harking back to their Irish connections. Being in an eponymously named gallery feels fitting.

Read more in the exhibition listing.

Image credit: Tadhg Devlin (detail only).

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Celebrating Irish Craft

Having partnered with the Liverpool Irish Festival, over years, to celebrate and share the work of Irish makers Bluecoat Display Centre hosts a retrospective of those artisans, including more that are seen through their annual portfolio of creatives. With silver, ceramics, glass, paintings, textiles and more besides, there is something to suit every budding creative, interest and price point. Whether you’re just looking for the sheer fun of it or searching for a unique gift, this is an exceptional display of contemporary talent in one of the longest serving display centres in the country. 

A private view will be held at the Centre from 4.30pm-7.30pm on Thur 18 Sept 2025.

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In the Window: Corinne Price

As part of Liverpool Irish Festival 2025, the artist Corinne Price will display their incredible ceramics at Bluecoat Display Centre. A Northern Ireland based ceramicist, Corinne grew up under the ​open skies of the Dee Estuary in Northwest England. 

Using pigmented porcelain, Corinne creates colourful and sculptural vessels that trace the time and movement involved in their making. Integrating pigment into the clay body, rather than applying it afterwards as a decorative surface, allows Corinne to effectively build in colour. Inspired by the expression of movement in water and air, sunrises and sunsets and the flow of energy in and around bodies and objects, ripples of colours become suggestive of rock strata, waves flames, or wisps of smoke. Drawn to the versatility and sometimes unpredictability of clay, embracing imperfection, Corinne’s work endeavours to infuse spaces with joy and optimism through the presence of colourful forms. ❤️??

Review at the Rathbone

In 2024 Liverpool Irish Festival recruited several artists to work with citizen groups across Merseyside to create art works responding to Liverpool Irish Famine Trail sites. The resulting work can be seen in our app (accessible via liverpoolirishfaminetrail.com), but this exhibit provides an opportunity to see the original art works close-up, with some works on show for the very first time. 

Comprising films, embroidery, banners, cyanotypes, mixed media canvasses and rediscovered stories, the artworks help to connect people today with the legacy of The Great Hunger, considering its impact here on Merseyside. 

Just around the corner from the Liverpool Irish Famine Trail’s plaque on Price Street, the gallery sits in Birkenhead where many of the Irish Famine poor arrived for refuge, just south of where tragedy struck The Sea Nymph and The Rambler in the Mersey in 1846.

The Rathbone family – William IV (b.1757-d.1809), William VI (b.1819-d.1902) and Eleanor (b.1872-d.1946) especially – were key figures in the abolition of slavery, nursing and Ireland’s land league, reflecting their Irish connections. Being in an eponymously named gallery, therefore, feels fitting.

The work was funded by The National Lottery Heritage Fund and is presented here in partnership with the Rathbone Ceramic Studio and Gallery. The Festival would like to thank Tadhg Devlin, Lydia O’Hara and Nicola McGovern for their efforts – over and above the call of their original commissions – and the many individuals that contributed to the art works on show, especially Jean Maskell and Richard Orritt who worked hard to get the exhibition on show. 

Visitors to the exhibit might also be interested in the Festival’s new book, which documents some of this work — Reveal — available from our online shop: www.liverpoolirishfestival.com/shop

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Ulysses: Shared reading

Often seen as dauntingly academic, James Joyce’s Ulysses is by contrast a book of life. 

Published in 1922, Ulysses is one of the most revered of novels; “the book to which we are all indebted” according to TS Eliot. It is Joyce’s reconstruction of Dublin, through memory, which has become a national Irish epic. Set over the course of a single day — 16 June 1904 — the day of Joyce’s first date with Nora Barnacle, Ulysses is a tribute to his lifelong partner.

Structured to mirror the episodes of Homer’s Odyssey, the novel contains all of life, from the quotidian (daily) to the sublime. Catholicism, bar room song, toilet habits, philosophy, horse racing, infidelity, advertising slogans, gossip, sex and death all appear between its covers. Some said it was ‘not fit to read’. “If that is so”, said Joyce, “life’s not fit to live”. 

Ulysses gives readers three major characters and — with its Modernist style — access to their inner worlds. In Stephen and Bloom Joyce gives us youth and experience, intellect and practicality in attempt to marry those opposites. And yes, Molly gives us the second most famous soliloquy in literature.

You are invited to read the novel, chapter by chapter, whether it be your first time or a re-reading. Led by Ulysses enthusiast Jim Stanton, readers will discuss each chapter as a group, in a comfortable setting. Together you will build a democratic understanding of a democratic novel, in the knowledge that the more you each put into your understanding, research and openness to the language, the more you’ll gain collectively. Though each may read in isolation, the group will gain from a collaborative reading of Joyce’s unsurpassable novel.

The group will meet monthly on the fourth Monday of the month, through until Oct 2026. New paperback copies of Ulysses can be bought on Amazon for £3.99.

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Knuck & Knuckle (13 mins)

Knuck & Knuckle is a short film born from Irish artist, Frank McCarthy’s collaboration with a group of Irish Traveller boys passionate about boxing but less drawn to visual arts. Frank introduced Paint Punch, a technique where participants strike paint onto boards to create abstract artworks, a process that quickly captured their engagement and motivation, which features in the film.

The film follows the story of Lee Reeves, an internationally acclaimed boxer from Southill, one of Limerick’s most disadvantaged areas. His journey, marked by resilience, grief, and mental health struggles, speaks directly to young men living on society’s margins. In conversation with music artist WILLZEE, Lee shares an honest exchange about growing up in a working-class estate, offering a rare insight into contemporary Irish life.

Directed by first-time filmmakers Ellie Marron and Sean Horgan, with cinematography by Marron, sound and score by Evan O’Malley, David Sheerin and McCarthy, plus vocals by teenage singer Rosie McCarthy. The film is produced by Frank McCarthy and Monica Spencer for The GAFF. Knuck & Knuckle was awarded Best Documentary Short at Limerick’s Catalyst International Film Festival in 2025.

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Brave Maeve’s Tir Na nÓg

 

Join the kids from the creche, with your young person, to hear Brave Maeve creator Stu Harrison talk through how he became an illustrator and tell the story of Brave Maeve. Photo opportunities with Brave Maeve cut-outs and free Tir Na nÓg map for all attendees.

 

Dallahan

 

Forged in Scotland and Ireland’s traditional music scene, but drawing on the music of the Balkans and North America, Dallahan take their listeners on a journey. Traversing styles and countries of the world in a dazzling live show, they create their own unique brand of World-Folk delivered with stunning virtuosity.

The lineup consists of Jack Badcock on guitar and vocals, Ciaran Ryan on banjo, mandolin and fiddle, Andrew Waite on accordion and Benedict Morris on fiddle and they have appeared at some of the world’s most prestigious international folk music events such as Milwaukee Irish Fest (USA), Celtic Connections (SCO), Tonder Festival (DK), Festival Dranouter (BE), Woodford Folk Festival (AUS) among countless others. To date, they have brought their live show to 25 countries, earned three nominations for Folk Band of The Year in 2016, 2019, 2022 and 2023 and enjoyed collaborations such as with the Royal Scottish National Orchestra, songwriting legend Dougie MacLean and Nepal’s folk exponents Kutumba.

Approaching a decade together as a band, Dallahan have become a veteran touring outfit and with each album they continue to evolve their sound – which they call their own brand of World-Folk – as is evident on their fourth studio album, Speak of the Devil.

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