Highway Hypnosis – Film Screening

“Take a spin with the Freeway Killer”

The Los Angeles Freeway Killer (Leonard Lumpkin) takes a drive to Las Vegas—and back. This video by Ken Camp (As the World Burns) is both trancelike and troubling, taking the viewer across the desert of California, through Nevada, and into “the frightening zone where lay the genetic codes and memories that make us all killers.”

Unseen since its 1984 premiere at West Hollywood’s EZTV Video Gallery, Ken Camp’s Highway Hypnosis is a disturbing meditation on the eroticism of violence and a major work of both narrative video art and queer horror.

New digital preservation from the original 3/4” tape master.

Screened as part of Scalarama Liverpool, a month-long event celebrating DIY cinema in the City

63 MIN / 2025 / USA / ENGLISH / QUEER HORROR

Director: Ken Camp

Writer: Ken Camp

Dead Lover – Scratch n Sniff Film Screening

This is potentially our most exciting screening yet. We are so proud to present DEAD LOVER for the first time in Liverpool. This unique Scratch n Sniff presentation is one of film history’s greatest gimmicks. Each audience member will get a card and when the number comes up on screen, scratch your card and have a sniff! We’ve had a sniff already…it stinks. This is a modern cult hit that’ll leave a nasty smell up your nose. Only a few early bird tickets are available!

About

A lonely gravedigger who stinks of corpses finally meets her dream man, but their whirlwind affair is cut short when he tragically drowns at sea. Grief-stricken, she goes to morbid lengths to resurrect him through madcap scientific experiments, resulting in grave consequences and unlikely love

79 MIN / 2025 / CANADA / ENGLISH / COMEDY, HORROR, SCI-FI

Director: Grace Glowicki

Writer: Grace Glowicki & Ben Petrie

Anfield People’s Cinema Festival

Anfield People’s Cinema (APC), the volunteer-run community cinema that has hosted free monthly film screenings across Anfield since January 2025, is launching its first-ever film festival this month: The Anfield People’s Cinema Festival, running from Thursday 24th to Sunday 27th September.

The four-day festival will bring six screenings to five different venues across Anfield, with every screening free to attend, accompanied by a free meal sourced from local businesses, and an optional donation at the end to support future programming.

The festival has been made possible by funding from Cinema For All and local councillors, and, in keeping with APC’s founding ethos , has been entirely programmed and designed by a team of around 20 local volunteers, with the organisation’s two lead coordinators supporting behind the scenes with logistics and admin. From day one, APC’s vision has been for its audience to take the lead in shaping its programme, building skills in curation, event production and community organising along the way. This festival is the clearest expression of that vision yet.

The programme:

  • Thursday 24 September, 7- 10pm — Letter to Brezhnev, a beloved Scouse ’80s classic
  • Friday 25 September, 6:30–9:30pm — Back to the Future, a family screening
  • Saturday 26 September, 1:30–4:30pm — The Long Day Closes, Terence Davies’ Liverpool masterpiece
  • Saturday 26 September, 6:30–9:30pm — Kes, Ken Loach’s timeless classic
  • Sunday 27 September, 1–3:30pm — Wolfwalkers, an Irish animated children’s screening
  • Sunday 27 September, 6:30–9:30pm — Black Girl, the landmark Senegalese film

Full listings and free tickets are available via APC’s Linktree: linktr.ee/anfieldpeoplescinema

The festival launch comes as APC has been named a finalist for Emerging Community Cinema of the Year at the Cinema For All awards, recognition of the organisation’s rapid growth and impact since launching just 18 months ago.

About Anfield People’s Cinema

Anfield People’s Cinema is a volunteer-run community cinema based in Anfield, Liverpool. Since January 2025, it has hosted free monthly film screenings across the area, with a free meal provided at every event and an optional pay-what-you-can donation. APC is currently transitioning to a cooperative structure, with a long-term vision of building a permanent, community-owned cinema venue for Anfield.

Fringe Film Festival

A special Sunday night at the movies featuring local short films on a variety of topics.

All films will be up for Fringe Festival awards.

Head along to The Studio Below for a night of screen sensations.

Fringe Flicks: Love Is Strange

Fringe Flicks returns to DoES Liverpool with Love Is Strange, bringing together 13 short films about warped romance, awkward desire, tenderness, obsession and emotional misfires.

Across live action, animation, stop motion and experimental film, the programme moves from tense relationships and impossible honesty to peculiar attractions, strange creatures, surreal encounters and a man who falls hopelessly in love with a pineapple.

Expect a relaxed, low-pressure film night rather than a formal cinema experience. Doors open at 7:30pm, with a Love Is Strange playlist curated by Esa Shields playing while people arrive. Films begin at approximately 7:50pm, with a 20–30 minute interval midway through the programme.

There’ll also be a raffle and an Audience Choice Award sponsored by The DCP Works. The screening and activities should finish at around 10pm, followed by an optional social until approximately 10:30pm.

Pay What You Can. 18+. DoES Liverpool is fully wheelchair accessible.

Testimony

Continuing our partnership with Fréa’s Renewing Roots programme, this screening of Testimony has been supported by the Government of Ireland’s Department of Children, Equality, Disability, Integration and Youth.
About:
Testimony is a profoundly moving documentary that chronicles the fight for justice by survivors of Ireland’s Magdalene Laundries and Mother and Baby Homes. Directed by Aoife Kelleher, produced by Rachel Lysaght and Farah Abushwesha, Testimony captures the determination of these women, supported by the advocacy group Justice for Magdalenes (JFM) to hold the Irish government accountable for decades of institutional abuse. From grassroots campaigning to delivering powerful testimony at the United Nations, their journey is a testament to the strength of collective action and the enduring impact of these dark chapters in Irish history.

From the Magdalene Laundries to the Mother and Baby Homes, Irish women were imprisoned, exploited and stripped of their children by religious orders, with the full complicity of the state. Their stories were buried. Their suffering was silenced.

Testimony follows Justice for Magdalenes (JFM) and the survivors who refused to stay quiet. From mass graves at High Park to the floor of the UN Committee Against Torture, this is the story of a campaign that forced the world to listen and of women who reclaimed their own narratives against every effort to erase them.

Unflinching, urgent and ultimately hopeful, Testimony is a tribute to resilience, a demand for accountability, and a stark reminder of what silence costs.

A post-screening conversation will take place following the film, providing space for questions and reflection, to which all attendees are warmly invited.

This event has been organised as a commemorative event by Renewing Roots, with funding from the Government of Ireland (DCEDIY Commemorative Grant Scheme). Fréa is funded — with thanks to the Irish Government — via the Irish Embassy in London’s Emigrant Support Programme.

Testimony is presented by Fis Éireann/Screen Ireland, UK Global Screen Fund, Arte, RTÉ, Coimisiún na Meán, Rialtas na hÉireann/Government of Ireland, Rocliffe, Underground Films and BFI.
Care note:
We recommend that anyone with lived experience of institutional abuse, forced adoption, or the Magdalene Laundries and Mother and Baby Homes considers carefully whether this work is right for them at this time. Testimony contains themes, such as forced incarceration, sexual, physical, mental and verbal abuse that some viewers may find distressing, as such viewer discretion is urged when booking. Trained mental health first aiders will be available for support before, during and after the screening. A list of external organisations that can offer support can be found here: https://www.liverpoolirishfestival.com/contact/advisory-support-services/

Film Screening: Jalsaghar

Join us for a special screening of Jalsaghar (1958), Satyajit Ray’s celebrated film and the inspiration for Debjani Banerjee’s current exhibition of the same name at Bluecoat.

The film tells the story of a wealthy aristocrat and patron of classical music whose world is slowly changing around him. As his fortune and status decline, he becomes increasingly devoted to preserving the artistic traditions and legacy he holds dear. Featuring an unforgettable performance by Chhabi Biswas, alongside music by Ustad Vilayat Khan, vocals by Begum Akhtar and dance by Roshan Kumari, the film brings together music, performance and storytelling with quiet elegance.

The title Jalsaghar, meaning “music room” in Bengali, is reimagined by Banerjee as a sensory space shaped by sound, memory and storytelling. Exploring her Bengali heritage and her upbringing in 1980s England, Banerjee works across film, sculpture and installation to bring together traditional craft, religious imagery and modern culture. Her exhibition invites audiences to reflect on what happens when different ways of life meet.

Running time: 1hr 40minAge rating: PG-13

Doors open at 5.45pm.

£10.50 (booking required)

A limited number of free tickets are available for those who are unwaged or experiencing financial hardship. Please select this option if it applies to you.

Beckett: Lieben 2026 – Film Screening: If I Fall, Don’t Pick Me Up

If I Fall, Don’t Pick Me Up, a film from Irish filmmaker  Declan Clarke, explores the relationship between iconic Irish author Samuel Beckett and renowned German theatre director Walter D. Asmus, and considers a legacy built on interpretation and performance: when the original actors have departed the stage, what remains?

Beckett and Asmus met in the early 1970’s and worked closely together for the last fifteen years of Beckett’s life. The film, shot entirely on 16mm film, reflects on their developing relationship through the written communications Beckett sent to Asmus – at first succinct and professional, but progressively more personal.

The true depth of their connection is more extensively relayed through the annotated theatre notes that were developed as Asmus directed Beckett’s work through the 1970s and 80s.

While Walter Asmus directed all of Beckett’s plays internationally – with the exception of ‘Play’ and ‘Catastrophe’ – their work together to bring, interpret, and present ’Waiting for Godot’ to the stage is the most enduring legacy of their working relationship.

In 1988 Asmus directed what has come to be regarded as the definitive version of Beckett’s landmark play Waiting for Godot at The Gate Theatre, Dublin.

The film was commissioned by the Embassy of Ireland in Germany as part of Zeitgeist Ireland, a joint initiative of Culture Ireland and the Embassy to bring a season of Irish culture across Germany in 2024.

Following the screening, director Walter Asmus will be joined onstage by Professor Mark Nixon for a Q+A.

Beckett: Lieben 2026: Beckett Shorts

Including Alan Gilsenan’s Eh Joe (1986), Paul Joyce’s The Goad (1965) and the first screening of Michael O’Neill’s Peggy (2026).

Image credit: Samuel Beckett with Film, New York, 1964⁠ © Steve Schapiro, courtesy of Atlas Gallery, London

KOYAANISQATSI | LIV:DOX

7PM

One of the most purely cinematic experiences you can have in a room full of strangers. Taking its title from the Hopi word for “life out of balance,” this wordless, plotless journey moves from untouched nature into the accelerating churn of cities and machines, revealing just how far humanity has drifted from the world it depends on. Built entirely from time-lapse and slow-motion imagery, with no dialogue and no narration, it lets Philip Glass’s now-iconic score carry the argument instead. More than 40 years on, its vision of a world running faster than it can sustain hasn’t lost any of its force. First film in the Qatsi trilogy.