We team up with Dave O’Grady and friends to celebrate 45 years of Creedence Clearwater Revival’s seminal album ‘Cosmo’s Factory’ on Saturday 20th December. Full line-up revealed in good time!
Tickets on sale now.
We team up with Dave O’Grady and friends to celebrate 45 years of Creedence Clearwater Revival’s seminal album ‘Cosmo’s Factory’ on Saturday 20th December. Full line-up revealed in good time!
Tickets on sale now.
Meet Matilda Wormwood. This brave little bookworm uses her intelligence, wit and magical powers to outsmart her uncaring parents and bullying headteacher Miss Trunchbull.
Armed with a vivid imagination and a sharp mind, Matilda dares to take a stand and change her own destiny and those around her.
This global phenomenon from the Royal Shakespeare Company, which is celebrating 15 years of musical magic in London’s West End, has won over 100 international awards and comes to Liverpool for the first time this Christmas.
Experience an extraordinary fusion of musical traditions in this captivating concert at The Tung Auditorium where Indian music meets contemporary guitar.
In the first half, acclaimed sarod maestro Dr Pandit Ranajit Sengupta, celebrated for his deep, introspective performances, joins forces with distinguished sitarist Ashim Chowdhury, a torchbearer of the Imdad Khani Gharana. Together, they present a dynamic jugalbandi (duet), showcasing the intricate interplay and profound depth of Indian classical strings.
The second half welcomes the versatile and virtuosic German guitarist André Krengel, known for his unique style that transcends genres. Krengel’s contemporary guitar artistry converses with Sengupta’s sarod, creating a cross-cultural dialogue that bridges Eastern and Western musical landscapes.
Accompanying them on tabla is the esteemed Kousic Sen, whose rhythmic mastery provides a solid foundation, enhancing the synergy between the string instruments. Join us for an evening where tradition meets innovation, and diverse musical worlds resonate in harmony.
This concert is part of Milap’s Indika Festival, taking place across the Liverpool City Region from 17–31 October 2025. It also forms a highlight of Milap’s 40th Anniversary celebrations.
Taking place at The Tung Auditorium, Anil Srinivasan, an award winning Indian pianist, and Dr Jayanthi Kumaresh, a virtuoso of the Saraswathi Veena, have forged a remarkable musical partnership through their innovative collaboration, notably showcased in their project The Stringmasters.
They were first brought together by Milap in 2013 for a concert at London’s Southbank Centre, where they discovered a natural synergy between the piano and veena, both string instruments. Their remarkable ability in blending Western and Carnatic classical traditions to create a unique ‘third space’ of musical expression has been winning fans worldwide.
This partnership, marked by performances at venues as diverse as the Riverside Theatre in Sydney, the Habitat in Delhi, Bengaluru’s Jagriti Theatre and Chennai’s The ARTery, emphasises intuitive and genre-neutral explorations of ragas.
They are often accompanied by percussionists of great repute such as Giridhar Udupa. Their work, celebrated for breaking artistic barriers, integrates classical depth with contemporary accessibility, engaging diverse audiences globally while redefining the boundaries of Indian and Western musical dialogues.
“The collaboration between Anil Srinivasan and Jayanthi Kumaresh is a rare alchemy, where the piano and Saraswathi Veena weave a seamless tapestry of sound, transcending the boundaries of Carnatic and Western classical music with an effortless grace that captivates the audience.” (Ranjani Govind, The Hindu, August 2019)
This concert is part of Milap’s Indika Festival, taking place across the Liverpool City Region from 17–31 October 2025. It also forms a highlight of Milap’s 40th Anniversary celebrations.Promoted by Milap in partnership with The Tung Auditorium.
A Celebration of Christmas returns this year on Saturday 13 December with a night of musical cheer, guaranteed to get you into the festive spirit.
Join the Metropolitan Cathedral Choir and some very special guests for what promises to be a magical event for all the family.
Sing along to classic carols, enjoy traditional readings and celebrate Christmas in the glorious surroundings of the Metropolitan Cathedral.
Tickets: £10 each/ £18 family, available from www.ticketsource.co.uk/metcathedral
Liverpool Renaissance Singers under Musical Director Liam Owens will perform beautiful Christmas and Advent Music by composers Byrd, White, Tallis and Sheppard. Woven between ancient plainsong and polyphonic music the concer traces an arc between yearning and penitence to the awe-filled mystery of incarnation.
Programme will be available on www.liverpoolrenaissancesingers.org
Date: 6th December 7.30pm. Doors open 7pm
Venue Our Lady and St Nicholas Parish Church L2 8GW off Chapel Street Liverpool opposite the Liver Building and the Crown Plaza Hotel
Seasonal refershments after the event for donations
Tickets (£12 – children under 16 free and also registered disabled persons with a ticket owning carer) can be purchased at: https://www.ticketsource.co.uk/liverpool-renaissance-singers/t-ejkjvl
Guitarist and composer (and also session guitarist, audio engineer, music producer and entrepreneur) Yuval Ron performs original tunes that transcend the boundaries of any specific musical genre. Inspired by a crossover of modern jazz-rock, progressive music, cinematic and orchestral music genres, it is all well blended into an own fresh and distinct musical direction, best described as Cinematic Prog or Fusion.
The music features virtuosic performances of various compelling and colorful compositions, produced on top of richly arranged orchestral, some say sci-fi film-like backgrounds, atmospheric soundscapes and various sound effects drawing the listener into a total, electrifying experience.
The compositions place a constant emphasis on harmonic richness and rhythmical sophistication, while maintaining a fine balance between intricately detailed group arrangements and the players’ individual expression.
“Playing ambitious instrumental music, drawing on eclectic influences and oozing virtuosity, they surprise many here with how astounding they are…. The Yuval Ron Trio are simply out of this world.” – Gary Mackenzie, Prog Magazine
“It’s there on the final frontier, equipped with astral, analog synthesizers, arresting time signatures, and a generous helping of self-satire.” – Kate Koenig, Premier Guitar
“In my book one of those albums to take out when you encounter people that state that “no, jazzrock isn’t my thing” that may well change their minds.” – Olav Björnsen, Progressor
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Supported by Initiative Musik GmbH with project funds from the Federal Government Commissioner for Culture and Media, Germany.
More than any other musician, Beethoven (1770 – 1827) changed the course of music. After his death, nothing was the same again. He inhibited later composers who felt that they couldn’t compete with his intellectual rigour and outstanding imagination. Unlike previous composers, none of his works sounds like another. Even his first three sonatas, published when he was thirteen, are noticeably individual.
Just as he was consolidating his reputation, the signs of deafness began to plague him: the most cruel fate for a musician. By the time he wrote the Emperor Concerto and his seventh symphony he was unable to hear with any clarity. Although the greatest pianist of his time, he did not play this last of his concertos because he could not hear the orchestra or keep in time with them. Yet his spirit remained undaunted and he went on to write what many consider to be the finest of all symphonies, sonatas and string quartets.
Piano Concerto no. 5 in Eb, opus 73.
Is this the greatest concerto of them all? Quite possibly. Certainly it’s written on a very grand scale from the majestic opening to the piano’s final flourish. Between the two comes a slow movement of exquisite lyricism which leads, without a break – and this was an innovation – into the lively finale. The nickname Emperor was not given by the composer but does suit the piece, written at the height of his powers, in 1809.
Symphony no. 7 in A, opus 92.
This occupied Beethoven during 1811-12 and has been called, by some authorities, his Dance Symphony. Each listener can decide for themselves as the four movements progress, but it particularly applies to the toe-tapping last movement. As always, with this composer, each of his pieces is unique. He set himself a different challenge in each one. Although the concerto and symphony were written within a four year period they sound quite different from each other while still having all the musical fingerprints of the composer.
Born in 1770, he died in 1827 which means his bi-centenary arrives in only two years’ time. Look out for our series of concerts that season celebrating this important event.
Join us for the launch of Queue Up and Dance new book celebrating Quadrant Park, the legendary Bootle club with speakers artist Dave Evans, author and archivist of DIY movements Emma Warren, and DJ Melissa Kains.
Queue Up And Dance features a collection of interviews with a variety of people, from those who went to the club, to the DJs that played there, about their experiences of ‘the Quad’. Together, these highlight the club’s particular social and cultural context, why it was so important to so many, and how its legacy lives on 35 years later.
The book also contains an introduction by writer and researcher Emma Warren, author of Dance Your Way Home: A Journey Through the Dancefloor, and an afterword by Melissa Kains, the founder of female and non-binary DJ collective Sisu Crew.
Queue Up And Dance is the outcome of a year-long, artist-led project of the same title. It invited those who went to the club in its heyday, and young people living in Bootle today, to collaboratively develop an archive, exhibition, and other creative projects inspired by Quadrant Park and the early DIY culture of rave.
Please note this event takes place at Rough Trade, Hanover Street, Liverpool
Reserve your free ticket via DICE here
At The Library produce a programme of artist-led workshops, projects, commissions and happenings in Sefton Libraries. Email us on hello@atthelibrary.co.uk with any questions, access needs or for a chat about any of our projects.