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Event type: Talk
The Horne Section’s Hit Show
They have two series of their own Channel 4 TV show, an iTunes-chart-topping podcast and now they’re tuning up their instruments once more to tour the country: it’s the Horne Section’s Hit Show!
“Britain’s Funniest Band” (The Guardian) have made appearances on The Last Leg (Channel 4), Peter Crouch’s Year- Late Euros (BBC One), they are Dictionary Corner regulars on 8 out of 10 Cats Does Countdown and the only band to ever host Never Mind The Buzzcocks. Separately, members of The Horne Section have performed with recording artists including Robbie Williams, Madness, Florence and the Machine, Amy Winehouse, George Ezra, Basement Jaxx, Disclosure and Noel Gallagher’s High-Flying Birds.
Unruly, ridiculous, and surprisingly satisfying, the six-headed comedy band includes five outstanding musicians and one non-musical stand-up. There’ll be comedy, songs, enthusiastic dancing, and a lot of mucking about. A brand-new show from the hugely talented band and Alex Horne, the creator and co-host of the BAFTA and National Comedy Award winning Taskmaster.
Age guidance: 12+ (parental discretion advised) – U16s must be accompanied by an adult.This show may contain mild language and some adult references.
Queer Book Club: June 2025
Queer Book Club is an inclusive reading group open to anyone from St Helens to come together to read and discuss LGBTQIA+ literature. Founded in Autumn 2023 by a group of local queer artists, producers and book-lovers, Queer Book Club is a space to share a love of queer novels, memoirs and writing.
This month we’re reading…
Small Pleasures by Clare Chambers; a historical romance novel. Set in 1957, the novel follows Jean Swinney, journalist for a local newspaper who investigates the claim of a woman who says her daughter was the result of a virgin birth.Queer Book Club is drop-in, meaning you don’t have to have been before to take part, but we encourage you to read the book ahead of the session.
BOARC – SSTRAPP: Synthesizing Space
We are delighted to announce that artist, lead producer, DJ, of the collective Distribution of Power, and analog synthesizer researcher Zara Truss Giles will be coming back to lead this SSTRAPP three-day weekender together with Inigo and Maeve, and we’re sure its gonna be just as amazing as the first one we did with them back in October 2023 (Synthetic Disruptions). This will be a special SSTRAPP because we are working in collaboration with the incredible Iklectik Art Lab, who have generously loaned us their spatialized sound system.
In the theory sessions in the mornings we’ll have presentations about space, synthesis, spatial perception in auditory cognition, and spatialized composition and sound diffusion. We will use our usual diagramming method for discussing and working through the ideas together in groups. In the afternoons Edu and Isa from Iklectik will demonstrate how their spatial sound system can be used and Zara and Maeve will lead us on a practical exploration of spatialized sound synthesis.
Bidston is an anti-racist, trans-inclusive, intersectional feminist space where we welcome everyone who abides by this accountability agreement.
There are no requirements for attending, everyone is welcome, whatever their knowledge, abilities, etc., and the theory and practice should be accessible for those with no background in them.
We recommend arriving at Bidston sometime on Thursday so we’re ready to start working on Friday morning, but if you can’t make it then you can still join later.
It is possible to participate with or without accommodation. We will do collective meals together, which is also an optional extra cost. The cost for participating in the workshop are as follows:
Workshop fee: On a sliding scale from £20-£30 per day, or £60-£90 for the total three days. Please pay more if you can, the lower end of the scale is for those who really couldn’t afford it otherwise, the cost is very cheap for what you’re getting!
Accommodation fee: On a sliding scale from £30-£40 per day, or £90-£120 for the total three days. If you’re struggling financially, e.g. on benefits, get in touch and it may be possible to reduce the cost.Meals fee: £15 per day
If you’d like to join, please get in touch by sending an email to sstrapp@proton.me
Recurring events in Liverpool
Liverpool is a city full of Irish culture. There is always something happening that you join in with. Below is a lit of regular and recurring activities, delivered by our that you can pick up at any time.
Liverpool Irish Centre
The Liverpool Irish Centre runs a shop full of Irish produce, open 7-days a week. It receives Irish food deliveries fortnightly on a Wednesday/Thursday. The main bar hours are Fri and Sat, 2pm-midnight and Sun, 12.30pm-9pm, with live music 4/5pm. Follow them online to stay up to date with events. The venue is a hireable space and can be booked for parties or functions. The recurring programme looks like this:
Monday
Gardening class,10am, The Shed
Comhaltas, 6.30pm
Tuesday
Sequence dancing, 1pm
Liverpool Irish Choir, 6.30pm
Wednesday
JJ’s lunch club, 1pm
Yoga, 6pm
Irish language, 6-8pm
The Lowlands, 7pm
Liverpool Irish Fluteband, 7.30pm
Thursday
Tea dance/Bingo, 1pm
Irish language, 6pm
Bolger-Cunningham Irish dance, 6.30pm
Liverpool Irish Rovers social run, 6.30pm
Friday
25 cards, 9pm
Saturday
Bolger-Cunningham Irish dance, 10am
Tin whistle class, 10.30am, The Shed.
In addition, Liverpool Irish Rovers run regularly through the week. Contact them directly to join. The Centre runs Supper Céilí on the last Wednesday of every month at 8.30pm and hosts a monthly seisiún on the third Sunday of every month.
Comhaltas
Running classes regularly at the Liverpool Irish Centre, Comhaltas is your go to organisation for anything relating to Irish music. See day listing above for class times.
Conradh Na Gaeilge Learpholl
Irish language is on the rise again, not least because of the astounding work done at community level by groups such as Conradh Na Gaeilge Learpholl. Based at Liverpool Irish Centre, there are all sorts of lessons to join in with. Look at the day lists above for details of Wed/Thurs clubs. They also host Lon Gaeilge sessions at 12.30pm on the first Friday of every month at The Railway on Tithebarn Street. Guests to this are invited to bring 10 new words per session to use in conversation. Conradh Na Gaeilge Learpholl are the lead organisers of the annual Tony Birtill memorial lecture and scholarship.
Irish Community Care Merseyside
With 60-years of Irish community championing, Irish Community Care Merseyside is a first port of call for those needing to access welfares services. It undertakes year-round work to improve life-chances and build communities.
Liverpool Irish Famine Trail
Conserved and updated by Liverpool Irish Festival, the Liverpool Irish Famine Trail has an app and self-guided maps that you can take yourself through. There ar recurring walks taking place across the year – see our events page using the Events menu above, or this link.
The Institute of Irish Studies, University of Liverpool
An academic centre of excellence with a year round programme of events, talks, activities and archives to share. Sign up for their events mailings.
Liverpool Irish Famine Trail lecture (online)
Liverpool Irish Famine History Group Leader, John Maguire, and Festival Director, Emma Smith, present a Liverpool Irish Famine Trail lecture.
Initially provided on 23 Feb 2023, Armagh, Banbridge and Craigavon Borough Council commissioned the lecture. It featured within their Irish Famine Lecture series under The Impact of Irish Refugees in Shaping Liverpool.
The lecture details the 7 plaque and single memorial site that form a part of the trail. It doesn’t feature all 15 sites, which includes sites of Irish influence. This was to introduce people to the geography of the city and the movement of the Irish Famine poor through it. Thus, providing a focus for an overview lecture. More details on all the Trail sites can be found by
downloading a print-at-home map, and/or
visiting our enhanced Googlemap
which detail all 15 sites.
Armagh, Banbridge and Craigavon Borough Council have made this lecture publicly available, meaning you can now watch the recording of the lecture and the lively Q&A that followed, here:
We have been informed that on some devices the film above does not present itself. If you have a blank space above, use this YouTube link to see the film directly (URL: https://youtu.be/I8Ax8RNxsmg).
This was lecture 11 in a run of 12 provided over six weeks. Interested in other lectures? Please visit Armagh, Banbridge and Craigavon Borough Council’s YouTube page, to find lectures from this series and others.
Buy the book: Liverpool Irish Famine Trail: Revive.
In:Visible Women
In:Visible Women is a strand of work our Festival began in 2017, to locate and share the stories of Irish and Northern Irish women, to provide space for these to be heard and discussed.
It challenges the notion of the island of Ireland as being a ‘matriarchal state’, by interrogating isolated voices and the systems that have hidden them.
In 2021, we have partnered with National University of Ireland (NUI) Galway -and particularly the Tuam Oral History Project that is being run there- picking up on and responding to the Mother and Baby Homes Commission of Investigation Final Report. Together, we have created a series of six online presentations, which consider the personal stories of those affected and the way artists are working to memorialise those affected and the stories they tell.
Streaming links for each session are available below, but -ikn some cases- only from the times specified, due them premiering then.
This is a long page; please keep scrolling!
Session 1 – 10am: Mother and Baby Homes Commission – see and bear witness
In January 2021 the Final Report of the Mother and Baby Homes Commission of Inquiry was published. It has received significant criticism from survivors, advocates, academics and many others. An expert discussion panel discuss the context, terms of reference, impact and legacy of the report.
Panellists include Rosemary Adaser (founder and former CEO of the Association of Mixed Race Irish), Teresa O’Sullivan (Tuam Home Alliance), Dr Mairead Enright (University of Birmingham and Northern/Irish Feminist Judgments Project) and Dr John Cunningham (Co-Director of the Irish Centre for the Histories of Labour and Class and lecturer in History, NUI). It will be chaired by Dr Sarah-Anne Buckley (Co-Director of the Irish Centre for the Histories of Labour and Class, and Co-Principal Investigator for the Tuam Oral History Project).
https://youtu.be/tGpg4cUeo7M
Session 2 – 11am: Tuam Oral History project – hear and listen
This session was due to be streamed live from Galway. However, following significant and damaging cyber-attacks on the University -and a need to build a safe space in which survivors can speak- we used the event time to record a private session, which we had intended to broadcast at 11am, Mon 8 Nov 2021. However, as the ongoing effects of the cyber attack continue to cause issues for the University and digital production, this has not proven possible. Broadcasting the film at 11am on Mon 22 Nov 2021 allowed time for participants to reflect on their contributions before adding them, safely, to the In:Visible Women day sessions. We are sorry for the inconvenience.
Flexibility is a mainstay of oral history collection. Keeping survivors safe and confident in the process is critical. As this session was to consider the way in which survivor memories are collected, collated and stored, it has been important to flex around the cyber-attacks and people’s access to safe technology.
The interviews consider survivor testimony and the curation and presentation of these by the Tuam Oral History Project. Mary Cunningham (Tuam Oral History Project) discusses the ethical and practical issues surrounding the taking of testimonies, whilst others discuss their curation in the library’s digital archive. A number of contributors offer their views on the process and the project.
Putting survivor needs first and enacting our learning via practice means whilst we are sorry for the delay, we trust audiences will recognise that building safe spaces takes responsible custodianship.
We would like to add, for those survivors speaking here and others around the world: We see you. We hear you. We believe you.
If you would like to dip in to the Tuam Oral History Project’s podcast series, there are three episodes you could tune in to, totalling roughly an hour’s worth of listening. You can access them here.
Session 3 – 12pm: Ireland XO – locate and learn
Ireland XO is Ireland’s national archive for ancestry. With a membership of over 140,000+ members, from across the world, the repository allows you to search over 160,000 messages, add to the chronicles archive and search for your ancestry. Ireland XO provide free genealogy advice and allow you to leave information for future users to search. The recorded session (below) from 2020 is an advisory session on using the service, telling a few Liverpool specific stories along the way.
For local examples of how the archive works, use this link, which has links to records on Kitty Wilkinson, Agnes Jones and Michael James Whitty.
https://youtu.be/wFneTjELcSA
Session 4 – 1pm: Nochtaithe – interpret and express
Nochtaithe (meaning ‘unveiled’) is an artistic response to the survivor testimonies gathered and archived as part of the Tuam Oral History Project at NUI Galway. Students, in collaboration with theatre lecturer Dr Miriam Haughton, drew from the survivor testimonies as core material to devise a selection of scenes, further contextualised by the various institutional histories in Ireland. Nochtaithe features performance, dance and movement, poetry, performance art, installation, music, digital media, audio extracts from survivors of the Tuam institution, interviews with historians Dr Sarah-Anne Buckley and Dr John Cunningham, and archivist Dr Barry Houlihan. A live performance of Emer’s Dream -by celebrated Irish musician Colm Mac Con Iomaire- features alongside a guest performance by acclaimed Irish poet and novelist Elaine Feeney.
Nochtaithe was made with the support of the Tuam Home Alliance and we would like to acknowledge their generosity and courage in sharing their life stories with us.
https://youtu.be/4F47acCKazM
Session 5 – 2pm: Nochtaithe – reflect
Members of the Tuam Home Alliance and the theatre students involved in making Nochtaithe reflect on the experience of creating this work, and, what it means in terms of understanding the past, particularly for future generations.
Knowledge of the history of Mother and Baby Institutions in Ireland, and indeed the wider framework of institutions, can be limited. By creating this type of learning experience at degree level, students had a unique opportunity to discuss, share, and learn from the first-hand accounts of those who experienced these institutions.
Nochtaithe facilitates intergenerational dialogue, which acknowledges the harrowing experiences of survivors and their families, while also suggesting there is potential for social and cultural transformation through listening to others, through education, and, by carefully confronting a shared past fractured by trauma.
https://www.youtube.com/watch?v=8aPjUPvngp4
Session 6 – 3pm: Caillte – hope
In 2018-19 Clara Kerr -whilst studying choreography at Liverpool Institute of Performing Arts (aka LIPA)-devised a dance work called Caillte (‘lost’ in Gaeilge). It was a direct artistic response to Clara’s hearing Catherine Corless’s investigations explored on radio, whilst at home in Belfast, that generated the work. The Festival featured the work at part of the Tate Exchange programme in #LIF2019. Unbeknownst to NUI Galway, their response was also dance and movement related. In this interview, Dr Miriam Haughton interviews choreographer and dancer Clara, to discuss how the works developed, the processes engaged and the stimuli shaped their work, along with convergence ideas and aspirations for the work. A short film of the piece will be shared.
♀️?
We are proud to state this event is linked with Black History Month and the Cuture Liverpool programme.
Original event took place 25 Oct 2021.
Great Famine Voices Roadshow – online archive
Liverpool’s inaugural Great Famine Voices Roadshow goes digital. Join online presentations and a live Q&A focused on Ireland’s Great Famine.
Below are the details of the Great Famine Voices Roadshow run in May 2020, but we also think you may be interested in a related film that the Festival commissioned in Oct 2020, premiered at that year’s Festival, which you can see here:
Now, back to The Roadshow…
Before the break out of Coronavirus/Covid-19, the Irish National Famine Museum at Strokestown Park and the Irish Heritage Trust planned to bring The Great Famine Voices Roadshow to Liverpool. It would have been a UK exclusive. However, moving with the times, we are now bringing together Irish migrants, their descendants and multi-generational Irish communities virtually. The event has been adapted to a curated online presentation series and discussion concerning Ireland’s Great Famine and the migration it created. This will be open to the public via social media.
How do I engage?
Access to each presentation is given below. They are also being issued as part of alive feed on the Institute of Irish Studies’ Twitter account. They are completely free to access. The presentations will run in the following order (please note that all timings are approximate):
1.00pm – Introductions, including welcome by Professor Peter Shirlow (Director, The Institute of Irish Studies, University of Liverpool)
1.15pm – ‘Irish fever’: famine and the Liverpool-Irish by Professor John Belchem (Emeritus Professor of History, University of Liverpool)
1.35pm – Great Famine Voices connections: Impressions, expressions and connectedness by Emma Smith (Director; Liverpool Irish Festival) Part 1. Full screening of the documentary Liverpool Family Ties: The Irish Connection (30mins). Part 2.
2.25pm – Commemorating the Great Hunger in Liverpool by Greg Quiery (Author, historian and chairperson of the Liverpool Great Hunger Commemoration Committee)
2.45pm – The Famine Irish in Liverpool from the Strokestown Park Estate by Greg Quiery, Roger Appleton (Brightmoon Media), and John O’Driscoll (Curator, National Famine Museum at Strokestown Park)
3.05pm – Liverpool: a famine frontier by Professor Christine Kinealy (Director of Ireland’s Great Hunger Institute at Quinnipiac University) and Rebecca Abbott (retired Professor of Communications at Quinnipiac University, Emmy-award winning filmmaker)
3.25pm – Q&A session
4.00pm – Ends ///
The full run down of the day is presented here.
What is the Great Famine Voices Roadshow?
Ordinarily, The Great Famine Voices Roadshow brings together Irish migrants, their descendants and multi-generational Irish communities. It asks visitors to share family memories and the stories of migration that the Great Hunger caused. It also welcomes stories arising from the struggles and opportunities that followed. The Roadshow archive strengthens a sense of ancestry and provides access to historic and current Irish connections. Stories will be recorded, stored and displayed on The Great Famine Voices online archive at greatfaminevoices.ie.
We are now working collectively on how we can move this physical event to a digital one and ensure we can collect as many of yor stories as possible.
Online or in person, who is The Roadshow for?
The Roadshow is for
anyone with family memories or stories of migration from Ireland to share
Irish migrants and multi-generational Irish people living in Liverpool
Irish dual-heritage individuals living in the city (particularly those from the African, Asian, Arab, European, Irish Traveller, Roma, Sinti and other diverse communities). Please help us share this invite with these communities
those aiming to learn more about migration from Ireland to Liverpool.
Share the event
Our custom URL for this event is: https://cutt.ly/GFVRLiverpool Please share this in your networks. If tweeting or chatting about the event on social media, include us by using this hashtag: #GFVRLiverpool
Over to you. Send us your story
Please send a video clip of yourself sharing your family memories and stories about your ancestors or your own experiences of migrating from Ireland to Liverpool and other destinations in England. Your video should be no longer than fifteen minutes. Please send it by 1 May 2020 to faminestudies@irishheritagetrust.ie. There are a couple of key tips for doing this:
First and foremost, think of the migration story you want to tell
Run a quick test to make sure your speech can be heard
Film in landscape and at the highest resolution your equipment allows
Start by addressing the camera with your full name and current location
Focus on telling the Famine or migration story in full, lasting no longer than 15 minutes
Once recorded, please send* your MP4 film to faminestudies@irishheritagetrust.ie. We recommend using WeTransfer where possible, as it allows you to send large files for free.
Please note: Assuming your film fulfils our criteria and honours all common sense decency screening, sending your film to us will serve as consent for it to be used by the project partners for the Great Famine Voices Roadshow. It will be used on the associated website and may be referenced by the partners in future presentations and work. We will not share any email data with third parties, but film may be used on multiple platforms.
Who is running the Roadshow? The Irish National Famine Museum at Strokestown Park and Irish Heritage Trust are delivering The Great Famine Voices Roadshow in partnership with the Institute of Irish Studies at University of Liverpool, Liverpool Irish Festival and the Liverpool Great Hunger Commemoration Committee. The Roadshow is funded by the Government of Ireland’s Emigrant Support Programme.
Please note, event is limited to
2 May 2020 only, not 1-2 May as in early listings.
Click for the Great Famine Voices website.
Objectives of the Great Famine Voices Roadshow in Liverpool
The Great Famine Voices Roadshow will collect accounts from families and individuals whose ancestors have experienced migration from Ireland, with particular reference to the period of the Irish Famine/Great Hunger. This evidence gathering process is of value because
it adds valuable material to the existing record of the experiences of people directly impacted by the Famine. This is all the more important because the voice of this group remains under-represented in the record
it gives people the opportunity to express and recount the details of their ancestor’s migration experience. In many families, the migration from Ireland is the single most significant episode in their family history. Participation in The Great Famine Voices Roadshow acknowledges and validates this experience and its associated challenges
by entering additional material in the record, The Great Famine Voices Roadshow may well turn up fresh information and perspectives related to our understanding of the Famine migration experience, including the factors behind migration, and the challenges of integration in host communities. This evidence might also invite comparisons between the integration process in different communities
it serves as a commemoration of events and acknowledges their significance
the perspectives of migrants and migrant communities are essential to reaching a deeper understanding of communities and societies as we find them today, casting fresh light on the history, distinct characteristics and culture of present-day communities
it provides an accessible and valuable educational tool for those examining their own community and its history, and for young people in particular
it allows the collaborating partners to build their relationship by developing a meaningful event with a long lasting legacy.
Featured image: Close up of an archive document, held at Strokestown Park.
Original event: 2 May 2020.
Museum of Liverpool – self-guided Irish trail
For families wanting to find our about Irishness in Liverpool, the Museum of Liverpool’s self-guided tour may be just the thing!
The trail considers
the Calderstons spiral
the Great Port
Liverpool’s Irish battalion
the Overhead Railway
Liverpool Irish Centre
David Jacques’s Irish Emigrants Entering Liverpool (painting)
religion discrimination (The Other, film)
court housing
Kitty Wilkinson and James Larkin.
Click here to download a PDF to print out and take with you (or collect one from the information desk on the ground floor).
First uploaded for 2020. Reuploaded following Museum update: 22 March 2023.
An Audience with Lucy Worsley on Jane Austen
Following her sold-out Agatha Christie tour, acclaimed historian Lucy Worsley leads us into the life of one of English literature’s most cherished figures.
For these live, beautifully-illustrated talks, Lucy invites audiences to step into the world of Jane Austen, the beloved author of timeless classics such as Pride and Prejudice, Sense and Sensibility, and Persuasion.
Through the houses, places and possessions which mattered to her, Lucy takes a fascinating look at what home meant to Jane and to the women like her who populate her novels. Austen famously lived a ‘life without incident’, but with new research and insights Lucy reveals a passionate woman who fought for her freedom. A woman who, far from being a lonely spinster, in fact had at least five marriage prospects, but in the end refused to settle for anything less than Mr Darcy.
“It is a truth universally acknowledged” that this is an event not to be missed!