Future Before it Happens by Stine Mari...

Future Before it Happens by Stine Marie Jacobsen film screenings and Liverpool Biennial Summer Workshops.

As part of the season, the Bluecoat will also host Liverpool Biennial’s summer long programme of free workshops for children and families in our Second Floor Gallery. The workshops will be based on a project by conceptual artist Stine Marie Jacobsen. A new film, created by Jacobsen with children from St Anne’s Catholic Primary School, will also be displayed.

The film, ‘Future, Before it Happens’, focuses on the wellbeing of young people in relation to the climate crisis.

The film screenings and drop-in workshops will take place from 12-4pm on the following dates: Sun 21 July, Sat 27 July, Sat 3 Aug, Sat 10 Aug, Sat 17 Aug, Sat 24 Aug

Head to biennial.com/events to find out more⁠. This series of workshops is kindly supported by SEVENSTORE.

Paddy Gould and Roxy Topia: Let Your I...

This thought provoking family-friendly exhibition from Merseyside based artists Roxy Topia and Paddy Gould has been created in collaboration with children aged 8-11 from Out of the Blue, the Bluecoat’s after school art club.

Explore the world of work and what the workplace might look like in the future, through the eyes of children. Advances in Artificial Intelligence and technology have rendered some occupations obsolete, which could mean fewer options for children as they choose a career path. This brand new exhibition suggests that the creativity of humans is an irreplaceable skill which will become more important in years to come.

Let Your Ideas Come Back As Children hopes to inspire conversation between adults and children, particularly around how children navigate this world dominated by technology, and what that means for their future.

Each gallery space will have a range of artworks designed to be touched and interacted with, including soft sculpture, a busy board, colourful hand painted sculptures and areas for children to perform, allowing the exhibition to function like a creative game.

The show will also contain a new audio piece created in collaboration with Cormac Gould.

Beyond the Beat

Sixteen unseen photographs of musicians from Liverpool’s bustling 1960s Merseybeat era will go on display this June, as Beyond the Beat (29 June to 3 November) at Museum of Liverpool explores the music scene in Liverpool’s bustling nightclubs in the period immediately after the Beatles.

The display will showcase some of the bands that clamoured to play Liverpool’s music scene in the wake of The Beatles monumental fame, through a series of never-before-seen photographs of Liverpool’s Merseybeat scene.

At the heart of the display are international artists who hoped to play in Liverpool and local bands with dreams of following in the Fab Four’s footsteps – including photographs of two currently unidentified bands that curators are keen to track down.

Artists from rock and blues backgrounds including The Yardbirds, The Hollies, John Lee Hooker and Spencer Davis Group, feature in the display alongside local artists that performed during this important era.

Following the stratospheric success of The Beatles and Liverpool’s Merseybeat sound, musicians would flock to play the clubs of Mathew Street, including some of history’s most influential American blues artists.

Front and centre were an army of photographers, including Bill Connell and Les Chadwick from Liverpool studio Peter Kaye Photography. The company documented the performances and crowds that danced to the beat of the clubs during the swinging 60s.

Museum of Liverpool purchased 912 negative strips from Peter Kaye Photography with photographs documenting many different elements of Liverpool life.

From this selection of negatives, 16 never-before-seen images were chosen to go on display for the first time in Museum of Liverpool’s Skylight Gallery for Beyond the Beat. With hundreds more archived in the museum’s collections.

Claire Hunter, assistant curator at Museum of Liverpool, said: “The Beatles may have dominated Liverpool’s music scene in the 1960s, but following their departure from the stages of Mathew Street, hundreds of artists wanted a chance to walk in their footsteps.

“This small selection of photographs, taken from a huge archive by Peter Kaye Photography, captures the essence of the Merseybeat scene. The energy of the clubs, the enthusiasm of the crowds and the power of the musicians to captivate their audiences.

“Beyond the Beat looks past the Fab Four and at some of the local, national and international artists that made the city swing.”

Alongside well-known acts and local bands, two unknown Liverpool acts feature in the display and Museum of Liverpool curators are keen to find out more about both bands. The unknown bands are both thought to be local musicians from Liverpool, but not much more is known about either group.

Museum curators are asking people with information about either of the unknown bands on display to email beyondthebeat@liverpoolmuseums.org.uk.

Beyond the Beat is on display and free to visit in Museum of Liverpool’s Skylight Gallery from Saturday 29 June until Sunday 3 November 2024. For more information, please visit: www.liverpoolmuseums.org.uk/beyond-the-beat.

Studio/Lab Social

Studio/Lab Socials are the best way to discover more about the space and what it has to offer. Meet members of the team, ask any questions, and take a look around the space to explore the various tools and resources.

Socials are also a great opportunity to meet other North West-based artists, curators, researchers and technologists, who are all interested in digital art and culture.

There’ll be free drinks, food, and a selection of tech to play with too!

Studio/Lab Co-Working Open Day

Are you an artist looking for a desk space for the day? Do you want to meet other creatives and digital practitioners? Then join us for a Studio/Lab co-working open day!

Their co-working open days are held on the last Friday of every month and run between 9:30-17:30. This is when they welcome non-members to explore Studio/Lab and experience what the space has to offer.

You have the option to secure a free spot for either the morning (9:30-13:30), the afternoon (13:30-17:30), or all day (9:30-17:30) when making your booking.

Here’s what you can expect →

  • Access to Studio/Lab for up to 8 hours, including a desk space and complimentary tea and coffee.
  • Opportunities to meet and connect with digital artists, practitioners, researchers, and other creatives interested in Studio/Lab, as well as current members who can share the inside scoop.
  • End your day with a Studio/Lab Social starting at 18:00. Socials happen every other month, are open to everyone, and are a great chance to network and socialise while enjoying complimentary food and drinks. Book separately here.

If you have any questions about Studio/Lab or their co-working open days, please email: studiolab@fact.co.uk.

Liverpool Bach Collective Cantata no. ...

This is the final cantata performance in the 10th anniversary season of Liverpool Bach Collective. The cantata asks for God’s blessing and peace on the town and is a suitable contribution to this year’s Prescot Festival. This festive work has a prominent part for the organ and added to the usual instrumental ensemble of woodwind and strings, four vocal soloists and chorus, are three trumpets and timpani.

In View

Six young people from Whitby High School were challenged to explore their personal relationship with the current climate crisis. The In View exhibition presents the results of this photography project. The main gallery show is accompanied by a digital window exhibition Through Our Eyes showcasing work from six year 10 students from Gateacre High School, Belle Vale.

For In View, Open Eye Gallery has been working with long-standing partners Whitby High School in Ellesmere Port. With the theme of climate change in mind, six students have been inspired by the LOOK Climate Lab on display at Open Eye Gallery earlier this year and have worked on their own photography projects.

These projects explore the complex relationship between growing up as a young person in Ellesmere Port and a global battle with the world’s climate crisis. From rising sea levels to local green spaces, these six individuals have used their visual language to explore what climate change means to them and their future.

Anna Wijnhoven, creative producer for schools and young people said: In View has been an incredible journey of learning, discussion and protest. The work within the exhibition responds to the urgency of representation needed for young people in the wider conversation around the climate crisis we all face today. This project has helped to equip these young people with the skills and understanding to recognise the value and importance of their role as a future generation living within a climate crisis.

By highlighting and platforming the opinions of young people on this key issue, we hope to inspire, inform and question ways to make positive change for our future – hearing from voices so often lost in this vital area of work. Together, we are turning up the volume on their voice, from a chatter to a shout.

Student Alex Colebrook said: I have enjoyed going out with the group and taking photos of different things related to the project. I have learned the extent of climate change and the effects it has on our planet. I have really enjoyed my time doing this project and working with the people I have done.

The students involved in this project are:

Ellie Bowers

Alec Colebrook

Patsie Davies

Ruby Donaldson

Mia Selby

Riley White

Event

Image: Ellie Bowers

Maria Hammond – In the Window

Maria Hammond is a mixed media contemporary jeweller, passionate about sustainability and our relationship with the environment.

She has been awarded this spotlight exhibition from a range of makers who exhibited at the 2023 MMU School of Art Graduate show. Her work was chosen for it’s creative use of materials and the innovative making and design qualities. By using materials that go unnoticed, or go to waste, she seeks to create pieces that are both beautiful and responsible.

This collection is inspired by an abandoned, derelict industrial building and its decayed materials, which have a unique beauty and character that reflect local history and experiences of life. As it is reclaimed by nature, she is reminded of the cycle of life and death, and is filled with a sense of hope and possibility.

To understand her attraction to the transformative process of time and the representation of memory in buildings and objects, her practise includes burning, patinating, oxidising, and carving. Through these techniques, she aims to create pieces that catch a snapshot of disappearing industrial sites and the beauty in the textures and patterns of their decaying materiality.

Her work is on display ‘In the Window’ on College Lane, and available to purchase in the gallery and online, throughout June 2024.

Summer Exhibition 2024

Bluecoat Display Centre’s Summer 2024 selling exhibition is inspired by a place by the sea. The work of their featured makers captures the spirit of days spent at the coast – whether in glorious sunshine or tempestuous storms – and the treasures we might find and bring home, from interesting shells, pebbles and sea glass to the memory of the colour of the sea at sunset.

Makers include:

Jewellery by Roslyn Ashcroft, Bronwen Gwillim, Gilly Langton & Ruth Praill

Ceramics by Molly Attrill, Helen Beard, Kirsti Hannah Brown, Rachel Peters, Vivienne Ross & Anna Silverton

Textiles by Eve Campbell, Jessica Geach & RubyKite

Glass by Jane Charles, Loco Glass & Shakspeare Glass

Leather by Janine Partington

Wood by Jane Crisp

Exhibition Opening

Join the the team and some of the featured makers for a special opening event on Thursday 20 June 2024, from 5.30pm – 7pm. Refreshments will be served and Friends of the Bdc will receive a 10% discount on all purchases during the evening.

A curated selection of work will be available through our online shop.

Meet the Maker and Demonstration with ...

On Saturday 6 July 2024 Bluecoat Display Centre will be joined in the gallery by Vallari Harshwal, who will be chatting informally about her ceramics practice and demonstrating some of her techniques.

Booking is not required for this event, just pop in between 11am – 1pm to gain a valuable insight into this talented maker’s work.