Over the past two decades of British folk music, Jim Moray has marked himself out as having a singular, idiosyncratic vision that has rarely wavered in style and substance.
The cinematic vision of albums such as Skulk (2012), Upcetera(2016), and his game-changing debut Sweet England(2003) show just how far the old songs can be taken. As Moray embarks on his third decade as a professional musician, he finds himself one of the most celebrated interpreters of folksong in the UK. And never satisfied with staying still, there’s a sense that he has only just begun.