The 13th edition of Liverpool Biennial, titled ‘BEDROCK’, will take place 7 June – 14 September 2025, curated by Marie-Anne McQuay.
The theme draws on Liverpool’s distinctive geography and the beliefs which underpin the city. It is inspired by the sandstone which spans the city region and is found in its distinctive architecture. ‘BEDROCK’ also acts as a metaphor for the social foundations of Liverpool and the people, places and values that ground all of us. 30 artists and collectives will respond to the theme of the 13th edition.
Liverpool Biennial is the UK’s largest free festival of contemporary visual art. Taking place in historic buildings, unexpected spaces and art galleries, the Biennial has been transforming the city through art for over two decades. A dynamic programme of free exhibitions, performances, screenings, community and learning activities and fringe events unfolds over 14 weeks, shining a light on the city’s vibrant cultural scene.
‘BEDROCK’ draws on Liverpool’s distinctive geography and the beliefs which underpin the city. It is inspired by the sandstone which spans the city region and is found in its distinctive architecture. ‘BEDROCK’ also acts as a metaphor for the unique social foundations of Liverpool, haunted by empire, and the people, places and values that ground us.
Taking over historic buildings, unexpected spaces and art galleries, Liverpool Biennial – the UK’s largest free festival of contemporary visual art – has been transforming the city through art for over two decades. A dynamic programme of free exhibitions, performances, community and learning activities, and fringe events unfolds over 14 weeks, shining a light on the city’s vibrant cultural scene.
New venues and sites announced today (25 March 2025) for the 13th edition include 20 Jordan Street located in the city’s Baltic Triangle, Pine Court, the heritage site of Pine Court Housing Association in the heart of Chinatown, and The Black-E, Liverpool’s pioneering arts and community centre, which join venues such as Bluecoat, FACT Liverpool, Liverpool Cathedral, Liverpool Central Library, Open Eye Gallery, Tate Liverpool + RIBA North and Walker Art Gallery.
A series of outdoor works are set to be installed at sites across the city including Liverpool ONE, Mann Island, St John’s Gardens and the grounds of The Oratory at Liverpool Cathedral.
Click here to register for Liverpool Biennial 2025 Previews – Registration is open until 30 May.
The participating artists for Liverpool Biennial 2025 are:
Alice Rekab (Ireland/Sierra Leone); Amber Akaunu (UK/Nigeria); Amy Claire Mills (Australia); Ana Navas (Venezuela/Ecuador/Netherlands); Anna Gonzalez Noguchi (Spain/Japan/UK); Antonio Jose Guzman & Iva Jankovic (Netherlands/Panama/Serbia); Cevdet Erek (Turkey); ChihChung Chang 張致中(Taiwan/Netherlands); Christine Sun Kim (USA); DARCH (India/Somaliland/Wales); Dawit L. Petros (Eritrea/Canada/USA); Elizabeth Price (UK); Fred Wilson (USA); Hadassa Ngamba (Democratic Republic of the Congo/Belgium); Imayna Caceres (Peru/Austria); Isabel Nolan (Ireland); Jennifer Tee (Netherlands); Kara Chin (UK/Singapore); Karen Tam 譚嘉文(Canada); Katarzyna Perlak (Poland/UK); Leasho Johnson (USA/Jamaica); Linda Lamignan (Nigeria/Norway); Maria Loizidou (Cyprus); Mounira Al Solh (Lebanon); Nandan Ghiya (India); Nour Bishouty (Lebanon/Jordan/Palestine/Canada); Odur Ronald (Uganda); Petros Moris (Greece); Sheila Hicks (France/USA); Widline Cadet (Haiti/USA).
Liverpool Biennial 2025 Programme
Outdoor Works
Celebrating Liverpool’s iconic architecture and public spaces, a series of newly commissioned outdoor artworks will be installed at sites across the city centre.
Alice Rekab presents a multi-city billboard project in Liverpool and Edinburgh, in partnership with EAF25 (Edinburgh Art Festival). In Liverpool, the work is co-created with students from The City of Liverpool College through a series of workshops. Displayed throughout Liverpool ONE, these collaborative works explore experiences of race, migration and belonging. Meanwhile at Bluecoat, the artist presents a multi-layered gallery installation titled ‘Bunchlann/Buncharriag’ (Irish Gaelic for ‘Origin Family’ or ‘Bedrock’).
Anna Gonzalez-Noguchi presents a modular sculpture at Mann Island, inspired by the historical import of ‘foreign’ plants into Liverpool. The three towers, constructed out of metal and reflective materials, incorporate seating, spinning elements and tubular structures engraved with records of the city’s botanical collections.
Isabel Nolan presents a steel and concrete sculpture in St John’s Gardens, supported by Art Fund. The design is inspired by a drawing of a stained-glass window held in the St Nicholas Pro-Cathedral archive and the leadwork in the windows of Liverpool Metropolitan Cathedral’s Lutyens Crypt. Painting and textiles by the artist are also shown at the Walker Art Gallery.
A selection from Petros Moris’ ‘ALONE’ series of mosaic sculptures referencing an abandoned playground and his parent’s own mosaic studio, will be exhibited in the grounds of The Oratory at Liverpool Cathedral, as well as at Bluecoat and Walker Art Gallery.
Further works will be exhibited across the city on streets, shop fronts, hoardings and other unexpected places:
Anna Gonzalez-Noguchi – Eurochemist, Berry Street
ChihChung Chang 張致中 – Chinatown
Kara Chin – Berry Street
Odur Ronald – SEVENSTORE, Jamaica Street