Flora

Flora, the latest exhibition at dot-art Gallery explores the historical and contemporary representation of flowers, plants and the genre of floral still life.

Each of the artists in this exhibition interprets through their uniquely developed style the organic curves and soft folds of flowers and leaves that we display in our homes or plant in our gardens.

Clare Chinnery and Hilary Dron add a contemporary pop of colour with abstracted roses and pansies dripping down the canvas. Andrew Sherriff offers a traditional observational view with his flower studies, having a background in life drawing and working tonally with light and shadow, adding surprising backgrounds of textured swirls.

If these artists are on a scale of style then Grahame Ashcroft sits in the middle, with his shapely compositions of close-up flowerpots and planters, all in zingy bright colours but true to the form of the flower species he analyses.

Andrew Sherriff – Featured in this exhibition is Andrew’s ‘Lockdown Flowers’ series. “Normally I like to capture people but because of lockdown that was restricted but I was still keen to keep creating. I would arrange some flowers each week to draw and see what developed. I worked in a loose and energetic style in the hope of giving the flowers a sense of movement; it is surprising how much flowers move, following the light.”

Clare Chinnery – “With an interest in 17th-century Vanitas paintings I have been studying the symbolism and chiaroscuro techniques of the old masters; interpreting and translating historical images and creating my own still lives using expressive colour and spontaneous mark making.

These paintings are inspired specifically by Jan Davidsz DeHeem’s baroque style still lives, their complex and overladen sumptuous compositions focus on tropical summer fruits and flowers with added suggestions of snails, seashells and skulls.”

Hilary Dron – Hilary was born in Liverpool and completed her degree at Central School of Art and Design, London. She worked as a designer for Liberty before beginning a 30 year career, teaching Art in schools and in Further Education.

After a sabbatical in Japan and the Far East, she decided to leave teaching and concentrate on her own work, something she has always wanted to do. The last six months have represented a huge step for Hilary and have included a commission by Aintree Hospital and exhibitions in and around Liverpool.

Grahame Ashcroft – “At the start of the pandemic lockdown in March 2020, I decided to paint in my garden. Although his garden paintings are looser than mine and in a different medium, I found Emil Nolde’s work encouraging. Nolde’s experience of a lockdown was being forbidden by the Nazi regime to paint or exhibit. For me, not being allowed out came as a perversely liberating experience. So much so that, two years later, I’m still painting in my garden.”

All artworks are for sale

Join them for the Private View of the exhibition on Thursday 22nd September from 5pm-7pm. All welcome, but you must register here: https://floraprivateview.eventbrite.co.uk

The dot-art Gallery can be found at 14 Queen Avenue, Castle Street, Liverpool, L2 4TX (just 5 minutes’ walk from Liverpool One).

Opening times: Tuesday – Saturday, 10am-6pm

The exhibition runs 23rd September– 19th November 2022.

Please Touch The Art (itch my brain)

Please Touch The Art (itch my brain) is a textile art exhibition from QueerCore artist Rhiannon May.

The exhibition takes the audience inside the workings of the brain on a chaotic and colourful journey.
Expect incredibly scientifically inaccurate depictions of the brain alongside incredibly irresistibly touchable art!

So, please DO touch the art, and please DO itch my brain…

The Lake Gallery – Of Land and S...

An exciting new independent art gallery is set to open its doors at the end of September.

The Lake Gallery, located on Grange Road in the heart of West Kirby on the Wirral, is exhibiting a selection of fine art and contemporary craft from established and emerging artists.

Its inaugural exhibition, ‘Of Land and Sea’ opens on Thursday 22nd September running until 22nd October and will showcase a vibrant collection of original paintings, ceramics, sculpture, glass and mixed media pieces from six established artists: Helen Smith, Clare Flinn, Marianthi Lainas, Fiona Philips, Rachel Peters and Morven Browne.

Event

For more information head over to thelakegallery.co.uk, where you can also join the mailing list for news of future exhibitions and opening night invitations.

Opening Times: Thursdays – Fridays – Saturdays. 10am – 4pm.

Marta Maciuszek – In the Window

Bluecoat Display Centre are delighted to show the work of new graduate Marta Maciuszek ‘In the Window’ throughout September.

Marta has worked across the areas of ceramics, metal and textiles to create a series of bowls and vessels, and was selected for the Bluecoat Display Centre’s final Graduate Award 2022 from the Liverpool Hope University BA Design exhibition.

“My body of work is inspired by the qualities found in nature, especially flowers, such as fragility and colours. Through drawing, I enjoy observing and interpreting structures and forms such as the protective qualities of petals and the powerful nature of the stamen.

My ceramic vessels draw upon the elements of the Japanese anemone flower. I explored the use of wire embedded in the glazed surface to echo the fluid lines and movement. The metal vessels incorporate techniques of raising, planishing, etching and patination. I focused on exploring fragility, making the durable hard metal vulnerable.” – Marta Maciuszek

Kathryn Maple

See a selection of works from 2020 John Moores Painting Prize first prize winner Kathryn Maple in a showcase of new works at Walker Art Gallery.

Maple’s winning painting ‘The Common’ has become part of the permanent collection at the gallery, and this solo display will offer visitors the opportunity to gain a deeper insight into her work.

The display will feature Maple’s largest work to date and will show a combination of drawings and oil paintings that explore her ongoing themes of figures in familiar urban and rural spaces.

The John Moores Painting Prize will return for its 62nd exhibition at Walker Art Gallery in 2023.

Curator Tour – My Garden, My San...

Join FACT for a special curator tour of their new exhibition, My Garden, My Sanctuary.

FACT’s Curator in Residence, Carrie Chan will lead the tour, talking about the inspiration behind her curatorial process, the exhibition and its themes of ancestry and self-discovery.

Take a closer look at each of the immersive artworks and uncover the research behind them, the technology used to create them and the journey they have taken from commission to presentation.

The tour will last approximately 45-60 minutes.

breathe, spirit and life 呼吸 靈魂...

This autumn the Bluecoat presents breathe, spirit and life 呼吸、靈魂與生命a group exhibition of six artists.

Artists include Soojin Chang (In collaboration with Georgie Rei-n Lo, Jade O’Belle, and Aditya Surya Taruna a.k.a. Kasimyn), Sulaïman Majali, Thulani Rachia, Roo Dhissou, Kiara Mohamed and Emii Alrai.

This exhibition is curated by guest curator, Katherine Ka Yi Liu 廖加怡.

The exhibition takes the Bluecoat’s site history, originally a charity school for children in poverty built in 1716-17 with proceeds from the Transatlantic slave trade, as its starting point.

Referencing Keith Piper’s peer support curatorial strategy in the group exhibition, Trophies of Empire (Bluecoat,1992), breathe, spirit and life  呼吸、靈魂與生命 repurposes the gallery as a communal space for cleansing, detoxification and purification as a collective decolonial healing process. Together, the artists explore ideas in relation to Taoist practice of self-cultivation, meditation, rituals, and harmonisation with nature.

A special preview for breathe, spirit, life 呼吸、靈魂與生命 will take place on Friday 7th October from 6pm.

The exhibition will be accompanied by a live programme of performances and events, details of which will be announced nearer to the time.

Chinese decorative arts with Fiona Sla...

William Lever was an enthusiastic collector of Chinese porcelain and other Chinese art works. He selected objects mainly for their beauty and craftsmanship.

This talk will look at the key developments of ceramic production in China throughout its various dynasties.

They will consider what these objects tell us about the lifestyles and beliefs of Chinese people in the past, and how English people’s demand for Chinese ceramics and other art works was satisfied by an extensive trade from the East, resulting in cultural exchange and fusion.

Agnes Varnai, Tina Kult and Lucy Hutch...

Three of FACT’s artists-in-residence come together to showcase the experimental artworks created during their residency.

The works are presented in their new gallery space designed by Chila Kumari Singh Burman.

Agnes Varnai and Tina Kult founded their artist collective, The (new) Constellation (T(n)C), in 2017. Living and working in Vienna, the artist duo were awarded the European Media Art Residency Exchange in 2022 to support the development of their experimental practice.

They work with a wide range of media including virtual reality, 3D, installation, film and fashion. By combining different types of media, the artists research how immersive experiences can blur the boundaries between digital and physical realities. For this exhibition, Agnes and Tina will showcase their audio-visual installation that explores a fictional dialogue about labour and laziness between a human and a disobedient robot.

Lucy Hutchinson was selected to be a Jerwood Arts x FACT Fellow in 2022 to develop her practice which explores the relationship between identity politics, witchcraft, and biotechnology.

Using the Lancashire Witches as a starting point, Lucy’s work blends fact and fiction to connect seemingly different sources to question how historic events have shaped our world today. The resulting work is a speculative narrative that looks at under-explored histories whilst manifesting interventions for the future.

Do They Owe Us A Living?

Organised in collaboration with the Art of Management & Organisation conference, co-hosted by the Bluecoat and the University of Liverpool, the group exhibition Do They Owe Us A Living? brings together twelve artists and artist collaborations and takes as its point of departure the conference theme ‘art-as-activism’.

Each artist was asked to respond to the theme of activism within the broader context of the conference. The exhibition features a diverse range of practice: from community-focused projects engaging with care in the workplace and council-approved regeneration programmes; through to artworks directed at the histories of prejudice surrounding different communities; as well as work that questions the efficacy of art to function as an act of political resistance in its vulnerability to political co-option; ‘activism’ proposed less as a given than a complex
proposition.