Interest area: art

This summer, the Williamson Art Gallery will host a special exhibition of the work of Wirral-based sculptor Emma Rodgers.

The exhibition is a mini-retrospective of Emma’s practice and gives visitors a chance to step into the artist’s studio and see how her work has developed over time – from the young art student awestruck by the collections in her local Williamson Art Gallery, to one of the country’s foremost sculptors in ceramic and bronze. “Wunderkammer” explores the objects, people and places that have fascinated and inspired Emma throughout her career.

Alongside the exhibition, the Williamson Art Gallery will be unveiling a specially commissioned new sculpture by Emma for the Gallery’s outdoor courtyard.

The ‘Garden of Artemis’ is a life-size ornamental oak tree sculpture in steel and bronze – a nod to both the oak tree in Birkenhead’s coat of arms, and the trees that feature in the Gallery’s collection of Della Robbia decorative ceramics. The sculpture has been made possible by funding from the estate of Fanchon Frohlich, through the Williamson and Priory Friends.

dot-art teamed up with Open Eye Gallery in March 2022 to create an Analogue Photography Competition for both amateur and professional photographers based in the North West.

This collaboration was to platform and celebrate local film photography and the dot-art Darkroom, established in the past year in the historic Cotton Exchange building. The Darkroom is equipped to process and develop black & white film prints and can be accessed on a hire or membership basis. At dot-art we also run a series of courses on Darkroom techniques and analogue photography aimed at beginners to intermediate photographers.

The competition came with the award of 3 months membership to dot-art’s city centre Darkroom & Artist Membership, a one-to-one crit session with Open Eye’s Programme Assistant as well as the lead feature in this 1-week exhibition on Open Eye Gallery’s Digital Window Gallery.

After a judging panel consisting Open Eye Gallery’s Director Sarah Fisher, Programme Assistant Declan O’Connoly, dot-art’s Founder and Manging Director Lucy Byrne and Gallery Manager Claire Henderson examined the 25 submissions to the competition, the panel selected their favourite images.

Discussing the skill, subject, and darkroom techniques of each submission it was decided that Chun-Mei Wang was the winner of this, the first year of the competition. Chun-Mei Wang’s winning submissions were part of her Darkroom Project, ‘White’. Interested in social structures and the cultural performances we engage in within them, Mei created gelatin silver prints, translating the concept of white into the relationship between image, light, subject, object, shape, and shadow as there is no substantial white during the printing process.

Mei also submitted images from her series ‘Called’, a photographic study of Beitou, a suburb of Taipei and Mei’s hometown. Due to gentrification, Taipei has transformed into a flourishing city. By photographing the landscape, she explores what details are embedded in this place and what traces remain of the history before the colonisation of Taiwan by Japan over a century ago.

dot-art and Open Eye Gallery are proud to platform the passion, innovation and quality of analogue photography in Liverpool and invite the public to view this exhibition featuring all the competition submissions on the Digital Window Gallery in Mann Island outside of Open Eye Gallery from Wednesday 13th – Sunday 17th July.

Find out more about the dot-art Darkroom here: dot-art.co.uk/darkroom/

 

The door is on the latch is an installation-exhibition, organised by Elizabeth as part of a larger curatorial research project that explores collaborative curation and exhibitions-as-artwork/medium.

Over the last 10(ish) weeks, they have met regularly to discuss and explore the ideas and themes present within their individual practises, using this as a starting point to generate the exhibition.

The door is on the latch is a culmination of this body of work, primarily exploring the contrast between interiors and exteriors, and the visuals and textures that we associate with that, as well as the boundaries between indoor and outdoor space, and how this can transform the exhibition space into an immersive installation.

The exhibition will be open on Friday 17th June, 6-9pm.

This summer, visitors to Williamson Art Gallery & Museum can uncover the story of the talented artists who illustrated Ladybird books for more than 30 years in The Wonderful World of the Ladybird Book Artists.

From 29^th June until 9^th September, this beautiful and colourful exhibition puts on display an unparalleled collection of books, original artworks and artefacts and shows how the numerous, talented Ladybird illustrators played such an enormous role in the extraordinary success of the company in the 20^th century.

Tracing the interconnected work of these artists, the Ladybird story itself is recounted over its ‘golden years’ – 1940 to 1975. Visually rich and varied, the exhibition will evoke many memories of childhood. Hundreds of books are made available for visitors to browse through and share.

It is curated by Ladybird expert and enthusiast Helen Day, who has spent more than 20 years researching the company and collecting items.

“Ladybird Books, with their bright covers, sparkling text and vivid illustrations are instantly evocative and recognizable – especially for anyone who grew up in Britain in the 20^th Century” comments Niall Hodson, Curator of the Williamson Art Gallery. “These little books and their pastel-tinted pictures shine a light into the culture, fashion, and social history of our country.”

“This exhibition at the Williamson is a rare opportunity to explore the imagination and ingenuity of the artists behind the illustrations.”

This summer, the Bluecoat presents a group exhibition of artworks made by leading UK and Northern artists which are specifically aimed at children & their adults. Are You Messin’? has been designed to be touched and explored; to immerse and captivate audiences of all ages and to inspire and stimulate creative responses in young visitors.

During the summer holidays, the Bluecoat’s gallery will be animated by free, regular artist workshops, performances and storytelling events, all led by artists from the exhibition and invited guests.

In Gallery One, Gregory Herbert (Liverpool), collaborating with children from the Bluecoat’s Out of the Blue after-school art clubs, will present an immersive sensory room with stimulating visuals, soothing sounds and comfy spaces – this room will provide a calm and engaging place to dwell. Herbert is interested in the relationship between living organisms and their environments, particularly taking influence from models of collaboration and coexistence. Herbert has previously explored the movements of fungi, sea slugs, frogs, octopuses, sea anemones, gut flora and lichen in his practice, as well as incorporating food preparation and planting.

Herbert has been working with local children from Leamington Community Primary, Four Oaks Primary, Princes Primary and Smithdown Primary schools for nine weeks, collaboratively developing the artworks that will make up his sensory space. The children have been helping him to design the space as part of the Bluecoat’s ongoing commitment to making art accessible to all.

Across Gallery Two, Katie Schwab (London/Glasgow) will layer textures, touchable surfaces and sculptures to create two rooms that invite tactile engagement and learning through play for all ages. Katie Schwab is an artist with a special interest in early-mid twentieth-century design and craft; her practice is emphatically hands-on, collaborative and participatory. For her installations at the Bluecoat, Schwab takes inspiration from a number of twentieth century art & design reference points.

These include the iconic 1950s ceramic tile work produced by Carter of Poole that once decorated the Lewis’s department store public cafeteria in Liverpool city centre and ‘The Tactile Workshops’ book by Italian artist & designer Bruno Munari (1907-98). Munari’s book suggests making a touchable library for children – a collection of materials with different tactile qualities – which are reflected in Schwab’s installation which encourages children to experiment freely. This artwork is a joint commission in partnership with Collective (Edinburgh).

In Gallery Three, artists from the city and wider North present ‘inspiration works’ – prints, drawings and sculptures – as the starting point for creative responses, playfully displayed in a hands-on making artist studio specially designed and scaled for children. The space will feature artworks by Penny Davenport, Kate Hodgson, Aliyah Hussain, Fauziya Johnson, Josie Jenkins, Kohenoor Kamal, Emily Lansley, Millie Toyin Olateju, Niloo Sharifi, Linny Venables with furniture by Crown Building Studios. 

The children’s artist studio, complete with making resources, will be animated with regular free live and pre-recorded artist workshops. Bookable activities aimed at babies and toddlers (0-3) and children (4-11 years old) including story telling, demonstrations of techniques and sensory play sessions, will take place mid-week during the summer holidays. The full programme of workshops and events including dates and how to book will be publicly announced by July 2022.

Finally in Gallery Four, children and families can enjoy a contemplative library space with a specially selected reading list including dual language books focused on creativity and identity. The room will be embellished with a hanging mobile by Millie Toyin Olateju (Liverpool). Millie Toyin Olateju makes colourful abstract paintings and drawings that are the result of free play with her materials.

Spontaneous and process led, they are a means to connect to the present moment and joyfully explore colour, shape and texture. Her new artwork at the Bluecoat will take the abstract forms and shapes from her paintings and translate these into the form of a mobile. The artist has also designed an ice-cream cart and gazebo which will serve Cheshire Farm Ice-cream from the Bluecoat’s courtyard over the summer holidays.

Are You Messin’? follows on from recent commissions for children at the Bluecoat by Harold Offeh; Simon & Tom Bloor and Bruce Asbestos, as well as exhibitions for children including Rise Up! in 2019 and Abacus in 2017 which featured a major commission by Emily Speed.