HBA and Harmful Practices Awareness Se...

Savera UK is hosting a free online ‘honour’-based abuse (HBA) and Harmful Practice Awareness Session as part of it’s “Culture Is Beautiful: No Excuse for Abuse” campaign during the 16 days of activism against gender-based violence and abuse (25th November – 10th December 2023).

Savera UK is a leading charity working to end ‘honour’-based abuse (HBA) and other harmful practices, including forced marriage, female genital mutilation, hymenoplasty, virginity testing and conversion therapy.

‘Savera’ means ‘new beginning’ in Hindi, which is symbolic of what we provide for survivors and those at risk of HBA and harmful practices, regardless of age, culture, sexuality, gender, or ethnicity

Places are free but registration is essential.

If you have any accessibility requirements, please contact info@saverauk.co.uk at least one week in advance of the event, so we can facilitate your needs.

#NoExcuseForAbuse March with Savera UK

March with Savera UK and Zonta International to raise awareness of ‘honour’-based abuse (HBA) and harmful practices, hear from survivors, enjoy drumming, dance and other performances, and learn about how you can join our mission.

The march follow’s 2022’s successful inaugural event, which saw hundreds of people engaged by the march, which was led by Movema’s Sankofa Bird. The bird is one of four birds from organisation’s ‘Taking Flight’ production, which have been inspired by their artists’ experiences of migration and informed by the refugee and asylum seeker communities with who they work.

This year the Sankofa Bird will be joined by Movema’s Liver Bird, representing Savera UK’s home city and British and Irish culture. Further details of speakers and performers will be announced in coming weeks.

If you have any questions about joining and participating in the march, please contact Nikki Croft-Girvan on nikki@saverauk.co.uk

Pulling at the threads of ableism

This mini exhibition is the culmination of the artist’s research and creative exploration into disability identity and how it is affected by an ableist society. Through her lived experience, the artist has explored the feelings and frustrations of living as a disabled person within a world that is not designed to cater to her accessibility needs and in a society that is not comfortable with difference.

Gillian Ashcroft-Smith is an activist and an artist-facilitator who creates art through mixed bricolage and traditional craft methods. She particularly enjoys creating new visually pleasing pieces from rescued, recovered and reused materials.

Pop into the Treasure House Theatre in World Museum

Who the f–ck is Shakespeare?

The so-called ‘facts’ of their stories; stories steeped in racism, patriarchy, and violence. But the facts are untrue, these stories just won’t do.

These five characters have had enough. They’re breaking the paper ceiling of Shakespeare’s Complete Works to tell their own stories and repurpose old tales for the next generation.

Watch them blow the dust off the classics, tear out the pages, and stage a multi-art form political occupation of Shakespeare with punchy verses, punky attitudes, and whole lotta wit.

“We stand here now, to speak but for ourselves. Our lives will not be stories on your shelves.”

Presented by 20 Stories High and Unity Theatre. Performances are 7:30pm, 1:30pm
Friday’s performance will be a matinée beginning at 1:30pm

Directed by Ameera Conrad. Written by Ameera Conrad and Shakespeare, with contributions from Leonisha Barley.

 

The Makings of a Murderer

Join The Scottish Detective, David Swindle, for a chilling, thrilling, night at the theatre.

True crime fans, and those with a curious mind, can explore the cases, the circumstances and the detective’s perspective on what really went on, the early warning signs and the clues behind The Makings of a Murderer!

What makes a serial killer tick? What are the tell-tale signs? What really goes on behind the scenes? Learn about the biggest British serial killers of all time – including Jack the Ripper, Peter Tobin, Harold Shipman, Peter Sutcliffe and Killer Couples – Fred and Rose West and The Moors Murderers Ian Brady and Myra Hindley.

With more than 34 years as a senior detective, David shares his unique insight into the minds of the murderers, the famous cases that were never solved, and how the murderer got away with it. . . from someone on the inside.

David – whose ground-breaking Operation Anagram uncovered the activities of Tobin – paints an often-dark picture of how these monsters come to be in this gripping, fully-interactive, audio-visual first. ’Serial Killers are cunning, conniving, controlling, careful and – I hate to say it – clever’, says David. ’They live apparently normal lives and get away with their crimes for years. . . until eventually detected’.

David also looks at the connections to the local area of the most famous murder cases. The Makings of a Murderer! – a chilling, thrilling, night at the theatre not to be missed.

The Nutcracker

Christmas wouldn’t be Christmas without a trip to your local theatre for a dazzling production of the most famous ballet in the world – The Nutcracker.

Snow flurries, sweets, princes, magic, and love are just some of the elements that will be brought together. A highly accessible ballet, full of familiar music such as the Waltz of the Flowers and the Dance of the Sugar Plum Fairy.

This ballet continues to capture the hearts and imaginations of all generations across the world. It is a truly captivating piece of theatre, a wonderful introduction to ballet whilst retaining its appeal for anyone who is familiar with it.

Join them this Autumn, to see The Nutcracker, the eternal seasonal favourite!

Youth Engagement Forum

Youth Engagement Forum is an informal session for 16-24 years old to come and meet up with other young people on a monthly basis and do creative projects inspired by exhibitions and displays in NML venues.

You’ll get to plan, create, produce and organise events and activities for other young people in the city and help make our art galleries and museums more diverse, inclusive and a space for everyone to enjoy.

See the Youth Engagement Forum web page for more details.

 

Serial Spectres, Dreams and Legacies

A programme of ambient, open-form, sonic and musical responses from a collective of jazz, electronic and classical musicians on the centennial of Arnold Schoenberg’s development of compositional serialism.

Across the many subgenres of contemporary classical, experimental rock and jazz through to the many paths of ambient, techno and noise music exploration – traces of serialist thought can still be intuited.

This evening’s concert offering will celebrate this legacy of sonic and musical diversity.

During the summer of 1923 in Vienna (100 years ago – which curiously was a relatively cool one when compared to those experienced in 1859 and 1957) the composer Arnold Schoenberg finally published his Piano Suite Op.25 on which he had been working since 1921 a period on which he was honing the craft of what became known as 12-tone technique, dodecaphony, or serialism. On the completion of his Piano Suite, he allegedly said to a fellow musician that he had “found something that will ensure the supremacy of German music for the next hundred years.”

This utterance in hindsight has a rather forbidding tone – given that 10 years later saw the rise of Hitler and Schoenberg being Jewish had to flee his beloved Vienna, spending the last 20 years of his life in the USA. However, during the century that has passed since that summer in Vienna the unforeseen consequences of Schoenberg’s ideas have had and continue to have far-reaching consequences for music around the world.

Schoenberg’s serial ideas, effectively attempted to democratise the elements of sound in order to explore fundamental relationships between sound and the psyche (Schoenberg was very well-acquainted with the ideas of a fellow Jewish Viennese citizen – Sigmund Freud) undoubtedly opened up a whole new universe of discovery for musical expression.

MARA

It’s 1868. Morten is a discharged soldier scraping a living on his croft on the edge of Sweden’s ancient forests. His life is blighted by insomnia and filled with troubles made up largely in his own head.

Suddenly he begins to suffer nightmares. A friend tells him he’s plagued by a Mara – a possessed person who visits another in spirit form as they sleep. To free himself from a Mara, he must discover their identity. But who is it?

Funny, unsettling and moving, this solo storytelling performance is a whodunnit, a deep dive into the dreamscape of Swedish folklore, a delve into our oldest forests, a journey through our tortuous relationship with sleep and an exploration of what it might mean to be really awake.

You’ll be transported, entertained, immersed… and a walk in the woods might never feel the same again.

Reviews of storyteller Dominic Kelly’s previous work:

“What a treat” – The Times

“Storyteller Dominic Kelly catches the mood with unerring skill as he builds an atmosphere of excitement…” – Dorset Echo

“It shouldn’t be possible to conjure up such a rich, colourful and vibrant world in a plain, darkened room but he succeeded spectacularly.” – Litfest


Storyteller Dominic Kelly’s warm, witty and powerful storytelling style has captivated audiences around the world. In the UK he has performed at venues including the Barbican, National Theatre, British Museum, and The Times Cheltenham Literature Festival; and in theatres, festivals and schools in countries from India to the Arctic Circle.

He lives in the Lake District where he grew up and, when not storytelling, still thinks sitting in a tiny tent on a mountain in terrible weather counts as fun. But he’s married into a Swedish family, lived in Sweden for years, and he knows intimately the landscape, nature, culture and folklore of the country’s ‘Norrland’; in MARA, he takes you on an immersive, unforgettable journey into this place, though experiences we can all relate to.

His acclaimed performance Trickster was described as “compelling, funny and heartbreaking” by The Times, his show The Hero Light, as “gripping and satisfying… a rare event” and his most recent, The Big Blind, as, “a mesmerising performance”.

The Mighty Goddess

This performance is for ADULTS ONLY – contains graphic content

Stories, spells, songs performed by Sally Pomme Clayton

The myths of the goddess are subversive, outrageous, familiar, unknown, forgotten – spectacular! Pioneering storyteller Sally Pomme Clayton evokes powerful goddesses, meet: Vesta the fiery virgin warrior; Cybele, the mother goddess who fathered a child; Ishtar, Goddess of love and war, who journeys to the Land of the Dead. Follow the goddess from creator to crone in tales of lust and greed, death and destruction, transformation and rebirth.

Pomme brings ancient myths to contemporary life with dynamic spoken word, musical sounds, gestures, ritual, spells and songs. And offers the audience a chance to receive a message from the goddess’s oracle! Do you dare to take part! The Mighty Goddess is for ADULTS ONLY – and contains some graphic content.

The stories are drawn from Pomme’s latest book The Mighty Goddess (The History Press 2023) a collection of 52 goddess myths that mixes myth and art with 52 fabulous papercuts by artist Sophie Herxheimer.

“Fiery, thrilling, powerful storytelling,” – Bloomsbury Festival

“No book hits the zeitgeist more accurately than this. With every tale we are encouraged to think. With every tale comes a reckoning. They stretch across the world and show love, anger, revenge, rape and repentance, tiny jealousies and fathomless compassion.” – Facts and Fiction

“Virtuoso storyteller, Sally Pomme Clayton has that rare gift of being able to transport the listener to other worlds by completely inhabiting those worlds herself. Her stories are full of colour and she uses language like a painter. Her telling goes through the skin, and settles deep in the marrow of the listening bones – a wondrous experience.” – Venue Magazine

“Sally Pomme Clayton is a gifted storyteller who can bring the wonder of the most powerful stories from the past to life for audiences of any ages.” – The Guardian

“Londonist has been lucky enough to see her in action: the awestruck faces, delighted giggles, eyes wide in wonder … and that’s the adults in the audience!” – The Londonist