Review: The Magic of Motown, 20th Anniversary Tour at Empire Theatre

By Terry Sweeney

The Magic of Motown on stage at the end of their performance at the Empire
The Magic of Motown on stage at the end of their performance at the Empire

When Berry Gordy took out that famous 800 dollar loan to start Tamla Records in 1959 he couldn’t have dreamt that 60 odd years later the music he created would still be moving audiences all of the world, but here we were on a rain-swept Wednesday night in Liverpool listening to his greatest music and the Motown legacy carries on.

This year three of Motown’s all-time greats, Diana Ross, Lionel Ritchie and Stevie Wonder have been performing in the UK, and for those who couldn’t make it to watch one of their shows, The Magic of Motown covered music by all three, and more.

The show opened with the band playing the opening bars of Please Mr Postman by the Marvelettes. This was their debut single and the first Motown song to reach number 1 on the Billboard Hot 100 pop singles in 1961. The first of seemingly endless Motown number 1’s in the US, the UK and across the world, From the moment that the familiar lyrics ‘oh yes, wait a minute Mr Postman. Wait ,wait Mr. Postman’ rang out in the darkened auditorium the audience started partying. The Liverpool audience were up for a good time last night and the singers on stage, backed by an excellent band, didn’t disappoint

They roared through a cracking set list of songs from all of Motown’s heavy hitters; The Supremes, The Four Tops, The Temptations, Isley Brothers, Smokie Robinson, Lionel Ritchie, Stevie Wonder, Marvin Gaye, The Marvelettes, Martha & the Vandellas and The Jackson 5.

The show contained fantastic lead and backing vocals, wonderful music, aided by multiple costume changes, mixed all girl and all boy sets, with the occasional duet or single piece. The singers were exceptional all night, with only the occasional over-emoting on the outro hitting a flat note with me.

Highlights of the show included:

  • ‘Sugar Pie Honey Bunch’ and ‘Reach Out’ by the Four Tops
  • ‘Just my Imagination’ and ‘My Girl’ by the Temptations
  • Stevie Wonder’s ‘Sir Duke’ and ‘Superstition’
  • Marvin Gaye, with and without Tammi Terrell on ‘You’re all I need to get by’ and ‘Heard it through the Grapevine’.
  • Smokie Robinson and the Miracles with ‘Shop Around’, and ‘Tears of a Clown’.
  • Diana Ross & the Supremes with ‘Baby Love’ and ‘Stop! In the name of love’.
  • Lionel Ritchie’s ‘All Night Long’ and ‘Dancing on the Ceiling’.
  • Jackson 5 with ‘Rockin’ Robin’ and ‘ABC’
  • ‘Heatwave’ by Martha Reeves and the Vandellas.
  • ‘Please Mr Postman’ by the Marvelettes.

At the interval the ‘Four Tops’ were mingling with the crowd in the bar during the interval drinks.

The second half of the show continued where the first half left off, with great music, call and response with the audience, and singing along to all the choruses. People were dancing in the seats and the aisles, if not the streets, and the girls from Queen Mary High School in front of us were on fine form singing and dancing along to Motown’s finest.

The singers were top-notch; no one would pretend that they measured up to Stevie, Marvin, Levi Stubbs, David Ruffin, Martha Reeves et al-but then who does?

At the end the singers asked if we’d like to have them back next year, and they got a resounding yes. The night finished with the cast of the show taking a selfie with the Empire audience in the background.

The Empire has already mailed to ask for feedback on the performance, so let’s hope they act on what we’ve fed back and book The Magic of Motown for 2026.

To find live music events happening in the Liverpool city region take a look at our What’s On Listings.

John Moores Painting Prize 2025: Celebrating the Best of Contemporary Painting

By Terry Sweeney

John Moores Painting Prize 2025 - Walker Art Gallery

The John Moores Painting Prize is currently on show at the Walker Art Gallery, opening on 6 September, the exhibition runs until 1 March 2026.

About The John Moores Painting Prize

The Prize was set up in 1957, when John Moores sponsored a competition for contemporary artists at the Walker Art Gallery for the first time, with the intention of showcasing the best of new British painting. John Moores, as well as his work with The Littlewoods Organisation and Everton Football Club, was a philanthropist and great supporter of the arts and was himself an accomplished amateur painter.

The John Moores Painting Prize has since been held almost every two years, with the prize open to all contemporary painters and welcomes submissions from both established and emerging artists. It awards:

  • First Prize: The winner is awarded a £25,000 prize.
  • Lady Grantchester Prize: Awarded to recent art graduates, this prize includes £5,000, £2,500 in art materials, and a month-long residency in London.
  • Visitor’s Choice award: selected by exhibition visitors, this award offers £2025 to the winning artist.
  • Each years Prize winner is also awarded a solo exhibition at the Walker Art Gallery. The 2023 winner, Graham Crowley, had a very well-received exhibition ‘Graham Crowley: I paint shadows’ on display until July 2025.

Over sixty years the competition has helped to support the work of a number of British artists and has often been acknowledged as a key moment in the careers of many distinguished painters.

The Prize attracts large numbers of visitors and remains hugely popular with the visiting public. Recent exhibitions have had record-breaking numbers of visitors. 

The regular acquisition of the first prize-winning works by the Walker, along with other selected works, has led to the gallery holding a large collection of post-war British painting.

John Moores Painting Prize - 2025

John Moores Painting Prize China 2024

This year there is also a side exhibition of the John Moores Painting Prize China 2024 winners. The 6 prize-winning artists have recently completed a month-long residency and studio exhibition at John Moores University’s School of Art and Design.

This is the 8th edition of the Prize in China. It follows the same founding principles as the UK model. The Prize is open to all painters from across China and an invited jury selects the paintings. The artists remain anonymous throughout the process.

In the UK, during its sixty-year history, the John Moores Painting Prize has displayed some of Britain’s greatest contemporary artistic talents. 

Previous winners include David Hockney, with his ‘Peter getting out of Nick’s Pool’ (1966), and Peter Blake, who later became the first patron of the prize in 2011.

John Moores Painting Prize 2025 - Walker Art Gallery Liverpool
Darkened Heart (a fugitive and a wanderer on the earth) by Joanna Whittle

John Moores Painting Prize 2025

This year’s exhibits are a mix of figurative, landscape and abstract pieces, with several painting I found particularly interesting, including my Visitors Choice vote, which was for Darkened Heart (a fugitive and a wanderer on the earth) by Joanna Whittle. This is an exquisite small-scale landscape depicting a tent with a luminous structure within it; (oil on rayon). Joanna’s work typically depicts temporary structures which ‘speak of fragility and transience’, Joanna has exhibited at John Moores previously.

Darkened Heart was endorsed as Highly Commended by this year’s judging panel. 

Another painting Highly Commended by the judges was Bedscape2 by Katy Shepherd, which is another I would personally commend, as is Ayomide Feyujimi, a portrait by Martin Stevenson.

Some of the larger pieces, for example The Judge’s Quarters (Facing West) by Shaan Syed, benefit from extended study and reveal some of the revisions undertaken during their creation.

As always with such exhibitions, visitors will have particular preferences, and the opportunity to have your voice heard and vote for your personal winner is always welcome.

John Moores Painting Prize 2025
Walker Art Gallery
Running until 1 March 2026
Free Entry
More Info

Culture Radar – Dave Ward (The Windows Project)

Dave Ward - The Windows Project

This week’s Culture Radar guest is Creative Coordinator of The Windows ProjectDave Ward.

Loved: Toria Woofe at the Nordic Church. She is a UK Americana singer/songwriter, she was amazing… the venue is just as incredible; they do monthly music events as means of local fundraising ranging from folk, to classical and jazz. What a warm and welcoming experience.

Looking Forward To: I’m looking forward to the forthcoming classical music season at Liverpool, Philharmonic. I have very eclectic taste, but classical music is a passion of mine; my dad was a music teacher, so it is in my blood!

Trivia: I also write folkloric fiction under the name David Greygoose (my great grandmother’s name) and have provided lyrics for the forthcoming album Smoke Road by Crystal Jacqueline. In my spare time I grow cooking apples, stew cooking apples and eat cooking apples … amongst other things!

Falling Into Clowning: A Year of Looning, Loving, and Learning

By Moon Rice

Clowning Image
Moon (right) at a Simone Tani clowning class

In this guest feature, Moon Rice shares how they accidentally discovered a passion for clowning, exploring Liverpool’s arts scene and finding support through workshops, performances, and organisations that are a part of The Culture Network LCR.

There were no banana skins but I fell into clowning by mistake.

In late 2024, I signed up for a two-day workshop at Unity Theatre with Lucy Hopkins (I’d never heard of her), hoping it would help me sharpen my funnybones. I was performing routines with PowerPoint in the style of Dave Gorman and wanted to take it to the next level. What hadn’t dawned on me – until we started dancing around – was that I’d actually signed up for a clowning workshop.

Two days later, I walked out feeling like I’d just found my calling.

It wasn’t the path I imagined when I graduated in 2020 with a First in Fine Art. I thought my career as an artist would naturally blossom after that. Instead, I’ve stumbled into something unexpected – and I’m slowly, happily, becoming a clown.

More than anything I want to clown but what opportunities are there to develop? I could maybe hope to be accepted into a drama school (there is quite a famous one in Liverpool!) but I already owe £50,000 to the government and who would accept me anyway with my lack of ability? I had no idea how tough it would be to find opportunities to clown. 

However, many of the workshops, performances, and connections that have shaped my clowning journey so far have been made possible by organisations that are part of The Culture Network LCR: a membership group of 70+ arts and culture organisations across the Liverpool City Region. While I’ve never worked directly with the Network itself, it’s through the shared values and generous programming of its members – like Unity Theatre, Collective Encounters, Metal, and Tmesis Theatre – that I’ve been able to explore this new path.

Their commitment to accessibility, artist development, and creative community is more than just talk. I’m living proof that it makes a difference.

First there was the workshop Simone Tani did at the Unity in Clowning and Bouffon. This lead to further classes with Simone at The Bluecoat. Simone is a very generous man, exemplified by offering his classes for only £5 and advice for free. It is my sincere hope that Simone will start his classes up again really soon. 

Clowning In Liverpool - moon Rice
Moon doing an impression of a washing machine

Meanwhile, I’ve taken workshops where and when I can. Most of these have been at the Unity. In fact, I’m at the Unity so often, I feel at home there and the staff even know my name. Particular kudos goes to Artistic Director, Eli Randle, who has been really supportive. At times it’s felt she’s put the Unity schedule together just for me! Some of the workshops at the Unity have also lead to further opportunities such as the Big Bucket Clowning Retreat at Bidston Observatory Artistic Research Centre. 

I also attend the Women In Action sessions by Collective Encounters on a Tuesday afternoon at the Unity. These are lead by renowned fool Joanne Tremarco who has been a champion for me, gently encouraging me to develop my career. I was also fortunate to see her show at the Unity. Where she gets her energy from I’ll never know.

As much as I love the Unity, not everything happens there. I’ve also attended a two day workshop with Madame Señorita via Tmesis Theatre, and full day workshops with Wise Children at The Everyman and Leebo Luby at Shakespeare North Playhouse.

Leebo is another clown who I’ve been keen to learn from. The clown jams he hosted were an opportunity to practice what I know (which, admittedly, isn’t much) in a no pressure, fun, environment.

I also love attending the Contact Improvisation (CI) classes with Mary Pearson at 24 Hope Street. I met Mary during rehearsals for the Merseyside Kings at Metal. 

Performing as a drag king is something else I fell into, having met Cal Lannerty at a writing workshop at, you guessed it, the Unity. Cal happened to mention they were a drag king and, this being a secret ambition of mine, my ears pricked up and I asked them how I could get involved. 

Both Cal and Mary are lovely, encouraging, people. I am fortunate to know them and the other kings and feel supported through these challenging times for trans people like me – having our human rights denied for the mere temerity of existing.

I am thankful then for all the shows I’m able to see that lift me from despair. Of course, watching the shows also helps with my education, developing my taste: what things I’d like to try or not. 

Moon as drag king, Derek Vine 

In Liverpool, we are spoilt for choice for theatre. Since I took the workshop with Lucy Hopkins, I’ve seen shows by DaDaFest, RAWD, Liverpool Arab Arts Festival (LAAF), and Tmesis Theatre, amongst many others. 

As well as all the ones I’ve seen at the Unity, I’ve also seen Stewart Lee and Milton Jones at the Philharmonic, the Rock n Roll Panto at the Everyman, and Hamilton at the Empire. Yes, it has depleted my bank account but I’m of the opinion there’s nothing better to spend my money on than improving my mental health.

Speaking of which, sadly, I’ve been feeling inadequate of late, not knowing quite how to develop my clowning abilities. You see, the last couple of workshops I’ve been at, I’ve felt disconnected somehow. For sure, my autism doesn’t help with this – I fell into clowning through a misunderstanding and I still misunderstand plenty. 

It also doesn’t help that, for a place renowned for it’s humour, Liverpool has such a sparse clown scene – lagging well behind the clown scenes in Bristol and London. However, the people I have encountered in it’s theatres are generous, supportive, and encouraging. 

Writing this has also reminded me of the wealth of education I’ve been fortunate to find via The Culture Network and it’s still not quite a full year since I started clowning. So I am hopeful of becoming the clown I feel called to be. I just need those opportunities to progress. So, if you feel you could help, I’d be delighted to hear from you. Please message me via my Substack.

Author Bio: Moon is a neurodiverse enby crip performer, writer, and artist originating from Cornwall. For the last decade, they have found home on the Wirral with their cat (a proper Scouser) and a whole load of mess.

Culture Radar – Ajani Healy (The Tung Auditorium)

Ajani Healy - Tung Auditorium

This week’s Culture Radar guest is Marketing intern for The Tung Auditorium, Ajani Healy.

Loved: I love the grass roots jazz scene in Liverpool, and recently Hope Street Jazz hosted Jazz Fest, six days of free live jazz music, at Fredericks on Hope Street. I checked out a couple nights, but my favourite was definitely Finite Experience. Their set was very dynamic and inviting, and there was a lot of good energy on display. I also checked out the Liverpool Biennial exhibit at FACT Liverpool which was an interesting experience.

Looking Forward To: I’m really looking forward to the upcoming Yoko Ono Lennon Lunchtime concerts at The Tung Auditorium. There’s a wide variety of acts, many of which I hadn’t heard about before, so I’m excited to discover some new music. The shows take place on Wednesdays at 1pm, and they’re free so I encourage everyone to attend if they can.

Trivia: I’ve only just joined the team at The Tung Auditorium, so I’m learning all of the fun facts little by little. My favourite so far is that the riser steps in the auditorium, when manufactured were laser etched on the back, one with a giant bourbon biscuit and the other with many small bourbon biscuits. It’s a bit hard to see if you don’t know to look for it.

10 Must-See Concerts In Liverpool And The City Region This Autumn

By Abbie Billington

Helicon - Future Yard

It’s finally September, and jumpers and jackets are making their way out of the attic boxes and into our wardrobes once again. While the rest of the world starts to get into the autumnal spirit, if you’re still clinging to the last few rays of summer, then Liverpool’s music scene has got you covered. Whether you’re looking for jazz nights to savour those last few longer evenings, or you’re looking for some classical shows to cool off after the hot weather, we’ve put together 10 concerts in Liverpool and the city region that you need to check out this autumn.

1. The Music of Hans Zimmer vs John Williams – Liverpool Empire (21 September)

Hans Zimmer Vs John Williams

Hans Zimmer and John Williams’ film scores are renowned as some of the best in the world. Everyone remembers the first time they heard the intro to Harry Potter or the iconic Jurassic Park theme, and this autumn the Empire brings those scores to life on stage with Hans Zimmer vs John Williams!

Join the Manchester Concert Orchestra, conducted by Michael Bawtree, as they journey through space, Gotham City, the Caribbean, and everywhere in between! Goosebumps are a guarantee with this one…

2. Lunchtime Concert Series ft. Remée – The Tung Auditorium (24 September)

Lunchtime Concert Series ft. Remée - The Tung Auditorium

BlackFest have partnered with The Tung Auditorium as part of the Yoko Ono Lennon Lunchtime Concert Series to bring you a fantastic concert featuring alternative artist Remée. With a sound that is “offbeat with a sprinkle of electronic and heavy bass”, Remée is a local singer/songwriter who has been writing her own songs from a young age, inviting audiences into her lyrical storytelling and captivating visuals. 

The Tung’s Lunchtime Concert Series has been a staple of the Tung’s programme for quite a while, opening the concert hall for everyone to enjoy their concerts free of charge every Wednesday afternoon. This special edition in collaboration with BlackFest is surely not one to miss.

3. Helicon – Future Yard (25 September)

Helicon - Future Yard

If you fancy something a bit more on the psychedelic side, then Helicon at Future Yard have got you covered. Helicon blend neo-psych-rock with sitars, electronica, ambient soundscapes and irresistible grooves, taking audiences back to psych-rock’s heyday in the 60s. Quoted as being “a force to be reckoned with” and showing that “musical borders are there to be broken”, Helicon are a staple within the psychedelic rock scene and are certainly one to watch now and in the future.

4. Rhythms Night @ District – District (25 September)

Rhythms Night @ District

Bringing together iconic music artists like Third Kulture, KingFast, Mina and Rafaela, join BlackFest for their Rhythms Night @ District, celebrating their 7th year! This eclectic mix of artists spans generations, genres and styles to bring you a night of culture, heritage and fantastic rhythms. You’ll be moved by Mina’s confessional songwriting, inspired by KingFast’s energy and geniality, rocked by Third Kulture’s punchy celebrations of diversity, and soothed by Rafaela’s fusion of soul, reggae and jazz. With so much talent on show, there’s something for everyone!

5. La Feria Festival: Antonio Monasterio Ensamble – Music Room (2 October)

La Feria Festival- Antonio Monasterio Ensemble

LUMA returns to the Liverpool Philharmonic’s Music Room this October with the third installment of La Feria Festival, celebrating both LUMA’s 50th anniversary and the Music Room’s 10th anniversary. Hailing from the port of Valparaíso, Chile, the Antonio Monasterio Ensamble is renowned for its bold, genre-defying approach to world music and jazz. Audiences will be treated to an evening of immersive soundscapes that blend intricate rhythms, expressive timbres and global music traditions. It is sure to be a celebration of cultural diversity and the growing connection between Valparaíso and Liverpool.

6. Secret Jazz Club – The Sound of Autumn – Everyman Theatre (10 October)

Secret-jazz-club

Who doesn’t love a bit of jazz to welcome in the start of a new season? The Everyman bring us an intimate Secret Jazz Club evening of live jazz and warm ambience this October in their basement bar, a fantastic venue that fully immerses you in the music. You don’t have to be a jazz aficionado to savour this unique night out, everyone is welcome and the Everyman is sure to provide an event that will leave you tapping your feet and craving more.

Be warned – The Secret Jazz Club is password-protected, so make sure you book your place to get into this exclusive event!

7. Xander and The Peace Pirates – Future Yard (10 October)

Xander and The Peace Pirates - Future Yard

Xander and The Peace Pirates are finally back at Future Yard for a long-awaited full band show on the 10th October. Keith Xander and his band are nothing short of extraordinary, blending blues-rock, jaw-dropping musicianship, and deeply authentic performances. From the Cavern Club and sharing stages with the likes of Bon Jovi, Xander will bring this blues extravaganza to Future Yard, sharing his journey of inspiration and passion and blowing your socks off with a performance that will stick with you for months. 

8. Flute J.A. Jayant and Debasmita Bhattacharya – Liverpool Philharmonic Music Room (17 October)

Flute J.A. Jayant and Debasmita Bhattacharya - Music Room

As part of this year’s Indika Festival, this concert brings together four exceptional musicians in a unique combination of instruments – the Carnatic bamboo flute, Hindustani sarod, tabla, and mridangam. Celebrating the best of Indian classical music, the Music Room will play host to Flute J.A. Jayanth, Debasmita Bhattacharya, Kousic Sen and Bangalore Prakash as they engage in an immersive, rhythmically rich concert.

9. The Australian Pink Floyd – Liverpool Empire (26 October)

The Australian Pink Floyd - Liverpool Empire

The Australian Pink Floyd have been touring the globe since 1988, and this year they bring their show to Liverpool at the Empire Theatre. They are the leading and biggest show in the tribute scene, described by The Times Newspaper as “The Gold Standard”, and have gained such renown that they were even invited to perform at David Gilmour’s 50th birthday celebration! Join the Australian Pink Floyd show as they celebrate their 30th anniversary with their new tour ‘All That Love’, featuring classics from Dark Side Of The Moon, Wish You Were Here and many more. 

10. Mobius Loop – Future Yard (9 November)

Mobius Loop. Credit John Middleham
Credit: John Middleham

Mobius Loop bring their “Peaceful World Tour” to Future Yard this November, filling the space with their mesmerising festival vibrations to celebrate their brand new single. The trio, celebrated as “Preston’s most successful band”, create gloriously eccentric folk stories, fusing world music and conscious rap with eruptions of free-form dance charged with an intimately powerful and intense energetic live performance. If you want to dance the night away with some epic beats and vibrant voices, woven together in a call for a peaceful world then Future Yard is the place to be! 

To discover even more live music across the Liverpool city region check out our What’s On Listings.

Culture Radar – Ashley Colley (ACC Liverpool)

Ashley Colley - ACC Liverpool on her way to see Dua Lipa at Anfield cropped
Ashley on her way to see Dua Lipa at Anfield

This week’s Culture Radar guest is Ashley Colley, Marketing Account Manager, ACC Liverpool.

Loved: Dua Lipa at Anfield, hands down. There was endless dancing, and such a vibrant atmosphere around the stadium. The best tunes, she just killed it. 10/10 pop star – I’m such a fan! I’m frantically typing this because I enjoyed it THAT MUCH.

Looking Forward To: Inhaler at M&S Bank Arena on 11 October. They’re a Rock band from Dublin, and Liverpool is like a second home to them having practiced here for many years. To see them now about to headline at M&S Bank Arena is unreal. Also looking forward to the supports on this show, and the reunion of The Bandits!! Not a lot of people know but they’re an iconic Liverpool band from early 00’s who helped launch bands such as The Coral and The Zutons. I think that’ll be a great gig at the Arena, cannot wait!

Trivia: I used to be in a punk / metal band and toured UK / Europe for about 4 years. Career highlight was playing Glastonbury Festival, personal highlight was playing Download Festival; I’m a total metal head (who cannot handle a mosh pit anymore). A more recent and un-interesting fact about me is that I’m also totally on board with the Country Craze (unashamedly) and I cannot stop listening to any & all Country Music. So, if anyone has any good recommendations, please send Spotify links my way!

Culture Radar – Danny Woods (Wonder Arts)

Danny - Wonder Arts

This week’s Culture Radar guest is Engagement Manager for Wonder Arts, Danny Woods.

Loved: Loved the immersive installation, ‘Put Your Feet in my Shows’ created by Michelle Wren & Kazem Ashourzadeh; very powerful and certainly eye-opening.

Looking Forward To: I’m looking forward to getting about and taking in as much of the Liverpool Biennial as possible before it ends on 14th September and I always look forward to the return of the River of Light, perfect way to spend an Autumn evening in Liverpool.

Trivia: I first became involved with Wonder Arts (previously Citadel Arts Centre) when I joined the Youth Theatre when I was 16 years old and later became a volunteer until becoming Marketing Officer in 2015. Now as the Engagement Manager, this year marks 24 years of being involved with the organisation and a whole decade as a member of staff.

Buried Treasure by ArtsGroupie CIC: Diversity In Clay

By John Maguire

Rathbone Studio Pottery

The latest instalment of Buried Treasure by John Maguire of ArtsGroupie CIC takes us to Birkenhead’s Rathbone Studio, rooted in the legacy of Della Robbia Pottery. Here, artist Janet Holmes continues the tradition of creativity and individuality, currently celebrated in Diversity in Clay, her collaborative exhibition with Louise Waller for the Independents Biennial.

There is something grand about walking through Hamilton Square – it feels like being transported to Edinburgh. I can envision Victorian-suited gentlemen strolling with canes through the greenery at the centre, ready to take the morning commuter ferry, ambling around the boat and enjoying the fresh air as part of their morning constitution. 

I emerge from the depths of the train station and catch a glimpse of the city of Liverpool, panoramic across the river in the shadows. If I can block out the memory stick buildings that dig into the ground, the view retains its charm. 

The Rathbone Studio

I am visiting The Rathbone Studio, located on one of the original sites of the Della Robbia Pottery, founded by Harold Rathbone and Conrad Dressler. 

Della Robbia was a highly distinctive pottery created in Price Street and at 28 Argyle Street, Birkenhead, between 1894 and 1906. It drew inspiration from the work of Luca della Robbia, a Florentine sculptor (1399–1482) known for perfecting a special pottery glaze. The pottery employed many people in Birkenhead, including local women who decorated the wares. There were no pattern books; artists and decorators were encouraged to explore their creativity and work completely freehand. Today, antique Della Robbia pottery is highly sought after, with examples displayed in Wirral at the Williamson Art Gallery & Museum.

Rathbone Studio in Wirral

Janet Holmes has been exhibiting on Wirral for over 40 years and opened the Rathbone Studio in Birkenhead in 2012. It now serves as a pottery studio and gallery, embracing the ethos of the Della Robbia Pottery, which aimed to bring individuality to each piece, allowing artists to express themselves with unique, original ceramic work. Janet has revived the Della Robbia spirit in Birkenhead through her work and by encouraging others to exhibit their talents. 

Currently, an exhibition is on display as part of the Independents Biennial, which is a treasure trove of ceramic art. Diversity In Clay, a collaboration with renowned ceramicist Louise Waller, celebrates the malleable essence of clay. A rich collection of earthy works showcases the collaboration between artist and medium with the mantra, “The clay dictates.” 

Rathbone Studio - Clay

Janet Holmes and Her Artistic Journey 

Janet’s obsession with clay dates back to her childhood. The first piece she ever made in school was a bust of a man’s head, leading her to realise she could create a strong image from nothing. Today, teaching allows her to foster this idea in others, and she loves to explore different clays and experiences, encountering new things that still humble her. Rather than planning, Janet lets the mood and atmosphere evolve through meditation with the clay. A clay sculpture created after her mother’s passing evoked mixed emotions, while her Covid tension piece has an agitated and restless look about it. This ceramic is my particular favourite.

Her influences include Matisse, Picasso, and Grayson Perry. Due to her tinnitus, classical music, especially Gershwin, becomes the only sound in the studio, which helps her to connect with the clay. 

My favourite piece - Rathbone Studio
My favourite piece

Before I leave, I visit the toilet in the cellar; every available space is crammed with art as I make my way down the staircase. I am captivated by a mushroom cloud sculpture, inspired by the OMD song Enola Gay.  

I encourage you to visit this rich vault of ceramic treasures, a very magical emporium of creativity.

The gallery holds a student exhibition from January to February each year, with exhibitions changing quarterly. Local artists can also showcase their work. 

Diversity in Clay
Louise Waller & Janet Holmes
Runs until 13th September

The exhibition will then be open Tuesday to Saturday, 1.30pm-5pm.

Culture Radar – Helen Brown (Liverpool Lighthouse)

Liverpool Lighthouse

This week’s Culture Radar guest is Helen BrownDevelopment Manager at Liverpool Lighthouse, an arts and community centre based in Anfield and the home of the National Gospel Music Centre.

Loved: We’re passionate about arts for social change at Liverpool Lighthouse and have loved hosting both Asylum Link and Collective Encounters recently with their impactful theatre for social change pieces, Afloat and Time to Change. We know from our own ‘When You Know’ arts for social change programme that work like this can change hearts, minds and save and transform lives.

Looking Forward To: As a Black-led organisation, Africa Oyé is a massive part of our cultural landscape and we’re really looking forward to celebrating its return in 2026.

Trivia: Liverpool Lighthouse was originally built as a Gaumont Cinema building and retains gorgeous art deco features, a 430 seat auditorium and one of the biggest stages in Liverpool. Before it was a cinema, the site housed an orphanage and training school for destitute girls, so our little patch of Anfield has been a home for both the most vulnerable in the community and for arts and culture across hundreds of years, a legacy we aim to continue!