Loved: As an event manager, I love a spectacle and I try to get to as many events (for R&D purposes!) as I can. A highlight in May was Bring the Fire Project’sFire Gala at the Bombed Out Church, which was utterly mesmerising.
Looking forward to: I’m gutted that one of my favourite festivals in Liverpool’s events calendar Africa Oyé, is not taking place in 2025. For consolation, my friends and I have got tickets to see Black Uhuru at Future Yard later this month.
Trivia: I’m born and bred Swiss and have been living up my continental roots since January, working with the European diaspora communities at Liverpool European Festival. You can dip into European culture and heritage all through June, please visit liverpooleuropeanfestival.co.uk for the festival events.
Liverpool Biennial returns this summer once again showcasing cutting-edge contemporary visual art across the city region. Running alongside it is the Independents Biennial, with 22 newly commissioned works by 64 artists. Independents Biennial sets out to highlight the incredible work of the city’s grassroots artists, an integral part of the backbone of Liverpool’s creative scene.
Independent galleries and Liverpool’s creative networks are placed into the spotlight, as artists are given a chance to make a name for themselves in the UK’s largest and longest-running free festival of art, as well as celebrating Liverpool’s creativity and cultural significance.
What makes the Independents Biennial truly special is its commitment to non-traditional spaces. Art isn’t just confined to galleries – the festival utilises all spaces to showcase its artists work, including Hilbre Island off the coast of the Wirral, Belle Vale shopping centre and empty units in St Helens town centre. It celebrates the versatility of art, and how artists can use any space and turn anything into phenomenal, thought-provoking pieces of art.
Independents Biennial will span each of Liverpool’s six boroughs, with each location offering something unique and inspirational. Sefton, Knowsley, Wirral, St Helens, Halton and Liverpool city centre will host these 64 independent artists and provide them and their work with a home for the summer.
Independents Biennial: Our Highlights
While the entire programme promises to be unforgettable, we’ve picked out a few exhibitions that are especially worth checking out…
The Right Map by Ghost Art School
You won’t want to miss The Right Map by Ghost Art School, a collective that exists between margins and creates art that challenges the conventions of traditional institutions. The Right Map is described as “a constellation of art exhibitions across Liverpool, unfolding under the banner of the Independents Biennial.” It brings together a series of exhibitions across the city region, including UNSTABLE in Port Sunlight, In Search of Swallows and Amazons in Kensington, Account in Birkenhead, and Slipstream on Blundell Street in the city centre.
Tom Stockley and Ruaíri Valentine
Building on this theme of place and disruption, Tom Stockley and Ruaíri Valentine bring their deep dive into Wirral psychogeography to the festival with Weird Wirral. Inspired by a gothic poem, the duo turns to folklore and legend, guiding us through the shorelines and landscapes of the Wirral to uncover traces of magic and forgotten stories hidden in the land.
Claire Beerjeraz
Meanwhile, at the Victoria Gallery, Claire Beerjeraz offers a powerful reflection on the legacies of colonialism and slavery. Their multidisciplinary exhibition explores how these histories are displayed, contained, and remembered within institutional spaces. With a tapestry of spoken word and clay, Claire weaves together personal and collective memory, urging us to look beneath the surface of memorials and museum walls—and to reimagine how art institutions can hold space for difficult truths.
Amy Flynn Technofossils
Amy Flynn Technofossils
In another standout piece, artist Amy Flynn invites us to consider the legacy of our modern waste through Technofossils—human-made objects and materials that will persist in the geological record for millions of years. Her pewter cast sculptures are deliberately alluring at first glance: sparkling gemstones and shiny metals entice the viewer in. But look closer, and you’ll find the contours of outdated mobile phones and discarded plastic food containers—rubbish masquerading as treasure. This journey through desire and disgust mimics the cycle of consumerism, exploring themes of duality: artificial/organic, worthless/precious, temporary/permanent, growth/decay.
Venus in Transit: A Cosmic Journey Through Liverpool
Explore Liverpool’s history through a cosmic lens in this bold, multi-part project that blends astrology, storytelling, and live art. Back in 1639, Toxteth-born astronomer Jeremiah Horrocks became the first person to observe the transit of Venus across the Sun—a pivotal moment in the history of astronomy. In astrology, Venus is associated with beauty and creativity, and this project asks how these Venusian themes have helped shape Liverpool’s identity across the centuries. This is part one of a collaboration between Independents Biennial and the Museum of Liverpool’s Global City series—and promises to be an unforgettable deep dive into the city’s star-studded past and artistic present.
Discover the full Independents Biennial programme
Independents Biennial will take place across Liverpool from 7 June to 14 September 2025. This year’s festival is already shaping up to be one of the most exciting yet. With so much to explore, experience, and be inspired by, Independents Biennial is a must for anyone looking to make the most of the city’s creative summer—it’s definitely at the top of our plans!
Liverpool Biennial returns this summer, transforming the city with bold and thought-provoking contemporary art across public spaces, galleries, and unexpected venues.
What is Liverpool Biennial?
Founded in 1998, Liverpool Biennial is the UK’s largest free festival of contemporary art. Since then, it’s presented over 560 artists and created nearly 400 artworks — many of which remain permanently in the city, like Liverpool Mountain at the Albert Dock or The Hummingbird Clock in Derby Square and even The Dazzle Ferry that takes visitors too and from the Wirral every day. The Biennial has presented work by over 560 leading artists, delivered 34 collaborative neighbourhood projects, and received over 50 million visits.
2025 Theme: BEDROCK
This year’s theme is BEDROCK, inspired by Liverpool’s sandstone geology and its deeper social foundations — from family and heritage to community and colonial legacies.
Liverpool Biennial curator, Marie-Anne McQuay said: “The city’s geological foundations and its psyche have provided the starting point for the conversations of Liverpool Biennial 2025, with the invited artists bringing us their own definition of ‘BEDROCK’.”
Three Programme Weekends
The festival unfolds across three key weekends, each focusing on a different layer of BEDROCK:
7–8 June: Civic and colonial history
25–27 July: Family and the things that ground us
12–14 September: Geology and the passage of time
Liverpool Biennial 2025 events and exhibitions:
Here is an insight in what kind of artwork and artists to expect at this year’s Liverpool Biennial 2025.
Outdoor Works:
Anna Gonzalez Noguchi, Real Feel 90, 2021. Courtesy of the artist and Canary Wharf, London. Photography by Sean Pollock
Alice Rekab — A multi-city (Liverpool and Edinburgh) billboard project with students, exploring identity and belonging. In partnership with Edinburgh Art Festival. (Liverpool ONE).
Anna Gonzalez-Noguchi — Botanical-themed sculpture inspired by the historical import of ‘foreign’ plants into Liverpool, engraved with records of the city’s botanical collections. (Mann Island).
Petros Moris — Mosaic works inspired by abandoned playgrounds and personal history (The Oratory, Liverpool Cathedral).
Isabel Nolan — A steel and concrete sculpture inspired by a drawing of a stained-glass window held in the St Nicholas Pro-Cathedral archive and the leadwork in the windows of Liverpool Metropolitan Cathedral’s Lutyens Crypt. (St Johns Gardens)
Further works will be exhibited in some unexpected places around the streets of Liverpool:
Anna Gonzalez-Noguchi – Eurochemist, Berry Street.
Amber Akaunu – New film Dear Other Mother exploring matriarchal community in Toxteth.
Odur Ronald – Large installation of aluminium passports reflecting African migration.
ChihChung Chang 張致中 – Ship model-based work reflecting family and naval history, also at Pine Court.
FACT
Kara Chin, The Park is Gone, 2022. Image courtesy of the artist.
Kara Chin – Interactive installation combining urban motifs with manga and gaming aesthetics.
DARCH – Sound and ceramic work with Sefton residents about land, roots and belonging.
Linda Lamignan – Film exploring animism, palm oil extraction and Nigeria–Liverpool histories.
Liverpool Cathedral
Maria Loizidou, Moi Balbuzard Migrant, 2023, Musee de la Chasse et de la Nature, Paris 2023-24. Photography by Maria Lund.
Ana Navas – Glass collages inspired by historic female portraiture and local embroidery archives.
Maria Loizidou – Crocheted tapestry of migratory birds highlighting themes of migration and survival
Liverpool Central Library
Dawit L. Petros, The Open Boat, 2024. 3D Print. Courtesy of the Artist and Tiwani Contemporary, London. Photography by Dawit L. Petros
Dawit L. Petros – Dawit presents a research project at Liverpool Central Library that aims to re-read a historic military expedition to the River Nile from 1884-1885 – a British-led expedition which included 379 Voyageurs from across Canada and Quebec including French Canadians, Western Canadians and First Nations. The installation, which has been developed through a residency at Liverpool John Moore’s University, includes sound, video, books and archive material gathered and created in response to Liverpool’s own archives related to shipping and empire.
Open Eye Gallery
Widline Cadet, Santiman fantom (Ghost Feelings), 2023. Courtesy of the artist and Nazarian / Curcio.
Nandan Ghiya – Sculptural photographs inspired by Hindu mythology and colonial resource extraction.
Widline Cadet – Photographic exploration of Haitian-American diasporic memory.
Katarzyna Perlak – Horror-inspired queer film set in Liverpool’s Adelphi Hotel. Co-created with local award-winning filmmaking organisation First Take and participants from their REEL: Queer programme, the film adopts a non-linear, poetic narrative and references the genre of horror to explore longing and Queer identity.
Karen Tam 譚嘉文, Scent of Thunderbolts, 2024. Courtesy of the artist and Toronto Biennial of Art. Photography by Toni Hafkenscheid
Karen Tam 譚嘉文 – Multimedia piece on Cantonese opera and sonic memory in diaspora.
ChihChung Chang 張致中 – Charcoal rubbing artwork depicting Liverpool’s Chinese Arch. The resulting film documenting the process will be exhibited at Pine Court.
Tate Liverpool + RIBA North
Sheila Hicks, Grand Boules, 2009. Courtesy Alison Jacques, London and Sheila Hicks. Photography by Michael Brzezinski.
Hadassa Ngamba – Congo cartography-inspired paintings using colonially extracted materials.
Mounira Al Solh – Drawings based on dialogues with displaced communities.
Fred Wilson – African flag paintings stripped of colour to question identity and representation.
Sheila Hicks – Textile ‘memory balls’ made from garments of friends and family.
Christine Sun Kim – Infographic drawings on sound, communication and Deaf culture.
Where the Work Begins – A display curated by RIBA that explores the connection between art and architecture.
Further highlights include sculptural works by Cevdet Erek which measure the passing of time and relationships, photography and sculpture by Dawit L Petros and a new textile work by Antonio Jose Guzman & Iva Jankovic.
The Black-E
Elizabeth Price, THE WOOLWORTHS CHOIR OF 1979, Installation view. Photography by Michael Pollard
Elizabeth Price – Film on post-war Catholic Modernist churches and architectural trauma.
Walker Art Gallery
Antonio Jose Guzman & Iva Jankovic, Orbital Mechanics, 2024. 60th Venice Biennial. Photography by Giorgio Silvestri
Antonio Jose Guzman & Iva Jankovic – Concrete Roots, textile and dub-based installation on resilience.
Leasho Johnson – Vivid paintings challenging narratives around the Black queer body.
Nour Bishouty – Multimedia work on tourism, memory and fictional landscapes.
Jennifer Tee – Tulip-petal collages inspired by Tampan textile patterns.
Further highlights include cast resin works of Dream Stones by Karen Tam 譚嘉文; a new, large-scale textile and embroidery work by Katarzyna Perlak; wall-based works by Cevdet Erek inspired by football stadia layouts; paintings and tapestries of fictional landscapes by Isabel Nolan; and a mosaic work by Petros Moris presented in the Sculpture Gallery.
20 Jordan Street
Cevdet Erek, Bergama Stereo, 2019. Hambuger Bahnhof Museum fur Gegenwart, Berlin, Germany. Courtesy of the artist. Photography by Matthias Volzke.
Cevdet Erek – Immersive sound installation replicating the energy of a football stadium.
Imayna Caceres – Clay-based installation imagining Liverpool’s lifeforce through mud and nature.
Learning Activities
For families, a storybook designed with input from attendees at Liverpool Biennial’s regular family workshops at Liverpool Central Library, will help children and young people explore ‘BEDROCK’. Elsewhere, artist-led workshops, inspired by Biennial projects will happen throughout the summer holidays.
For schools and the wider community, the Liverpool Biennial Learning Programme also includes a selection of online and physical resources developed with teachers across the city to bring Liverpool Biennial 2025 to life in the classroom.
To find out more about the full Liverpool Biennial programme and plan your visit, head to the Liverpool Biennial website.
To discover more events happening across the Liverpool city region visit our What’s On listings.
Loved: I recently attended the Class Assembly at the Everyman, which was a wonderful experience and an important conversation about working-class representation in the arts. I have generally been out and about, meeting people and getting to know the region; from beautiful parks like Calderstones and Birkenhead to guided tours of venues such as the Tung Auditorium and some fantastic press nights, it’s been a brilliant introduction to LCR’s culture and community.
Looking forward to: As someone who’s still new to the area, I’m just eager to soak it all up! There’s so much happening across the arts and cultural landscape in the Liverpool City Region, and I’m really looking forward to being part of the creative energy that makes it so special.
Trivia: My connection to Liverpool runs deep: my dad worked for many years on the docks in the iconic Liver Building for a shipping firm. That personal connection adds a special meaning to being here and makes this new chapter even more meaningful.
Looking forward to: Aside from Liverpool Biennial (of course!), I’m really looking forward to Independents Biennial which runs concurrently to Liverpool Biennial (7 June -14 September) and will spotlight new work from artists based across Liverpool, Sefton, Knowsley, Wirral and St Helens.
Trivia: With financial support from Paul Hamlyn Foundation and local expertise from DaDa, a Liverpool-based disabled and d/Deaf arts organisation, we have been working to radically expand the accessibility of Liverpool Biennial in recent years, supporting artists, visitors and team members. We continue this work through a Critical Friends group who continue to challenge the Biennial, both through our Festival and interim year programme of commissions, talks and events.
This week our Culture Radar guests are Eleanor Liverakou & Akil Morgan of Capoeira for All C.I.C.
Loved:LEAP Dance Festival was such a success, two years in a row! Showcasing the talent that Liverpool has to offer by a really great initiative and very passionate team.
Looking forward to: We’re really looking forward to attending the Liverpool Against Racism event and although it’s quite far still we cannot wait for Africa Oyé to return next year!
Lights Up On Liverpool: Theatre History exhibition
In this latest instalment of Buried Treasure, John Maguire of ArtsGroupie CIC uncovers the wealth of history housed within Liverpool Central Library and Archives. Nestled between the World Museum and the Walker Art Gallery, this cultural jewel reveals fascinating stories, rare artefacts, and a vital opportunity for the public to learn how to preserve their own heritage through free home archiving workshops.
Perhaps one of the best examples of Buried Treasure in our City is a jewel that can be found in between the two other precious stones on William Brown Street, the World Museum and the Walker Art Gallery in the St George’s Quarter of Liverpool, Liverpool Central Library and Archives.
Established in 1860, Liverpool Central Library is the flagship building and hub of Liverpool Libraries and Information Services. The building was subject to a further £50 million rebuild and refurbishment and reopened in 2013 with a state-of-the-art repository archive which houses and protects the items within the Liverpool Record Office, the second busiest public archive in the UK. Internationally renowned, the Grade 2 listed heritage areas of the Picton Reading Room, the Oak Room and Hornby Library regularly attract visitors from all over the world, delighted by the opulent splendour of the Victorian and Edwardian architecture. The new building has also won several architectural awards.
This public resource offers a bounty of riches, there is the majestic Audubon, BIRDS OF AMERICA on display in the Oak room, which looks like it has been lifted straight from the bookcase of Roald Dahl’s BIG FRIENDLY GIANT. Watched over by the cyclops in the wood (if you know, you know).
But it is the behind the scenes resources that are thrilling. When researching my play articulating the life of local public health pioneer Kitty Wilkinson (Kitty: Queen of the Washhouse), I discovered in depth facts / figures from public records and other valuable assets. This helped build a picture of what exactly Liverpool was like during the Victorian period.
Newspapers reveal details of the day to day lives, through advertisements and stories that bring the past to life. As I began to interrogate the life of William Roscoe for another play (A Portrait of William Roscoe) I found myself able to climb into the man’s head through his daily journals and manuscripts. Shakespeare revealed his belief in the power of love, when he had his character Cleopatra warn her lover, “You must woo me to the grave.” A view adopted by Roscoe, for I laid my hands on primary sources (direct artifacts) articulating his passion for his wife, writing her daily poems, even when they were married and living together.
This month sees the last week of ArtsGroupie’s Lights Up On Liverpool: Theatre History exhibition, on display in the Hornby Library, Central Library. This project evolved from a heritage walking tour to celebrate World Theatre Day in 2022 at The Epstein Theatre. Initial research found us wanting to know more.
Each week, we dived into the ocean of boxed up content archived around the theatres of the past. Unsure what would be encountered. Play bills from the 1700’s, like Hamlet and Macbeth, countless photographs detailing the ups and downs of the locations, lots of fire damage to venues. The theatres often had a pattern of suffering from financial problems and flames at some point.
But the piece de resistance discovered that blew my mind, finding the official ROYAL SEAL that declared Liverpool to have its own theatre by Royal approval in 1772 (the theatre stood where the Liverpool Football shop stands now in Williamson Square). It may have been administered by King George III but never materialised into a document and physical object until the reign of Victoria. Administration back then, like now, takes time. Bureaucracy can be a slow boat.
One thing that came out of this research period, how important it is to ensure artefacts are looked after in the right way. A need to educate people in how to preserve things, archive programmes, tickets, documents in the proper fashion. For we encountered many archival injuries that had been done unknowingly by the general public. Like programmes scarred by Sellotape strips, tickets and newspaper clippings glued into books. The peril of rusted staples in paper booklets, discolouration and spotting of paper, creating brown or yellow spots, causing what is known as ‘foxing.’
This lack of knowledge gave an opportunity to develop a workshop to instruct people in how to create their own home mini- archive to then pass down through the generations. You can learn how to safeguard your precious memories and family treasures at our free Home Archiving Workshops in May and June.
These interactive sessions provide expert guidance on safely preserving your personal heirlooms, photographs, documents, and artifacts, in partnership with Liverpool Central Library and Liverpool Libraries and Information Services. You will leave equipped with skills and knowledge to keep your heritage safe for generations to come and even take-home materials to get you started on your first safe archive. Participants will learn practical, hands-on techniques using materials such as acid-free folders and specialist preservation methods. Sessions are limited capacity at Central library – Sat 17th May: 2- 4pm and Mon 19th May: 5:30- 7:30pm.
For dates and locations of all the other FREE workshops in the regional libraries – see the calendar on the home page artsgroupie.org or email artgroupie@outlook.com to reserve a place.
Disclaimer: We are unable to give direct advice of genealogy or accept donations to the Liverpool Records Archive.
Kindly supported, by The National Lottery Heritage Fund thanks to money raised by National Lottery players to offer free heritage activity in connection with the ‘Lights Up on Liverpool’ exhibition currently on display at Liverpool Central Library which launched in November 2024.
This week our Culture Radar guest is Lucy Byrne, Managing Director, dot-art and member of the Culture Network LCR Board of Directors.
Loved: I loved Shirley Valentine at the Everyman; I went with my mother in law who saw the original play there 40 years ago which was extra special. River of Light at end of last year was as spectacular as ever, but I also have to say I really loved the last show at the dot-art Gallery, Iconic Women, which showcased the work of 3 female artists whose work celebrates the achievements of amazing women, both local, national and international.
Looking forward to: I can’t wait for Liverpool Biennial, which is always a treat for art lovers, but this year is curated by the wonderful Marie-Anne McQuay, plus we have the biggest ever Independents Biennial running alongside, so its really going to be wonderful. Looking into next year, I somehow managed to get tickets for Jodie Comer in Prima Facie at the Playhouse, which actually felt like winning the lottery as over 30,000 people tried!
Trivia: dot-art also runs Liverpool Art Fair, the annual, open submission selling exhibition which takes place in the Royal Liver Building. After the success of our 10th birthday last year where we showcased over 200 local artists, we are returning this summer from 11th July – 25th August. Artists who would like to get involved can submit work until 25th May!
Liverpool and the city region is packed with fun creative workshops and activities that are perfect for sparking kids’ imaginations. If you’re looking for the best creative kids activities in Liverpool, from hands-on tech fun to immersive art sessions, there’s loads going on to keep them entertained over weekends and school holidays. Plus, these sessions help build confidence, creativity, and self-expression. Check out our go-to guide for the best kid-friendly creative events happening across Liverpool—lots of them are totally free!
Free Creative Events
FACT’s Do Something Saturdays. Credit: Rob Battersby
DoES Liverpool
This community makerspace offers free creative technology workshops where children (and adults) can explore digital making, coding, and hands-on tech projects. Their Maker Days, taking place on the second Saturday of every month are perfect for young inventors and those curious about how things work. DoES Liverpool provides a supportive environment for kids to develop STEM skills through creative play.
Do Something Saturdays at FACT
FACT’s Do Something Saturdays invite children and families to take part in free drop-in workshops combining art, tech, and storytelling. Each session is inspired by current exhibitions and themes, encouraging kids to experiment with digital tools, animation, and creative thinking in a fun and inclusive space.
Little Chameleons Art Club At Williamson Art Gallery
The Little Chameleons Art Club at the Williamson Art Gallery in Birkenhead offers free creative sessions where children can enjoy painting, drawing, and mixed media crafts. These relaxed, welcoming workshops are designed to nurture creativity and introduce children to the world of art in a gallery environment.
ArtsGroupie CIC
ArtsGroupie delivers free creative workshops throughout Liverpool, often focusing on local history and heritage. Their family-friendly sessions incorporate storytelling, crafts, and performance to engage children with Liverpool’s rich cultural past.
Little Liverpool. Credit: Dave Jones
Creative Kids Activities with National Museums Liverpool
National Museums Liverpool offers a range of free creative activities across its venues, inspiring young minds through art, history, and science.
Art Play at Lady Lever Art Gallery: Hands-on sessions where children explore different materials and techniques, inspired by the gallery’s collections.
Big Art at Walker Art Gallery: Fun, collaborative workshops where kids create large-scale artworks in response to exhibitions.
Little Liverpool at Museum of Liverpool: An interactive space for young children to discover Liverpool’s history through imaginative play.
Spotlight Days at World Museum: Themed creative sessions combining science, world cultures, and hands-on making for curious kids.
The Atkinson
The Atkinson in Southport offers free creative activities for children throughout the year. Their Make It, Craft Workshops span visual arts, crafts, and performance, making this cultural hub worth the trip for families seeking creative experiences.
Premium Creative Experiences
Capoeira for All CIC
Capoeira for All CIC
Capoeira for All CIC offers dynamic and inclusive Capoeira classes for children in Liverpool, blending movement, music, and culture in a fun and supportive environment.Their sessions introduce young participants to the Afro-Brazilian art of Capoeira, combining elements of dance, acrobatics, and martial arts.Through engaging activities, children develop physical coordination, rhythm, and confidence while learning about the rich cultural heritage of Capoeira.
Everyman Theatre
The Everyman Theatre provides several paid workshop series for aspiring young performers and theatre enthusiasts:
Mini Maestros: Early years sessions introducing little ones to music, movement, and theatrical play
Tiny Tales: Storytelling sessions that bring literature to life through interactive performance
The Everyman Café hosts the Mini dot-art Club (0 – 5 year olds) and dot-art Club (8 – 13 year olds) where young artists can develop their visual creativity and artistic techniques through fun, collaborative workshops.
Planning Your Creative Adventures
Many of these venues offer special programming during school holidays, so check their websites before visiting. Most free activities operate on a first-come, first-served basis, though some may require advance booking despite being free. For the Everyman’s paid sessions, early booking is essential as these popular workshops tend to fill quickly.
To find more events happening across the Liverpool city region visit our What’s On listings.
This week our Culture Radar guest is Paul Doyle, Director,Leap Dance Festival.
Loved: I absolutely loved Glitterbox at Blackstone Warehouse last month: great vibe, good crowd, lots of disco house and David Morales. The Leap team also really enjoyed DaDaFest’s closing cabaret event: EAT ME x DadaFest present: RAGE (particularly Jay Farley’s reading from their new poetry collection A [Cupboard] Full of Tomboys, and songs from Crip Ladywood).
Trivia: Leap Dance Festival has been part of Liverpool City Region’s cultural calendar for nearly 30 years (formerly as part of Merseyside Dance Initiative’s annual programme). Chaos Arts CIC revived the festival in 2024 following the permanent closure of MDI in 2022, and last year we brought dance to over 37,000 people locally!
Keep in touch
Newsletter
Sign up to keep up to date with what's on in the city and the region!
