Culture Radar – Ashley Colley (ACC Liverpool)

Ashley Colley - ACC Liverpool on her way to see Dua Lipa at Anfield cropped
Ashley on her way to see Dua Lipa at Anfield

This week’s Culture Radar guest is Ashley Colley, Marketing Account Manager, ACC Liverpool.

Loved: Dua Lipa at Anfield, hands down. There was endless dancing, and such a vibrant atmosphere around the stadium. The best tunes, she just killed it. 10/10 pop star – I’m such a fan! I’m frantically typing this because I enjoyed it THAT MUCH.

Looking Forward To: Inhaler at M&S Bank Arena on 11 October. They’re a Rock band from Dublin, and Liverpool is like a second home to them having practiced here for many years. To see them now about to headline at M&S Bank Arena is unreal. Also looking forward to the supports on this show, and the reunion of The Bandits!! Not a lot of people know but they’re an iconic Liverpool band from early 00’s who helped launch bands such as The Coral and The Zutons. I think that’ll be a great gig at the Arena, cannot wait!

Trivia: I used to be in a punk / metal band and toured UK / Europe for about 4 years. Career highlight was playing Glastonbury Festival, personal highlight was playing Download Festival; I’m a total metal head (who cannot handle a mosh pit anymore). A more recent and un-interesting fact about me is that I’m also totally on board with the Country Craze (unashamedly) and I cannot stop listening to any & all Country Music. So, if anyone has any good recommendations, please send Spotify links my way!

Culture Radar – Danny Woods (Wonder Arts)

Danny - Wonder Arts

This week’s Culture Radar guest is Engagement Manager for Wonder Arts, Danny Woods.

Loved: Loved the immersive installation, ‘Put Your Feet in my Shows’ created by Michelle Wren & Kazem Ashourzadeh; very powerful and certainly eye-opening.

Looking Forward To: I’m looking forward to getting about and taking in as much of the Liverpool Biennial as possible before it ends on 14th September and I always look forward to the return of the River of Light, perfect way to spend an Autumn evening in Liverpool.

Trivia: I first became involved with Wonder Arts (previously Citadel Arts Centre) when I joined the Youth Theatre when I was 16 years old and later became a volunteer until becoming Marketing Officer in 2015. Now as the Engagement Manager, this year marks 24 years of being involved with the organisation and a whole decade as a member of staff.

Buried Treasure by ArtsGroupie CIC: Diversity In Clay

By John Maguire

Rathbone Studio Pottery

The latest instalment of Buried Treasure by John Maguire of ArtsGroupie CIC takes us to Birkenhead’s Rathbone Studio, rooted in the legacy of Della Robbia Pottery. Here, artist Janet Holmes continues the tradition of creativity and individuality, currently celebrated in Diversity in Clay, her collaborative exhibition with Louise Waller for the Independents Biennial.

There is something grand about walking through Hamilton Square – it feels like being transported to Edinburgh. I can envision Victorian-suited gentlemen strolling with canes through the greenery at the centre, ready to take the morning commuter ferry, ambling around the boat and enjoying the fresh air as part of their morning constitution. 

I emerge from the depths of the train station and catch a glimpse of the city of Liverpool, panoramic across the river in the shadows. If I can block out the memory stick buildings that dig into the ground, the view retains its charm. 

The Rathbone Studio

I am visiting The Rathbone Studio, located on one of the original sites of the Della Robbia Pottery, founded by Harold Rathbone and Conrad Dressler. 

Della Robbia was a highly distinctive pottery created in Price Street and at 28 Argyle Street, Birkenhead, between 1894 and 1906. It drew inspiration from the work of Luca della Robbia, a Florentine sculptor (1399–1482) known for perfecting a special pottery glaze. The pottery employed many people in Birkenhead, including local women who decorated the wares. There were no pattern books; artists and decorators were encouraged to explore their creativity and work completely freehand. Today, antique Della Robbia pottery is highly sought after, with examples displayed in Wirral at the Williamson Art Gallery & Museum.

Rathbone Studio in Wirral

Janet Holmes has been exhibiting on Wirral for over 40 years and opened the Rathbone Studio in Birkenhead in 2012. It now serves as a pottery studio and gallery, embracing the ethos of the Della Robbia Pottery, which aimed to bring individuality to each piece, allowing artists to express themselves with unique, original ceramic work. Janet has revived the Della Robbia spirit in Birkenhead through her work and by encouraging others to exhibit their talents. 

Currently, an exhibition is on display as part of the Independents Biennial, which is a treasure trove of ceramic art. Diversity In Clay, a collaboration with renowned ceramicist Louise Waller, celebrates the malleable essence of clay. A rich collection of earthy works showcases the collaboration between artist and medium with the mantra, “The clay dictates.” 

Rathbone Studio - Clay

Janet Holmes and Her Artistic Journey 

Janet’s obsession with clay dates back to her childhood. The first piece she ever made in school was a bust of a man’s head, leading her to realise she could create a strong image from nothing. Today, teaching allows her to foster this idea in others, and she loves to explore different clays and experiences, encountering new things that still humble her. Rather than planning, Janet lets the mood and atmosphere evolve through meditation with the clay. A clay sculpture created after her mother’s passing evoked mixed emotions, while her Covid tension piece has an agitated and restless look about it. This ceramic is my particular favourite.

Her influences include Matisse, Picasso, and Grayson Perry. Due to her tinnitus, classical music, especially Gershwin, becomes the only sound in the studio, which helps her to connect with the clay. 

My favourite piece - Rathbone Studio
My favourite piece

Before I leave, I visit the toilet in the cellar; every available space is crammed with art as I make my way down the staircase. I am captivated by a mushroom cloud sculpture, inspired by the OMD song Enola Gay.  

I encourage you to visit this rich vault of ceramic treasures, a very magical emporium of creativity.

The gallery holds a student exhibition from January to February each year, with exhibitions changing quarterly. Local artists can also showcase their work. 

Diversity in Clay
Louise Waller & Janet Holmes
Runs until 13th September

The exhibition will then be open Tuesday to Saturday, 1.30pm-5pm.

Culture Radar – Helen Brown (Liverpool Lighthouse)

Liverpool Lighthouse

This week’s Culture Radar guest is Helen BrownDevelopment Manager at Liverpool Lighthouse, an arts and community centre based in Anfield and the home of the National Gospel Music Centre.

Loved: We’re passionate about arts for social change at Liverpool Lighthouse and have loved hosting both Asylum Link and Collective Encounters recently with their impactful theatre for social change pieces, Afloat and Time to Change. We know from our own ‘When You Know’ arts for social change programme that work like this can change hearts, minds and save and transform lives.

Looking Forward To: As a Black-led organisation, Africa Oyé is a massive part of our cultural landscape and we’re really looking forward to celebrating its return in 2026.

Trivia: Liverpool Lighthouse was originally built as a Gaumont Cinema building and retains gorgeous art deco features, a 430 seat auditorium and one of the biggest stages in Liverpool. Before it was a cinema, the site housed an orphanage and training school for destitute girls, so our little patch of Anfield has been a home for both the most vulnerable in the community and for arts and culture across hundreds of years, a legacy we aim to continue!

Culture Radar – John Maguire (ArtsGroupie CIC)

John Maguire - ArtsGroupie CIC - Culture Radar

This week’s Culture Radar guest is creative director of ArtsGroupie CIC, playwright, producer and socially engaged practitioner, John Maguire.

Loved: At the Unity – a powerful, potent, passionate, piece of necessary work, part of Liverpool Arab Arts Festival presented by Good Chance Theatre – A Grain of Sand. A narrative woven from the real experiences of children in Gaza collected in a small booklet, titled A Million Kites. And I loved seeing Lana Del Rey at Anfield as part of the Summer Gig offering.

Looking Forward To: Artsgroupie CIC is away in August for the Edinburgh Festival but then has two productions coming up at home – The Signalman at the Unity and Ghost Stories for Xmas, at the Hornby Library and Shakespeare North Playhouse in December.

The Unity’s Autumn/Winter programme is bumper packed too – loving the revival of this fantastic institution. I started my career there as a voluntary usher when I was 16. 

Always love Liverpool Irish Festival. This year (16-26 October) the festival, considered the largest Irish arts and culture-led festival in the UK, brings the city of Liverpool and Ireland closer together through its diverse programming. My name is Maguire and an estimated 75% of people in Liverpool can trace their ancestry back to Ireland.

And delighted to have tickets to the stage version of Inside Number 9 at the Empire, direct from the sold-out West End run.

Trivia: I used to be a long-haul flight attendant for Monarch Airlines in my early twenties. I enjoyed visiting many places around the world. Once, I won a tango dancing competition in a nightclub in Havana, Cuba, but I cannot tango dance.

Culture Radar – George Maund (Metal Liverpool)

GM at Metal office desk co JD

This week’s Culture Radar guest is George MaundProgrammes & Operations Administrator at Metal Liverpool. George also plays in the band Landscraper and works on the Box Office team at The Tung Auditorium.

Loved: In a summer where the lack of Africa Oyé has been decidedly felt, it was a delight to catch Caribbean diasporic rhythms in the form of coastal Colombian hiphop group Systema Solar live at Future Yard. Thanks go to Luma Creations for the booking. Prior to that, it was hats-off time to the Independents Biennial for all they achieved in re-launching themselves back into the world – by taking over Port Sunlight – with perfect opening party music to supplement, courtesy of Queensway and co. Welcome back and well done, all!

Looking Forward To: Awaiting the return of the hard-working, attentive team behind the Quarry venue to what they do best – this time at the former Magnet premises, 45 Hardman Street – has to be the most anticipated moment of the year for me. Right before that they’re hosting a gig at Metal on Sunday 3 August, one for any fan or frenemy of the snare drum.

Trivia: We’re super proud of our Cultural Welcome Guide, a printed plain English booklet that acts as an introduction to all Liverpool’s free museums, galleries, festivals and other venues. It’s also available in Arabic and Ukrainian online. The CWG was put together with and for new arrivals to the city, specifically refugees and asylum seekers. Metal’s site in Liverpool was witness to the first ever train journey almost 200 years ago, a moment that ushered in the modern era by ‘making the world smaller’ through industrial transport. Go figure!

Culture Radar – Szymon Mamys and Becks Hylton (Bring The Fire Project)

Szymon Mamys & Becks Hylton - Bring The Fire Project

This week our Culture Radar guests are Szymon Mamys (Director) and Becks Hylton (Production Manager) of Bring The Fire Project.

Loved: The dance show NOW created by Jasmin Vardimon at the Liverpool Playhouse Theatre was beautiful. A visually stunning performance, wonderfully choreographed melding movement and technology together to touch on important topics of our modern life.

Looking Forward To: There’re so many incredible events happening over the summer. Unity Theatre’s Scratch Nights always showcase interesting and incredible new pieces. We’re also looking forward to bringing you the next edition of the Liverpool Fire Arts Festival next year.

Trivia: Bring the Fire Project is based at Metal at Edge Hill Station – the oldest active passenger station in the world.

 

Culture Radar – Abbie Billington

Abbie Billington - Uncover Liverpool

This week our Culture Radar guest is Uncover Liverpool voluntary features writer, Abbie Billington. Abbie is a Trustee for the Jacob Billington Trust and Project Manager for Up Front North West.

Loved: I’m a writer by trade, and I love all things theatre. I try to expose myself to new writing as often as possible, and most recently I had the pleasure of watching The Walrus Has A Right To Adventure at the Everyman Theatre which was absolutely phenomenal!

Looking Forward To: I’m really looking forward to the Arab Arts Festival and everything that has to offer, but I’m also excited for all of the new writing showcases happening this summer! From the Wirral Theatre Festival to Unity’s Scratch Night, it’s going to be a season of celebrating new art and new artists.

Trivia: As an artist myself, I’ve always wanted to create opportunities for artists in Liverpool. I’m so lucky to work for two arts organisations, both of which aim to cultivate artists and their talents. It’s such a fulfilling job!

Edinburgh Fringe Festival at Home: A Look at Liverpool’s Theatre Scene This Summer

By Abbie Billington

Edinburgh Fringe Festival at Home - A Look at Liverpool’s Theatre Scene This Summer

Edinburgh Fringe Festival is widely regarded as the largest arts festival in the world. It takes place across three weeks in August, spanning the whole of the city and welcoming millions of people from all corners of the globe. With over 3,000 shows to choose from, the Fringe Festival has something to offer everyone who comes to join in the festivities. 

While the Fringe Festival is an incredible annual event, for those of us not making the journey up north, there’s plenty of shows across Liverpool this summer to give you that fringe feeling! Liverpool has a fantastic grassroots theatre scene, and in this feature, we’ll look at just some of the shows making their way to the city this season.

YEP: The Snow Dragons – Everyman Theatre (11 – 12 July)

The Snow Dragons

Deep in the woods, the trees are whispering. Beneath their branches, thrilling stories are being told.

Playing make believe with your friends was one of the best parts of being a kid, and in The Snow Dragons, the young people of the Young Everyman Playhouse programme bring that imagination and excitement to the stage. Eight young friends spend their days in the woods, inventing stories about giants and dragons, sword fights and vengeance. But when childhood games and the grown-up world collide, can they become the heroes they always imagined themselves to be? 

The Snow Dragons is jam-packed with stunning songs and live music, immersing you in this dark fairy tale that will take you on a wild, magical ride.

Ghost Town – Unity Theatre (24 – 26 July)

Ghost Town at Unity Theatre

Written in collaboration with 20 Stories High Youth Theatre, Ghost Town is a spooky, comedy thriller that takes place across Liverpool. After Darren disappears into the infamously haunted Newsham Park Hospital, his mates band together to uncover the truth of what really happened. Their journey is fraught with difficulties, with everything from tourists, buskers and scallies disrupting their search for the truth. Ghost Town will have you shaking from laughter and fear and will leave you with the question: do ghosts really exist? 

Unity Scratch Night – Unity Theatre (30 July)

Unity Scratch Night

One of the best parts about the Edinburgh Fringe Festival is the chance to see brand new works of theatre, fresh off the press. But each one of those pieces had to start somewhere! At Unity’s Theatre’s Scratch Night, five ‘work in progress’ pieces of writing will be given the limelight to showcase what they’ve got so far. These nights are always stacked full of fantastic new talent, and this month’s instalment is sure to be no different! On the line-up this month is Flinger by Steve Wallis, Feed The Scousers by Jakob Taylor, Casu Martzu by Simone Tani, The Fanny Diaries by Erin McDaid, and Seafloor by Jake Angerer.  

Sauce and Sorcery – Royal Court Studio (1 – 23 August)

Sauce and Sorcery – Royal Court Studio

Have you ever wondered what it would be like if two wizards had their own chippy in Old Swan? Well, the Royal Court Studio has got your answer in Sauce and Sorcery.

Abrakebabra is your average chippy run by Finn and his grandad Grant. Alongside the chips, fish, scallops and donner meat, they also serve up a healthy portion of spells and hexes. After already receiving a warning for using his magic in a built-up area, Grant lands himself in even deeper trouble after a transmogrification mistake involving the local drug dealing entrepreneur. With Finn, Grant and the chippy in danger, will their wizarding skills be enough to save them?

Picnic at Hanging Rock – Hope Street Theatre (9 – 10 August)

Picnic at Hanging Rock – Hope Street Theatre

Based on the hit historical fiction novel by Australian author Joan Lindsay, Picnic at Hanging Rock follows the story of a group of female boarding school students who vanish at Hanging Rock while on a Valentine’s Day picnic in 1900. To this day, it has never been confirmed if the events in the novel were fact or fiction, but in the stage adaptation of Picnic at Hanging Rock, five actors will try to unravel the truth of what really happened that fateful day.

Fakebook – Hope Street Theatre (13 – 16 August)

Fakebook – Hope Street Theatre

Our current world is a digital one – we spend most of our lives online, glued to our screens and the topsy-turvy world of social media. Going Nowhere productions explore truth, lies and the masks we wear online in this bold and biting new comedy. Soundtracked by some fantastic music, Fakebook dives deep into what happens when real lives collide with digital personas. With plenty of surprises and full of wit, Fakebook is sure to be one you’ll want to catch this season.

To discover even more theatre shows happening across the Liverpool city region this summer and beyond check out our What’s On listings.

Desperate Times, Radical Measures – RAWD and Ugly Bucket Bring Protest to the Stage This Disability Pride Month

Don't Call Us We'll Call You - RAWD and Ugly Bucket Theatre

As July is Disability Pride Month and news turns to more damaging cuts to the support of disabled people, Ugly Bucket’s Grace Gallagher talks protest.

In a climate of relentless benefit cuts, disabled people are facing mounting pressure—targeted by policies that chip away at their independence, dignity, and support. When times are desperate, we turn to desperate measures. In the case of Don’t Call Us, We’ll Call You, those measures come in the form of clowning.

This new show sees 35 disabled performers take to the stage in a dynamic and outrageous spectacle rooted in the spirit of the Block Telethon protests of the early 1990s, but retold through modern perspectives and abstract form.

This year marks a major milestone for disabled arts organisation RAWD as they officially launch as a charity. From humble beginnings in a church hall drama group, RAWD has grown into a vital creative force for learning disabled & neurodivergent people in Merseyside. To celebrate—and respond to the escalating challenges their members face—RAWD teamed up with Liverpool-based clown company Ugly Bucket to explore themes of protest and disabled activism.

The Challenge Isn’t Learning—It’s How We Teach

History is filled with moments where disabled people have fought back—often in bold, creative, and unexpected ways. Our process began in January 2025, as many creative journeys do, with research.

When we began, even the question “what is protest?” felt huge for some members of RAWD. It was unfamiliar ground—intimidating and distant. After all, society often assumes what learning disabled and neurodivergent people can and can’t ‘handle’. This collaboration demonstrates that the issue has never been ability—it’s access.

We learnt about protest not through textbooks, but through clowning. We’ve discovered ways to make big ideas feel accessible, playful and personal. We explored decades of disabled activism—The Blind March, the 504 Sit-In, The Direct Action Network’s London Bus Protests to name a few. However, as clowns, we were drawn—irresistibly—to the garish world of 90s Telethon. The Block Telethon movement, where disabled activists rejected pity-led fundraising campaigns, became a powerful touchpoint for us.

While we play within this world, the show echoes all our learning as RAWD members have stamped this story with their own perspectives and flair. This show is a reflection of the journey they have taken: finding their voice, breaking their own moulds, standing up for what’s right and building confidence to call upon their audience for allyship.  

Clowning – More Than Just Laughs

Clowning is often misunderstood—reduced to red noses & big shoes. But clowns come in all different forms and styles. Everyone has an inner clown, an extension of themselves, and part of our process has been guiding RAWD members to discover who their clowns are.

Beyond laughter, we at Ugly Bucket champion the clowning practice as a dynamic tool for community bonding, self exploration, and social change. It’s not just about glorious stupidity, it’s about listening, taking up space, making bold choices, and connecting authentically with others. Why is clowning an unexpected yet perfect protest tool? Because when people are laughing, they’re listening, and Don’t Call Us, We’ll Call You gives RAWD members the platform to be heard. 

Clowning, like access, is deeply personal. In this project, we’ve seen RAWD members emerge in ways we couldn’t have predicted. We’ve been challenged to adapt our practice, to innovate, and to discover new ways of learning. This wasn’t about simplifying protest—it was about reimagining how we learn. When the method shifts, the possibilities expand.

Don’t Call Us, We’ll Call You shows its audience that not only can RAWD members handle it, but they can tear up the rulebook, re-write their script, and laugh along every step of the way.

Don’t Call Us, We’ll Call You takes place on Saturday 5th July 4pm and Monday 7th July 7.30pm at Unity Theatre and Wednesday 9th July 7.30pm and Saturday 12th July 2pm at Theatre Porto in Ellesmere Port.