Coming soon: Fractured Landscapes and how we heal

Gallery 3 (upstairs)
Launch: Thursday 5 November / 6pm – 8pm / Open Eye Gallery 
This exhibition focuses on the role that nature and creativity can play in healing from trauma, particularly in the context of male violence and abuse against women and girls.  New photographic work by Jaskirt Dhaliwal-Boora will feature alongside works created by women from four refuges across the country, each working with a lead artist to inspire and encourage them.  
Jaskirt says: “The fabric of trauma alters your landscape and perception of the world. Traumatic experiences shift and change you; you move through the world differently to the version of you before it. The beauty still exists, but sometimes it’s through a new lens.

 

The seismic actions of male violence can be fatal, for many of the women involved in this work it has caused significant, life changing disruption. There is no quick fix to heal from trauma, it takes years of work, but we must start somewhere.”
Katy Sadler has worked with Birmingham & Solihull Women’s Aid, Audrey Albert has worked with Chrysalis Centre, Liverpool, Lynn Weddle has worked with Safe in Sussex in Littlehampton and Lynda Laird has worked with Oasis in Gravesend and Dungeness.  

 
Jo Matwiejczyk, a participant in the workshops in Littlehampton, stated:

“Using photography and abstract mediums to channel my trauma through, has opened a door to a voice in me that doesn’t usually get to speak. It’s a voice that hadn’t yet found the right language to reflect back the visceral, layered emotions that often live beyond words.

 

Throughout these workshops, I’ve come to recognise that my own fragmented thoughts and feelings need, and warmly welcome, abstract expression. It has allowed me to begin moving through my emotions, attaching meaning and purpose to them, and slowly threading my experiences into a more coherent and compassionate narrative.”

 
A book about the project accompanies the exhibition and will be available to buy in Open Eye Gallery’s independent bookshop. It focuses on the role that nature and creativity can play in healing from trauma, particularly in the context of male violence and abuse against women and girls. The book includes reflective writing from each lead artist of the national workshops, an introduction from Deborah Robinson (Head of exhibitions at The New Art Gallery Walsall), powerful statements and artwork from the participants and Refuge partners, as well as the new artworks and an extended reflection about the work by Jaskirt Dhaliwal-Boora. The book has been designed as a learning tool, sharing insights from the workshops, as well as artworks and poetry from participants involved, centring creativity and recovery from trauma.

The project has been supported by and Arts Council England Project Grant with further support from The New Art gallery Walsall, Open Eye Gallery, Photo Fringe and Peter Marlow Foundation. 

Jaskirt Dhaliwal-Boora is an artist, activist and socially engaged practitioner, working with communities on global issues. Her work amplifies and celebrates underrepresented stories, while examining representations of gender, ethnicity and place. Most recently her practice-based research examines how nature and creativity can positively impact health and wellbeing.

In 2025 she was the recipient of the Royal Photographic Society’s Social Practice Award. Previous awards include winning the British Journal of Photography’s Portrait of Britain award for three consecutive years (2021-24), and the LensCulture Photo Art award (2024). Jaskirt is also the founder of Luna (formerly Women in Photo Birmingham) and a Senior Lecturer and practice based researcher at Birmingham City University. 

Becky Beasley: A Gentle Man (Part II) (1975-2029)

This touring exhibition by Becky Beasley transforms the gallery with a large green linoleum artwork covers the gallery floor, and features hand-cut lake silhouettes, with adjustable ‘conversation’ or ‘kissing’ benches providing a place to sit and rest. Pastel pink curtain sculptures hang in the shape of the letters, H, S and P – an acronym for Highly Sensitive Person.

Echoing Beasley’s fascination with interiors, small ceramic works sit discreetly on a series of ‘lake’ tables, mirroring the floor designs, and groups of existing and new photographic works occupy elongated oak shelves.

The exhibition includes a four-part video portrait of an imaginary figure – a merging of American novelist and short story writer, Bernard Malamud, and the artist’s father.

The work explores milestones in life through its four discreet chapters: work, family, chosen family and dying. The film is narrated by British actor, Russell Tovey.

Free entry

Special Event: George Garrett – Liverpool’s Working-Class Writer and Unsung Hero

Wednesday 16 September | 6.00pm–7.00pm | Toxteth Library | Free 

Alongside the exhibition, join members of the George Garrett Archive group for a special one-hour illustrated talk exploring Garrett’s remarkable life, writing and legacy. 

Drawing on more than a decade of research, archive discoveries and the Garrett family collection, the Garretteers will tell the story of a merchant seaman who became one of Liverpool’s most compelling working-class writers and radical voices. 

From his years at sea and experiences of unemployment and poverty, to the Hunger Marches, Liverpool’s political struggles, Unity Theatre and his encounter with George Orwell, the talk will reveal why Garrett occupies such an important – but still too often overlooked – place in Liverpool’s literary and social history. 

The event is free, but places are limited and advance booking is required. 

CLICK HERE TO BOOK YOUR FREE TICKET 

George Garrett: Everyday Histories – Liverpool’s Working-Class Writer and Unsung Hero is presented by Writing on the Wall in partnership with Liverpool Libraries and Information Services as part of Heritage Open Days 2026. 

Free exhibition | Everyone welcome

 

George Garrett: Everyday Histories – Liverpool’s Working-Class Writer and Unsung Hero

11–19 September 2026 | Toxteth Library | Free 

As part of Heritage Open Days 2026, Writing on the Wall presents a special exhibition at Toxteth Library celebrating the extraordinary life and legacy of George Garrett (1896–1966) – Liverpool writer, seafarer, playwright, activist and social historian whose work gave voice to the lives and experiences of working-class people. 

Garrett was a merchant seaman who travelled the world before becoming an important figure in Liverpool’s political, cultural and literary life during the 1920s and 1930s. A radical activist and what has been described as a “militant advocate of tolerance”, he wrote short stories, plays, autobiographical work and powerful reportage documenting poverty, unemployment and struggle. He was also a founder member of Liverpool’s Unity Theatre. 

His remarkable story might easily have been lost. Since 2013, members of Writing on the Wall’s George Garrett Archive Project have worked to research, preserve and bring Garrett’s writing and history back into public life. 

Explore the George Garrett Archive 

The exhibition brings together original artefacts, photographs, manuscripts, publications, film and archive material, revealing Garrett’s experiences at sea and on Liverpool’s docks, his political activism, his writing and his lifelong commitment to recording the experiences of ordinary people. 

It also explores Garrett’s fascinating relationship with George Orwell, who met Garrett in Liverpool in 1936 while carrying out research for The Road to Wigan Pier. Orwell later wrote that he had been “very greatly impressed” by him. 

The exhibition forms part of Heritage Open Days, England’s largest festival of history and culture, which opens up places, stories and heritage to communities across the country. 

It also continues Writing on the Wall’s wider Creative Heritage work, using archives, oral history, research and creativity to uncover and share the stories that have shaped Liverpool and its communities. 

Exhibition opening times 

Friday 11 September: 9.30am–4.00pm Saturday 12 September: 10.00am–4.00pm Monday 14 September: 9.30am–6.00pm Tuesday 15 September: 9.30am–6.00pm Wednesday 16 September: 9.30am–6.00pm Thursday 17 September: 9.30am–4.00pm Friday 18 September: 9.30am–4.00pm Saturday 19 September: 10.00am–4.00pm 

Venue: Toxteth Library Windsor Street Liverpool L8 1XF 

Admission is free and there is no need to book to visit the exhibition. 

Don’t miss:

Special Event: George Garrett – Liverpool’s Working-Class Writer and Unsung Hero 

Wednesday 16 September | 6.00pm–7.00pm | Toxteth Library | Free

In the Window: Adam Frew and Maureen Lynch

Each month, Bluecoat Display Centre turns its shop window into a curated exhibition space. Each October they partner with the Festival. This year, they have brought together two of Ireland’s most accomplished makers.

Adam Frew (ceramicist) works exclusively in porcelain, throwing clean, simple forms on the potter’s wheel. He combines skills at the wheel with an eye for abstraction and mark making — crayons, splashes, drips, masked out and sponged back areas — driven by a love of immediacy and gestural energy. Based in County Derry, his work carries the quiet confidence of a maker who has spent two decades refining something that looks effortless and is anything but. (Links: Irish Design Shop, Homo Faber)

Maureen Lynch’s jewellery is renowned for its sophisticated simplicity, where detail is considered and restrained. Her simple forms are softened with curves and natural lines, making each piece eminently wearable; a subtle statement of elegance. Without the addition of surface detail, light glints from polished surfaces. Based in Dún Laoghaire, she graduated from the National College of Art and Design, Dublin, before undertaking further studies in silversmithing in Copenhagen and stone setting in Vancouver. (Links: Design Ireland, Maureenlynch)

Together in the window, these two makers — one working in clay, one in silver — share a commitment to form, restraint and the beauty of things made by hand.

Image credit (c) Adam Frew.

Maureen’s work (c) Maureen Lynch:

In the Window: A Zoom in on the World

Online artist discussion with Adam Frew and Maureen Lynch, the #LIF2026 In the Window artists at Bluecoat Display Centre.

Join our featured In The Window artists as they discuss their creative practice with Display Centre and Festival staff. This online discussion will consider how the statement I Am Here is naturally reflected in an artist’s work and what creative processes these artists use to create their unique offerings. Viewers will learn how the artists produce their work, what references they use and how materiality affects their creative output.

Book here and you will receive a Zoom link in advance of the session. Please ensure you have downloaded Zoom (free) in advance – https://zoom.us/download

Image credit (c) Adam Frew.

The St Brigid’s Arms exhibition tour with Q&As

The doors of The St Brigid’s Arms are open — a fictional venue created by and for women of Irish heritage living in the North of England.

Inspired by the traditional Irish pub as a place of gathering, connection and storytelling, this unique community exhibition explores experiences of migration, identity, belonging and heritage through art, music, dance and personal stories.

Join us as part of the Liverpool Irish Festival to discover the voices and experiences of Irish women across generations. Through shared memories, traditions and creative responses, the exhibition celebrates the rich untold stories of Irish women.

After exploring the exhibition, stay for a short Q&A with Lydia O’Hara and Rosarie Walsh to hear more about the project’s development, the women who helped bring it to life, the importance of preserving and sharing these stories and what’s next. Come along, make connections and become part of the conversation.

Tour also runs on Tues 20 Oct 2026.

Family Day

A Festival-staple and must-see; we invite you to pop-by — or indeed, spend the day with us — at the Museum of Liverpool (Pier Head). There, we’ve a veritable array of activity to entertain kids (and adults) of all ages.

The Armagh Rhymers return with their (exclusive to the Festival) Liver Bird story helping to understand how the First Nations people of North America helped the Irish during The Great Hunger. The Bolger-Cunningham Dance School will give it their all in the morning, before the George Ferguson School for Irish Dance produce junior and senior dance sets, whilst Melody Makers will bring their intergenerational group to play in the space. You’ll also be able to collect a Brave Maeve Tír Na nÓg map. The day puts the Irish of Liverpool at the heart of everything; the programme, the Museum and the city.

Plus there’ll be Brave Maeve activities for all the family.

The Family Day is sponsored by Tourism Ireland and held in partnership with National Museums Liverpool. As part of the Family programme, you might also like the Samhain Céilí (Sun 25 Oct).

The St Brigid’s Arms exhibition tour with Q&As

The doors of The St Brigid’s Arms are open — a fictional venue created by and for women of Irish heritage living in the North of England.

Inspired by the traditional Irish pub as a place of gathering, connection and storytelling, this unique community exhibition explores experiences of migration, identity, belonging and heritage through art, music, dance and personal stories.

Join us as part of the Liverpool Irish Festival to discover the voices and experiences of Irish women across generations. Through shared memories, traditions and creative responses, the exhibition celebrates the rich untold stories of Irish women.

After exploring the exhibition, stay for a short Q&A with Lydia O’Hara and Rosarie Walsh to hear more about the project’s development, the women who helped bring it to life, the importance of preserving and sharing these stories and what’s next. Come along, make connections and become part of the conversation.

This tour runs again on Thurs 22 Oct 2026.

Friends of Hadlow Road Station – Ticket Office Open day

Pleased to announce the Ticket Office at Hadlow Road Station will be open between 10am and 3pm.

access is limited to 2 persons at one time, we willalso have a table showing archive information.

This is a special even as normally the ticket office is opnly by special arrangement.

Hadlow Road Station is a Grade II listed Heritage England station with the ticket office as the museum which has been restored to look as it did when the station was closed in 1956.  The station building and surrounding area is looked after by the Friends of Hadlow Road Station (FHRS).  The line is now part of the Wirral Way.

Post code for the station is CH64 2UQ Hadlow Road, Willaston, Wirral.  There is a small free carpark at the station, further parkin in the village.,  There is a seperater privete cafe Station Masters House (SMH) which is open 7 days a week.  http://www.facebook.com/FriendsOfHadlowRoadStation