Call and Response: How does the land remember slavery?

Join us at the World Museum for an afternoon of discussions and encounters with historical objects focused on transatlantic slavery’s impact on the environment.

Invited speakers will examine links between the creation of plantations in the Americas and current ecological crises. They will also explore how enslaved Africans and their descendants developed alternative ways to interact with the land and how some of these strategies of resilience can be used to promote healing today.

Participants to the session will be invited to participate in conversations which will inform displays at Tate Liverpool and the new International Slavery Museum. The event is part of the International Slavery Museum ”Call and Response” workshop series. These are free, interactive sessions that allow the public to hear responses and ”respond” themselves to key questions in order to inform how the museum represents traumatic histories.

The session will begin with an introduction by curator Alexander Scott, followed by short presentations by artist Imani Jacqueline Brown and a guest speaker responding to the call “How does the land remember slavery?”. After this the public will be invited to respond and ask questions. Participants will then have the opportunity to engage in an interactive session looking at materials from the International Slavery Museum’s collection.

Biographies

Imani Jacqueline Brown

Imani Jacqueline Brown is an artist, activist, and architectural researcher from New Orleans, based in London. Her work investigates the “continuum of extractivism,” which spans from settler-colonial genocide and slavery to fossil fuel production and climate change. As her work exposes the layers of violence and resistance that comprise the foundations of settler-colonial society, it opens space to imagine paths to ecological reparations. Among other things, Imani is a PhD candidate in Geography at Queen Mary, University of London.

Alexander Scott

Alexander Scott is a curator at the International Slavery Museum. He is interested in what objects, images and documents can tell us about how transatlantic slavery shapes the world we live in today. By looking closely at historic paintings of plantations, he proposes to explore how we can recognise how sugar production transformed the Caribbean’s ecology and environment in ways that continue to impact the present-day climate crisis.

Tao Leigh Goffe

London-born, New York-based writer and artist Tao Leigh Goffe is the founder/Executive Director of Dark Laboratory and authored a book by the same title. She is Associate Professor of environmental humanities and geology at the City University of New York. She has worked at universities including Harvard, Princeton, Cornell, Leiden, NYU, and Johns Hopkins. Her research is rooted in decolonial thought, literature, and theories of labour centring Black feminism’s engagements with Indigeneity and Asian diasporic racial formations. As an undergraduate at Princeton, she studied literature, molecular biology and dark room photography. Dr. Goffe earned her doctorate from Yale University.

Accessibility

The World Museum is located on William Brown Street in Liverpool. It is close to the entrance to the Queensway Tunnel. This event is taking place in the Treasure House Theatre which is on the first floor. There are lifts to all floors. Alternatively you can take the stairs.

  • Toilets are located on all floors and they are all accessible to wheelchair users
  • There is a Changing Places toilet on the first floor. Please collect a key from the Information Desk on the ground floor
  • Wheelchairs are available to borrow
  • There are a limited number of blue badge parking spaces on William Brown Street, outside the museum
  • Baby changing facilities are available on the ground, second, third, fourth and fifth floors
  • Assistance dogs are welcome in the museum

For more information before your visit:

Check out the World Museum’s accessibility information

Coming Soon: Level / Fieldwork

Our new exhibition showcases the final project outcomes from the graduating artists from the BA (Hons) Digital Imaging and Photography programme at the Hugh Baird College and the Photography and Social Practice BA (Hons) programme at UCEN Manchester. 

Level
BA (Hons) Digital Imaging and Photography (Hugh Baird College)
As a culmination of three years of creative inquiry, technical development and critical engagement, this exhibition represents the work from a cohort of emerging practitioners who have each undertaken the challenge of articulating personal, social, political, and aesthetic concerns through the photographic image.
The resulting projects use various approaches – documentary, conceptual, staged, autobiographical, and interdisciplinary. They ask questions of identity, memory, place, environment, representation, and belonging, while also challenging viewers to reconsider familiar perspectives. Some of the works presented are deeply personal; others engage directly with wider cultural dialogues. Together, they speak to the enduring relevance of photography in helping us understand the world and our place within it.

Works by: Euan McDonnel, Jeff Starley, Joe Seddon, Melissa Carrabyne, Nicole Hughes, Nina Karetska, Stuart Cassidy, Taryn Whitehead.
Fieldwork
Photography and Social Practice BA (Hons) programme (UCEN Manchester)
Moving across sports, documentary photography and socially engaged practice, Fieldwork considers photography as both a tool to observe and also as a means to navigate contemporary social experience. From these three practices, questions of identity, community, performance and belonging emerge from their differing visual languages and approaches to representation.

Sport operates within the exhibition not only as spectacle, ritual and physical performance, but also as a community space through which masculinity, aspiration, collectivity and place are negotiated. Alongside this, the photography made in Birkenhead considers residents’ lived experiences next to the politics of everyday life, bearing witness, whilst also portraying human connection.

Works by: Adam Tellouche, Scarlett Peet, Hollie Whelan.

Summer Sewing Workshops at Kirkby Gallery

Kirkby Gallery is delighted to welcome sewing superstar Hilary Torpey back this summer for a special series of inspiring textile workshops. Each subject is covered in detail over 2 sessions at a cost of £40 for members of our Friends of Kirkby Gallery group or £54 for non-members (includes a free one-year membership). It’s perfect for anyone looking to develop their hand-sewing skills and explore traditional techniques in a supportive, creative environment. Alternatively, you can book on to the entire course for a cost of £60 for members or £74 for non-members.

Under Hilary’s expert guidance, you’ll learn how to apply these techniques in practical ways, growing your confidence and developing your own unique hand-sewing style.

6 & 13 July – Smocking £40 1.30 pm – 3.30 pmFabric is gathered into pleats, with embroidery stitches worked over the surface to decorate and embellish.

20 & 27 July – Blackwork £40

1.30 pm – 3.30 pmCreate striking monochrome designs using a range of embroidery stitches.

3 & 10 August – Drawn Thread Work £40

1.30 pm – 3.30 pmRemove threads and stitch to form delicate, lace-like patterns.

To book your place, please email:galleries@knowsley.gov.uk

We’d love to see you there for a summer of creativity and skill-building.

Kirkby Gallery Team

Responding, Repairing and Creating Together

After the Grenfell Tower fire and the Manchester Arena bombing, communities spontaneously came together to reflect, share and heal through the creation of memorials and collective, creative activity.

In this conversation, you’ll hear from socially engaged artist and curator Lisa Nash and the University of Manchester’s Dr Robert Simpson, who will share their lived experience of the immediate aftermath of those tragedies. They will discuss their emerging research into spontaneous memorials around the world and explore the role of creativity and the arts after such events. Their discussion will include reflections on how a mosaic project gave a community a chance to stand in solidarity and remembrance and how a song brought a city together in the face of collective trauma.

Please note that this event takes place at the Bluecoat, School Lane, Liverpool. L1 3BX.

Following the conversation and as we approach the 9th anniversary of the Grenfell fire on 14th June, Lisa will lead a brief creative, memorial activity with those who wish to take part.

Biographies

Lisa Nash

Working across curatorial projects, public interventions, and participatory processes, Lisa is interested in the relationship between art, activism, and memorialisation as social practice. A North Kensington resident, following the Grenfell Tower fire she worked to ensure local people had access to safe and welcoming creative spaces to support wellbeing, and spearheaded the Grenfell Memorial Community Mosaic, a four-year public realm programme. She continues to develop this work through writing and research, and an ongoing practice that holds space for creative reflection after collective trauma.

Dr Robert Simpson

Robert’s research explores grassroots community responses to disasters and conflict, focusing mainly on spontaneous memorials, commemorative practices in digital spaces, and other cultural responses to trauma. This contributes to a growing body of work around memorialisation, collective memory, identity and belonging, resilience, and social solidarity.  He is the co-founder and developer of PLAN-CARE-HEAL, an online framework supporting heritage professionals and community groups in the collection and documentation of contemporary disasters.

Accessibility

This event will be BSL interpreted.

The Bluecoat is located on School Lane in Liverpool. There is step free access to all area of Bluecoat’s new wing and garden. The Bluecoat is a Grade 1 listed building so there is limited access to the older parts of the building.

There are lifts to all floors. Alternatively you can take the stairs.

  • Toilets are located on the ground and first floor, including disabled toilet facilities
  • There are baby changing facilities located on the ground floor
  • The nearest Changing Places toilet is located in Liverpool One
  • Assistance dogs are welcome in the gallery
  • Induction loops are fitted in a number of areas of the building including Tickets & Information, the cafe, the Performance Space and the Sandon Room

Additional seating is also available. Please ask a member of staff if you require assistance.

For more information before your visit:

Check out the Bluecoat’s accessibility information

Loss, Legacy and the Law: Lessons from Grenfell and Hillsborough

Nine years on from the Grenfell Tower fire and with the Inquest into the tragedy concluded, the survivors and families of the bereaved are still awaiting justice and accountability. Here in Liverpool, a city still living through the legacy of the Hillsborough disaster, this may sound like a familiar tale.

Join us for a panel discussion, with Grenfell United’s Natasha Elcock and Ed Daffarn who will share their reflections on the tragedy and the continuing campaign for justice. They will consider what progress has been made and what remains to be achieved to ensure that the failures of policy and process that lead to the Grenfell fire can never be repeated.

They will be joined by Professor Helen Stalford and Professor Lydia Hayes from The University of Liverpool’s Centre for People’s Justice, whose mission is to bring law and social justice research closer to people’s hopes, interests and needs for stronger, fairer and more inclusive societies.  They will discuss the long campaign for and the progress made towards the Hillsborough Law, which seeks to establish a legal duty of candour for public authorities and officials.

Please note that this event takes place at the Bluecoat, School Lane, Liverpool. L1 3BX.

More about Grenfell

In December 2017, artist and filmmaker Steve McQueen (b. 1969, London, UK) made an artwork in response to the fire that took place earlier that year on 14 June at Grenfell Tower, North Kensington, West London. 72 people died in the tragedy. Filming the tower before it was covered with hoarding. McQueen sought to make a record.

Following the fire, a Government Inquiry ran from September 2017 until September 2024. The resulting recommendations are yet to be implemented, meaning a similar tragedy could happen again. There is an ongoing criminal investigation, with potential charges including corporate manslaughter. No trials are expected until 2028 at the earliest, over a decade since the fire. Grenfell Tower is currently being dismantled and it is estimated this will be completed by Spring 2027. After this a memorial will be built on the site of the tragedy

Steve McQueen’s film installation Grenfell is presented at the Bluecoat in Liverpool from 16 May – 21 June 2026.

Accessibility

This event will be BSL interpreted.

The Bluecoat is located on School Lane in Liverpool. There is step free access to all area of Bluecoat’s new wing and garden. The Bluecoat is a Grade 1 listed building so there is limited access to the older parts of the building.

There are lifts to all floors. Alternatively you can take the stairs.

  • Toilets are located on the ground and first floor, including disabled toilet facilities
  • There are baby changing facilities located on the ground floor
  • The nearest Changing Places toilet is located in Liverpool One
  • Assistance dogs are welcome in the gallery
  • Induction loops are fitted in a number of areas of the building including Tickets & Information, the cafe, the Performance Space and the Sandon Room

Additional seating is also available. Please ask a member of staff if you require assistance.

For more information before your visit:

Check out the Bluecoat’s accessibility information

John Akomfrah: Listening All Night To The Rain

‘Listening All Night To the Rain’ by John Akomfrah was commissioned by the British Council for the 60th International Art Exhibition – La Biennale di Venezia, 2024.

The title is drawn from the poetry of Chinese writer Su Dongpo (1037 – 1101) written during a period of political exile. The work explores diasporic experiences in Britain, reflecting on pivotal moments in colonial and post-colonial history relating to memory, migration, racial injustice and climate change. It weaves together newly filmed material with archival imagery, audio clips and video footage from across the world.Akomfrah’s signature cinematic style creates critical and poetic connections across different places and times to encourage acts of listening and looking again, as forms of activism. His work explores how sound can shape and influence cultural realities. By layering fragments of audio materials such as political speeches, popular music and nature, he investigates how sound operates as a shared cultural experience, globally uniting us in relation to one another.Water is also a central motif. Like sound, it moves in waves, echoing the dispersal of diaspora communities. It forms the connective tissue that holds the visual and sonic narratives together, exploring how the experience can shape our understanding of the world.Akomfrah (born 1957) lives and works in London. He was a founding member of the pioneering Black Audio Film Collective (1982-1998). He is best known for works such as Handsworth Songs (1986), Seven Songs for Malcolm X (1993) and The Nine Muses (2010). His influence on experimental film and the study of colonial history and racialised identity is unparalleled.

‘Listening All Night To the Rain’ by John Akomfrah was commissioned by the British Council for the 60th International Art Exhibition – La Biennale di Venezia, 2024. It was co-commissioned by Lisson Gallery, Thyssen Bornemisza Art Contemporary and Smoking Dogs Films. The Commission and UK Tour of ‘Listening All Night To The Rain’ is supported by Art Fund

Gender Stories

What is gender? How have ideas about it changed over time? How does it shape our day-to-day lives? These questions and more will be explored in a brand-new exhibition co-created by National Museums Liverpool.

Through a diverse collection of fine and decorative art, personal stories and objects, Gender Stories traces the spectrum of genders and their expression across time and place, examining how gender intersects with our sex, class, sexuality and heritage to shape who we are.

Featuring works by David Hockney, Catherine Opie, Grayson Perry, Rene Matić, Zanele Muholi and Del LaGrace Volcano, this ground-breaking exhibition explores the role art can play in questioning traditional gender roles.

Created in collaboration with Bristol Museums, National Museums Liverpool, Brighton & Hove Museums, and people from all three cities and the Walker Art Gallery will be the final venue to host the show.

Gender Stories has been created for the Museums and Galleries Network for Exhibition Touring (MAGNET), with Art Fund support, and supported using public funding by the National Lottery through Arts Council England.

Image: Still from ‘The Mind is a Group Muscle’, Ree Bradley, 2025

Liverpool Art Fair

Liverpool Art Fair returns to Royal Liver Building for its 12th edition, showcasing work from hundreds of artists across the region. 

Organised by dot-art, the fair is known for its welcoming, accessible approach, with original artworks starting from as little as £25. It’s a great chance to discover and take home something new while supporting local talent.

The Garden as Muse

For centuries, gardens in their myriad forms, from the surreal, to the mystical, contemplative or mythical, have had profound impacts upon artists of all kinds. They act as sources of inspiration and as mirrors reflecting the cultural, social and emotional landscapes in which they were created.

This exhibition traces how artists across time have interpreted gardens not merely as physical spaces, but as symbols of creativity and solace. From delicate, nostalgic studies to immersive and grand paintings, these pieces reveal how gardens can function both as sanctuaries and laboratories of artistic experimentation.

Drawing exclusively from the Williamson’s rich and varied collection, The Garden as Muse invites visitors to wander through these imagined and observed worlds, celebrating the enduring allure of the garden as a site where art and nature meet, influence one another, and continue to grow in unexpected ways.