Just Come in: 30 years of Maggie’s Centres

Just Come in: 30 years of Maggie’s Centres is a free display curated by the Royal Institute of British Architects (RIBA).

See a selection of commissioned photographs by Liverpool-based artist Tabitha Jussa, which captures the experience of people arriving at Maggie’s centres.

Maggie’s centres are places which offer practical, emotional, and social support to people affected by cancer in calm, non-institutional settings. It explores how architecture can embody care and empathy, and how crossing a threshold can be the first step towards support.

About Maggie’s

Maggie’s offers free support to people with cancer and their families. They have centres alongside NHS hospitals and provide support online.

Visit their website for more information: https://www.maggies.org/

Accessibility

Tate Liverpool is temporarily located at RIBA North, Mann Island, a short distance (425m) along Liverpool’s iconic waterfront. There is step free access to the main entrance. There is a lift to the first floor gallery, or alternatively you can take the stairs.

  • Toilets are located on the first floor
  • The nearest Changing Places toilet is located at the Museum of Liverpool
  • Ear defenders are available to borrow.

Please ask a Visitor Engagement Assistant Additional seating is also available. Please ask a member of staff if you require assistance.

To help plan your visit to Tate Liverpool + RIBA North, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.

For more information before your visit: Email visiting.liverpool@tate.org.uk

Sara Ahmed: Out of the Shadows

Common sense has been defined against many others, from idealists to sceptics. Those who threaten common sense by questioning certainties of sex and race are now called ‘woke’. In this lecture, one of our most vital political thinkers asks: can we retell the story of common sense from the point of view of its others?

Presented by the Centre for New and International Writing, University of Liverpool, in collaboration with Tate Liverpool.

Biography

Sara Ahmed  is an independent feminist scholar. Her work is concerned with how power is experienced and challenged in everyday life and institutional cultures. Her new book, Common Sense and Its Others, is forthcoming with Duke University Press.

Meet the Artists: Steven Stokey-Daley with Rob Bremner

Join us for an evening of conversation with fashion designer Steven Stokey-Daley and photographer Rob Bremner, as they discuss how their lived experience of Liverpool’s working-class communities has inspired their artistic practice.

This event accompanies a pop-up exhibition of Bremner’s photographs, which are the inspiration for Stokey-Daley’s latest collection.

Stokey-Daley’s collection will be showcased on 16 September, as he returns to the city as part of the official London Fashion Week schedule.

Biographies

Steven Stokey-Daley

Steven Stokey-Daley was born and raised in Liverpool. He graduated from the University of Westminster in 2020; his graduate collection was worn by Harry Styles in the music video for ‘Golden’, which started his working relationship with both Styles and stylist Harry Lambert.

He founded the British menswear label S.S.DALEY in 2020. The label takes British class, regional identity and the visual codes of literary and pastoral England as its subject.

He is the recipient of the LVMH Prize for Young Designers (2022) and the Queen Elizabeth II Award for British Design (2024), and has presented on schedule at London Fashion Week since 2021.

Rob Bremner

Rob Bremner was born in Wick in the North of Scotland. He attended Wallasey College of Art 1983-85, then the School of Documentary Photography at Newport 1985-87. He lived in Liverpool for 23 years before moving back to Wick to care for his parents who suffered from dementia. Rob intends to return to Liverpool in the near future to resume his photographic career.

Bremner is best known for his striking images of Liverpool’s Everton and Vauxhall communities in the 1980s.

Accessibility

Tate Liverpool is temporarily located at RIBA North, Mann Island, a short distance (425m) along Liverpool’s iconic waterfront. There is step free access to the main entrance. There is a lift to the first floor gallery, or alternatively you can take the stairs.

  • Toilets are located on the first floor
  • The nearest Changing Places toilet is located at the Museum of Liverpool
  • Ear defenders are available to borrow. Please ask a Visitor Engagement Assistant

Additional seating is also available. Please ask a member of staff if you require assistance.

To help plan your visit to Tate Liverpool + RIBA North, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.

For more information before your visit:

Email visiting.liverpool@tate.org.uk

Branching Out

Join our free activities where you can experiment with simple texture rubbing techniques to discover the unique patterns and surfaces of tree bark, leaves and other natural materials. Use your artworks to create your own woodland scenes. From busy insects and birds to leafy canopies and forest floors, we encourage you to celebrate the life that thrives in woodland environments.

Be inspired by artworks in Tate’s collection that explore habitats, green spaces and natural forms. Check out Ai Weiwei’s Tree, Max Ernst’s Forest and Dove, Zoe Leonard’s Tree Fence, 6th St. (Close-up), Menashe Kadishman’s [title not known] and Tacita Dean’s Majesty for inspiration!

Our Learning Space is open every day for visiting families – a space to relax and create with art games, colouring-in, books, toys and more!

Share your experience with us on social media using @tateliverpool and #TLfamilies.

Accessibility

Tate Liverpool is temporarily located at RIBA North, Mann Island, a short distance (425m) along Liverpool’s iconic waterfront. There is step free access to the main entrance. There is a lift to the first floor gallery, or alternatively you can take the stairs.

  • Toilets are located on the first floor
  • The nearest Changing Places toilet is located at the Museum of Liverpool
  • Ear defenders are available to borrow. Please ask a Visitor Engagement Assistant

Additional seating is also available. Please ask a member of staff if you require assistance.To help plan your visit to Tate Liverpool + RIBA North, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.For more information before your visit:Email visiting.liverpool@tate.org.uk

Exploring Liverpool’s World Museum: From Ancient Egypt to Outer Space

Liverpool’s World Museum has been inspiring curiosity amongst visitors for more than 170 years. The museum welcomes hundreds of thousands of visitors each year with its extraordinary mix of natural history, ancient civilisations, live animals, dinosaurs and space exploration. Best of all, it’s completely free to visit. Here’s a floor-by-floor guide to some of the highlights waiting to be discovered.

Floor 1: Aquarium 

Our first stop was the Aquarium, which offers the unique opportunity to immerse yourself in an impressive range of sea wildlife, giving the chance to not just see the sea creatures but interact with them. Get up close with hermit crabs, starfish, dogfish, archerfish and many other fascinating species. My favourite bit was definitely taking a peek into their underwater viewing bubbles for a unique look at rescued terrapins, who are always keen to spot a friendly face! We made sure to say hello to Marge the lobster, who loves peeking out from her cave and playing with her enrichment toys. As we explored,  projections shared inspiring conservation stories, while displays showcase the incredible variety of marine life found both locally and across the globe. The World Museum are proud members of BIAZA (the British and Irish Association of Zoos and Aquariums),  committed to animal welfare, sustainability, science and education. 

Floor 2: Bug House & Natural Clore History Centre

We then ascended into the museum’s fascinating world of bugs and come face to face with beetles, spiders, scorpions and many more incredible creatures. After making your way through the gigantic drainpipe, you’ll discover thriving colonies of leaf-cutter ants, impressive tarantulas and a host of other creepy crawlies waiting to be explored. Packed with fun displays and fascinating facts, Bug World offers the perfect chance to learn more about the tiny creatures we share our planet with. And before we got inside, we were greeted by the museum’s  giant two-metre fly- which I have to say was quite the jump scare !

Recently refurbished, the Clore Natural History Centre offers an exciting opportunity to discover the natural world like never before. Bringing the museum’s natural history collections to life, the centre combines fascinating displays with interactive experiences designed to spark curiosity in visitors of all ages. We explored it’s incredible collection of animal skeletons, including the Earl of Derby’s echidnas and a remarkable Neptune Cup Sponge. Other highlights include a replica of the famous Liverpool Pigeon—the only surviving specimen of an extinct species—alongside its relatives, the dodo, solitaire and Victoria crowned pigeon. Throughout the gallery, engaging films and displays reveal the stories behind these extraordinary specimens, while exploring important themes of conservation and sustainability. For those eager to get even closer to the collections, the centre also offers the chance to handle real specimens, including the skulls of elephants and rhinos, providing a truly hands-on glimpse into the wonders of the natural world.

Floor 3: World Cultures, Ancient Egypt and Weston Discovery Centre

We then travelled across the globe in the World Cultures gallery, where more than 1,600 fascinating objects from Africa, the Americas, Asia and Oceania bring stories from different cultures to life. Through immersive displays and thought-provoking exhibits, the gallery explores how people, ideas and traditions have connected across continents throughout history. From stunning Chinese ceramics to powerful stories of identity and survival, this part of the museum gave me a fresh perspective on the world around us. Creative, engaging and sometimes surprising, the gallery invites visitors to discover the stories behind some of the museum’s most remarkable collections.

Ancient Egypt

Next up was a trip back in time to feist our eyes on 5,000 years of life in the Nile Valley in the Ancient Egypt gallery. Discover ancient burial customs, uncover powerful spells from the Book of the Dead and learn how people lived, worshipped and prepared for the afterlife. Featuring more than 1,200 remarkable objects, the gallery brings the ancient world to life while revealing Liverpool’s connection to archaeological discoveries in Egypt and Sudan. Visitors can also see artefacts damaged during the bombing of World Museum in 1941, now back on display decades later. My highlight was admiring the impressive four-metre-long Book of the Dead scroll, displayed in full for visitors to admire.

Weston Discovery Centre

We then headed next door to immerse ourselves in the remarkable collection of artefacts from Ancient Greece and Anglo-Saxon Britain . From mythology and religion to fashion, warfare and everyday life, these displays offer a glimpse into two influential civilisations from the past. Some of the stand outs are the beautifully carved marble panel featuring Chiron, the wise centaur of Greek mythology, and the impressive Kingston Brooch, the largest known Anglo-Saxon composite brooch ever discovered. Alongside these extraordinary objects, visitors can learn about the pioneering archaeological work that uncovered many of the treasures on display, bringing centuries of history to life through the stories of both the artefacts and the people who discovered them.

Floor 4: Wild World – Dinosaurs and Natural History

We then went up another floor to be guided through our ever-changing world, from Liverpool’s ancient mudflats and frozen polar landscapes to dense forests and vast grasslands. We learnt how life on Earth has evolved over millions of years and the remarkable ways species have adapted to survive.  My personal highlight in this exhibition was coming face to face with full-sized dinosaur skeletons, including the mighty Allosaurus, and uncover the story of a mysterious reptile that roamed Merseyside more than 220 million years ago, leaving only its footprints behind. Along the way, learn about the scientists and naturalists who helped shape our understanding of the natural world, before stepping into the Time Tunnel to explore life from the distant past through to the emergence of our own species.

Floor 5: Space and Time and Planetarium

We then prepared ourselves for lift-off in the Space and Time galleries, where fascinating displays explore both the wonders of the universe and the science of timekeeping. It was captivating to be up close to rockets, telescopes, meteorites and even genuine moon rocks as you discover the story of our solar system and humanity’s exploration of space. Meanwhile, a remarkable collection of watches, marine chronometers and scientific instruments reveals Liverpool’s important role in navigation, astronomy and timekeeping. To complete our journey, we sat back and marvelled at the universe in the museum’s full-dome Planetarium, where spectacular shows bring the cosmos to life.

Liverpool’s World Museum really feels like an epic journey through time, space and the natural world, all under one roof. The museum brings learning vividly to life and best of all, it remains completely free to enter, making it one of the Liverpool city region’s most accessible cultural attractions.

Roaming Britain: Gypsy and Traveller Homes

 

Roaming Britain: Gypsy and Traveller Homes is a free display at Tate Liverpool + RIBA North curated by the Royal Institute of British Architects (RIBA).

Explore how Gypsy and Traveller communities create their homes, from tents, wagons and boats to trailers, sites and bricks-and-mortar homes. Through film, photography, and community voices, this display challenges misconceptions and highlights the ongoing discrimination these communities face. It reveals the creativity and resilience involved in making and sustaining places to live.

Accessibility

There is step free access to the main entrance. There is a lift to the first floor gallery, or alternatively you can take the stairs.

  • Toilets are located on the first floor
  • The nearest Changing Places toilet is located at the Museum of Liverpool
  • Ear defenders are available to borrow.

Please ask a Visitor Engagement Assistant Additional seating is also available. Please ask a member of staff if you require assistance.

To help plan your visit to Tate Liverpool + RIBA North, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.

Jalsaghar Exhibition Walkthrough

Celebrate the opening of Jalsaghar with an exhibition walkaround led by artist Debjani Banerjee and Dan Brown, Head of Exhibitions at Dundee Contemporary Arts. This is a chance for you to explore the exhibition, and learn more about the artist’s practice and the themes of the work.

Spaces are limited, so book your tickets early to avoid disappointment.

Free, booking required

Jalsaghar Opening Celebration

Celebrate the opening of ‘Jalsaghar’ with family activities, refreshments and an exhibition walk through with artist Debjani Banerjee and Head of Exhibitions at Dundee Contemporary Arts, Dan Brown.

Free, drop in

Is This A Garden? and The Perfect Flower

LOOK Photo Biennial 2026
Launch: 25 June / 6–8pm / Open Eye Gallery / RSVP
How do gardens shape the people around them? How do social conditions, histories and environments shape the gardens? What is our relationship to and with plants? Open Eye Gallery is delighted to announce two new exhibitions as part of LOOK Photo Biennial 2026: Is This a Garden? and The Perfect Flower.

Is this a Garden? (Gallery 1 and 2) is curated by Gary Bratchford and Stuart Whipps. For this exhibition, they’ve been looking at the gardens as the backdrop to everyday life. Yan Wang Preston’s The Perfect Flower project (Gallery 3), charts the development of hydrangeas in the UK, exploring what a perfect flower is and the journey to get it.

The garden is often romanticised in British culture. It is also often the site of emotional and social investment, a space of contestation and a place sanctuary, but what does the British garden look like? 

Is This A Garden? shows photographs in which gardens appear only incidentally: on the edges of images, behind subjects, glimpsed through windows, embedded within everyday life rather than presented as grand statements of horticulture or design. In many of these works, the garden was never intended to be the primary subject at all. Gardens emerge in fragments and traces: common birds moving through trees, fabricated scrubland, “gardenettes” in synthetic towns, artificial flora and fauna generated by AI, patches of cultivated land pressed against industrial landscapes, the domestic yards and patios. Collectively, the works ask how gardens shape the people around them, and equally, how social conditions, histories and environments shape the gardens themselves. 

Is This A Garden? also explores works from the Open Eye Gallery Archive, including works from the 1984 exhibition Parks and Gardens. This selection focuses on allotments, our relationship to and with plants, as well as social practices of gifting flowers.
Gary Bratchford and Stuart Whipps, curators, said: “What interested us was not photographs of gardens so much as photographs where gardens are present in the background of everyday life. Bringing these works together has allowed us to think about gardens as social spaces shaped by history, class, labour, and personal experience, and we hope audiences find new ways of looking at these often-overlooked environments.”
Is This A Garden? is developed in partnership with The centre for research in Art & Design at Birmingham City University.

Gallery 3 shows Yan Wang Preston’s The Perfect Flower project, including photographs, a projection and a short film. This project charts the development of hydrangeas in the UK, starting from a reproduction of the oldest hydrangea specimen in Britain. Developed through close observation of the RHS Hydrangea paniculata trials, the work reflects on how flowers are classified, valued and perfected. The work also reflects on the cultural and historical implications embedded in horticulture, including colonial histories that shaped the introduction and commercialisation of plants.
“What is a perfect flower? How do we go about getting them? Why such an impulse?” – Yan Wang Preston.
The Perfect Flower is part of The OFFSHOOT Artist in Residence programme, which is a collaboration between University of Salford Art Collection, RHS Garden Bridgewater and Open Eye Gallery,  generously supported using public funding by the National Lottery through Arts Council England.

The Angels of Mons

 

Discover a Great War legend in which frontline soldiers were believed to receive divine aid from St George and his ghostly archers.  

One of the most remarkable supernatural phenomena of World War I is said to have occurred in 1914 during the Battle of Mons in Belgium. The tale describes a miraculous vision appearing to British troops in their moment of greatest need. 

The legend of the Angels of Mons, inspired by a short story by writer Arthur Machen, quickly captured the imagination of the British public. At a time when people were searching for hope and meaning, many came to believe that divine forces had intervened. Accounts vary, but often describe Saint George leading phantom bowmen or angels dressed in white. 

Presented in partnership with Mons Memorial Museum, this exhibition explores why such beliefs took hold during wartime. It examines the connections between religion, propaganda, and the culture of war, and considers why angels became such powerful symbols of comfort and protection. 

Visitors are invited to reflect on the many different realities of war and how people cope in times of crisis. 

Sefton has been twinned with Mons in Belgium since 1964 and this exhibition builds on this important relationship and shared history. 

Delivered in partnership with Mons Memorial Museum.

Free Entry. Monday – Saturday. 10am – 4pm. Closed Bank Holidays.