Debjani Banerjee: Jalsaghar

Jalsaghar is a solo exhibition by Debjani Banerjee that explores the relationship between the artist’s Bengali heritage and her 1980s upbringing in England. Across film, sculpture, and installation, her work playfully merges traditional craft, religious imagery and modern culture, encouraging audiences to think about what it feels like when different ways of life interplay.

The title Jalsaghar means ‘music room’ in Bengali, and comes from Satyajit Ray’s 1958 film of the same name. Banerjee reimagines this idea of a ‘music room’ and transforms the gallery into a sensory space where you can reflect with music, stories and artworks that connect the past and the present.

In the exhibition visitors will discover figures like Rabindranath Tagore, a Bengali writer, composer and thinker; Hindu deities such as Ganesh and Shiva; and imagery drawn from The Mahabharata – an ancient Indian epic poem, infused with elements of contemporary popular culture. These combined references create dreamlike works that present the artist’s ever changing ideas of India, formed through personal experience, family histories and inherited stories.

Collaboration is central to Banerjee’s practice, and Jalsaghar has developed through work with a range of artists and contributors, reflecting her interest in shared making, participation and collective exchange.

The gallery will also have a space with free creative activities for children and families to be inspired and make their own art in response to the exhibition.

Jalsaghar was initially commissioned by CCA, Glasgow (2024), Jalsaghar has since been presented in new iterations at KARST, Plymouth (2025) and at Mimosa House, London (2025).

To mark the launch of the exhibition, there will be a Celebration Day on Saturday 11th July with refreshments, family activities and a bookable walk-through of the exhibition with artist Debjani Banerjee and Head of Exhibitions at Dundee Contemporary Arts, Dan Brown. Booking info coming soon.

Free entry

A Radical Re-Imagining | Unity Heritage Project

This May and June, through a multi-faceted heritage project, we will celebrate our building’s unique history—first as a synagogue and later as a home for political and grassroots theatre.

Join us for a series of events that delve into our rich heritage and history.

This project has been made possible by the National Lottery Heritage Fund. What’s on?

Exhibition |  A Radical Reimagining: the history of Merseyside Unity Theatre, 1937-1987Thursday 14 May to Sunday 28 June

Step into the past at this exhibition featuring archives from the Unity Theatre collection.

Mount Pleasant Campus Library, 29 Maryland St, Liverpool L1 9DE. Opening hours Monday to Friday 8:45am-7pm, Saturday 10am-6pm and Sunday 10am-4pm.

Exhibition Launch EventThursday 21 May, 4:30-6:30pm

Join us for an evening of celebration to mark the official opening of the Merseyside Unity Theatre archive exhibition, with pop up performances!

Common/Wealth Theatre Company DO IT YOURSELF: Making Political TheatreFriday 29th May John Foster Drama Studio, Hope Street, L1 9BY

10-12.30: Workshop – Doing it Yourself

This workshop will offer a brief introduction to a range of practical exercises to enable you to work with others to create political theatre and make social change. The exercises will give you an insight into Common/Wealth, how we make original theatre about the here and now, and with people who may not have been part of any theatre-making process before.

Suitable for people new to theatre, experienced theatre makers, activists and community organisers.

Age guidance: 16+

2-3.30: Talk including Q&A

We’ll share our DIY origins, how we’ve made shows along the way and why making political theatre is critical and urgent now more than ever.

About Common/ Wealth Common/Wealth is a political theatre company based in Bradford and Cardiff, UK.  We make radical, high-quality documentary theatre and other public events that are site-specific, experimental and push form – relevant, artistic work addressing social injustices and concerns of our times, in partnership with the people who are most affected by inequity.

Archive Open DaysThursday 4 June – Friday 5 June, 10-12pm and 1-3pm

Have you ever visited an archive before? Join us at our open day sessions to view some of the original papers created and collected by Merseyside Unity Theatre. Explore rare scripts, programmes, photographs and songbooks, and meet the Project Archivist to learn more about how unique historical records are being preserved for future generations.

Special Collections and Archives, Mount Pleasant Campus Library, Liverpool John Moores University, 29 Maryland St, Liverpool L1 9DE

Political Songs Workshop| Sing, March, Protest with Patrick DineenSaturday 23rd May | Unity 2-5pm

Come along and experience the political songs that the Unity Theatre would have performed,

written and experienced over the years from the Spanish Civil War to the 1960s.

From rousing marching songs through to sophisticated cabaret. Listen and sing the wit and irony, dark humour of songs that speak of injustice and corruption.

Patrick Dineen is a composer and lyricist. He has written many scores for theatre and political

cabaret over the years and has had a long standing relationship with The Unity Theatre. His work as a composer includes tv, film, dance, cabaret and directing his own music-theatre shows.

LIV:DOX presents “Orwell: 2+2=5” (2026, dir. Raoul Peck)Saturday 23rd May | 6pm

“Orwell: 2 + 2 = 5” is a dense, urgent, and unapologetically blunt documentary that offers a chillingly relevant examination of totalitarianism’s enduring appeal and the societal conditions that enable it.

Screening presented by LIV:DOX (Liverpool Documentary Club), a project fueled by Imagine Futures CIC.

Breaking the Class Ceiling | A Live Exploration of Working Class Artistry Saturday 30th May | 3-4.30pm

Join us for an unflinching, live panel discussion that bridges the gap between Unity’s 1930s ‘Workers’ Theatre’ roots and Liverpool’s contemporary creative scene.

In an era where the ‘class ceiling’ remains a challenging barrier in the arts, how do creatives and radical makers keep momentum? We bring together five Liverpool working-class artists to discuss the politics of the stage, the power of heritage, and the future of working-class storytelling.

Following our headline panel discussion, we’re offering a space for working-class creatives to test new ideas, political rants, or works in progress.

Radical Scratch Open Mic 5-6.30pmYOUNG RADICAL THEATRE MAKERSUnity Theatre, 4,5 & 6th June6–6.30pm, 6.45–7.15pm  (& Sat matinee 1.15-1.45)

Step into the future with our Young Radical Theatre Makers as they take the stage in a bold, high-energy ensemble performance, this new generation of artists amplifies the voices of today to ask the urgent questions of tomorrow, a call to listen, to reflect, and to imagine what comes next.

Divided by the ensemble. Directed by Grace Gallagher and Mariana Pires

STAGE LEFTThursday 4th- Saturday 6th June | 7.30pm (& Sat matinee 2pm)

Created in-house at the Unity, this new performance dives into the theatre’s bold and rebellious past. From its roots as Merseyside Left Theatre in the 1930s to the vibrant creative home we inhabit today, A Radical Reimagining brings decades of radical storytelling roaring back to life.

Through dynamic performance, powerful voices, and striking moments from the past, we celebrate a legacy of theatre made for the people. Expect a journey through protest, passion, and creativity, a reminder that this stage has always belonged to those with something to say. 

Exhibition launch: A Radical Re-imagining

 

Join us for an evening of celebration to mark the official opening of our new exhibition! This exhibition explores the history of Merseyside Unity Theatre from 1937 – 1987, which has been made possible through the Unity Theatre Heritage Lottery funded project ‘A Radical Re-imagining’.

Discover original documents, photographs and hidden stories about a group of talented, determined performers that put politics at the heart of performance.

The launch event will include speeches, refreshments, pop up performances, and a chance to explore the archive material in more depth.

Thursday 21 May, 4:30 – 6:30pm LG and G Floors Mount Pleasant Campus Library 29 Maryland Street Liverpool L1 9DE Book via Eventbrite The building is wheelchair accessible.

Email archives@ljmu.ac.uk for all enquiries. If you can’t make the launch event, you can still visit the exhibition anytime from 14 May – 28 June at Mount Pleasant Campus Library.

Opening hours Monday to Friday 8:45am-7pm, Saturday 10am-6pm and Sunday 10am-4pm.

 

Absence exhibition tour with curators and artists

Saturday 6th June / 2:30-4pm / Stable Gallery / free, RSVP

A free guided tour of Absence

The tour will be led by the exhibition curators, Laura Harris and Maike Pötschulat, who will be joined by several of the exhibiting photographers. The tour discusses why ‘absence’ is a pertinent theme for photography and society and how we can visually explore what is not anymore or not yet.

Absence is a group exhibition bringing together the photography of seven visual sociologists, alongside submissions from an open call for photography of absences in the Liverpool City Region.

With support from: The British Academy, Liverpool John Moores University, University of Southampton.

Absence exhibition tour with curators

Wednesday 10th June / 2-3pm / Stable Gallery / free, RSVP

A free guided tour of Absence

The tour will be led by the exhibition curators, Laura Harris and Maike Pötschulat. The tour discusses why ‘absence’ is a pertinent theme for photography and society and how we can visually explore what is not anymore or not yet.

Absence is a group exhibition bringing together the photography of seven visual sociologists, alongside submissions from an open call for photography of absences in the Liverpool City Region.

With support from: The British Academy, Liverpool John Moores University, University of Southampton.

Absence @ Stable Gallery, St George’s Hall

Launch: 5 June 2026 / 6-8pm / Stable Gallery, St George’s Hall / RSVP
Absence, curated by sociologists Laura Harris and Maike Pötschulat, is a new group exhibition that brings together the photography of seven visual sociologists, alongside finalists from an open call for photography of absences in the Liverpool City Region. 

Taking place from 5 June 2026 to 11 July 2026 at Liverpool’s Stable Gallery, St George’s Hall, the show explores absence as both a social reality and a visual language. Across more than 100 photographs, the show investigates absence’s many forms, asking: What does it mean to document what is no longer there, or those who are no longer present? How can we see what society leaves behind, or what never came to be? How can we photograph what resists to be shown? 

Maike Pötschulat, one of the exhibition’s curators, said:
‘Absence is not emptiness. Often, what appears to be absent can have a large footprint in our lives and societies while generating a whole host of activities. In this exhibition, we wanted to focus on the ways in which absence is lived, felt and practised to show what materialises in the gaps and voids that are left by an absence.’ 
The exhibition includes:

Terence Heng’s photography of Bukit Brown Cemetery, a Chinese diaspora graveyard in Singapore, exploring death, one of the most evocative forms of absence. Heng’s work highlights how loss is a futile ground for collective beliefs and practices.  
A selection of Setareh Kazemi’s photojournalistic work in Iran, with a focus on the lives of women and migrant communities who rarely find representation. Her work is a reminder of the power of photography to make visible experiences and people that are frequently overlooked. 
Manal Massalha’s Standing Tall series, which documents Palestinian life and hardship in the Occupied Territories in the West Bank. Here, absence is not a noun but a verb, where a process of violent ‘absenting’ is inflicted on Palestinian communities and lands.
An extract of David Schalliol’s Isolated Building Studies, selected from a portfolio of over 700 images. As a broader commentary on urban and social change in Chicago, these images feature stand-alone buildings that are the last, or first, remnants of physical and social neighbourhoods. 
Makeshift, in which Paweł Starzec revisits sites of the Bosnian War with the muted pastel aesthetic of his photography in stark contrast to the atrocities that happened in the photographed places. Starzec’s work is a critical commentary on the way power manipulates what and who is remembered. 
Gesche Würfel’s The Absence and Presence of The Berlin Wall, a comprehensive research project that speaks to the traces of the wall in material and psychic terms. We exhibit composite images that were created on Würfel’s cycle along the 160km Berlin Wall Trail.  
Five polaroids, all of which for unknown reasons shed their owners and now exist alongside the 4000 images in Kyler Zeleny’s Found Polaroid archive. While their original context is forever lost, the displayed polaroids feature flash fiction that was written to reanimate them. 
Running alongside the exhibition are the submissions from an Open Call for photography of absence in the Liverpool City Region, which generated hundreds of images that highlight how absence is woven into the built and social fabric of the area. Five finalists, whose work is exhibited, are: 

Daniel Frost
Alishah Iqbal
Paradise Made
Dan Murphy
Claire Weetman

TILT special edition

An accompanying special issue of Open Eye Gallery’s magazine, TILT, will launch at the opening of the exhibition. The magazine features specially commissioned texts on the theme of absence and an expanded selection of images from every photographer’s project. TILT will be available online for free at Open Eye Gallery’s website, or in print from their bookshop (£5). The magazine will also feature images received through the open call by:

Ellie Byrne
Angela Cheveau
Alan Colclough
Emily Gerrard
Jean Kane
Nicolas Kendall
June Poston
Andrew Stewart
Andrew Wilson

Public events programme

Funded by the British Academy’s BA/Leverhulme Small Research Grants Programme and Liverpool John Moores University’s FSC Research Development Fund, the exhibition also includes a series of public events. There will be several opportunities to see the exhibition together with the photographers, curators and organisers for the launch weekend which includes the following activities:

6 June 2026, 2.30–4pm: Exhibition tour with curators and photographers at Stable Gallery (book your free ticket)
6 June 2026, 5–7pm: Absence in conversation. Panel discussion at Open Eye Gallery followed by reception (book your free ticket)
10 June 2026, 2–3pm: Exhibition tour with curators at Stable Gallery (book your free ticket)
13 June 2026, 1–2pm: Exhibition tour with curators at Stable Gallery (book your free ticket)

 With support from: The British Academy, Liverpool John Moores University, Open Eye Gallery, Stable Gallery, University of Southampton. 

Absence exhibition tour with curator

Saturday 13th June / 1-2pm / Stable Gallery / free, RSVP
A free guided tour of Absence

The tour will be led by one of the exhibition curators. The tour discusses why ‘absence’ is a pertinent theme for photography and society and how we can visually explore what is not anymore or not yet.

Absence is a group exhibition bringing together the photography of seven visual sociologists, alongside submissions from an open call for photography of absences in the Liverpool City Region.

With support from: The British Academy, Liverpool John Moores University, University of Southampton.

Launch: Absence @ Stable Gallery, St George’s Hall

Friday 5th June / 6-8pm / Stable Gallery / free, RSVP
Showcasing the photography of what isn’t

Stable Gallery, in partnership with Open Eye Gallery, is delighted to launch a new group exhibition, curated by sociologists Laura Harris and Maike Pötschulat. Absence brings together the photography of seven visual sociologists, alongside finalists from an open call for photography of absences in the Liverpool City Region.

Taking place from 5 June 2026 to 11 July 2026 at Liverpool’s Stable Gallery, St George’s Hall, the show explores absence as both a social reality and a visual language. Across more than 100 photographs, the show investigates absence’s many forms, asking: What does it mean to document what is no longer there, or those who are no longer present? How can we see what society leaves behind, or what never came to be? How can we photograph what resists to be shown?

Maike Pötschulat, one of the exhibition’s curators, said: ‘Absence is not emptiness. Often, what appears to be absent can have a large footprint in our lives and societies while generating a whole host of activities. In this exhibition, we wanted to focus on the ways in which absence is lived, felt and practised to show what materialises in the gaps and voids that are left by an absence.’

The exhibition includes:

Terence Heng’s photography of Bukit Brown Cemetery, a Chinese diaspora graveyard in Singapore, exploring death, one of the most evocative forms of absence. Heng’s work highlights how loss is a futile ground for collective beliefs and practices.
A selection of Setareh Kazemi’s photojournalistic work in Iran, with a focus on the lives of women and migrant communities who rarely find representation. Her work is a reminder of the power of photography to make visible experiences and people that are frequently overlooked.
Manal Massalha’s Standing Tall series, which documents Palestinian life and hardship in the Occupied Territories in the West Bank. Here, absence is not a noun but a verb, where a process of violent ‘absenting’ is inflicted on Palestinian communities and lands.
An extract of David Schalliol’s Isolated Building Studies, selected from a portfolio of over 700 images. As a broader commentary on urban and social change in Chicago, these images feature stand-alone buildings that are the last, or first, remnants of physical and social neighbourhoods.
Makeshift, in which Paweł Starzec revisits sites of the Bosnian War with the muted pastel aesthetic of his photography in stark contrast to the atrocities that happened in the photographed places. Starzec’s work is a critical commentary on the way power manipulates what and who is remembered.
Gesche Würfel’s The Absence and Presence of The Berlin Wall, a comprehensive research project that speaks to the traces of the wall in material and psychic terms. We exhibit composite images that were created on Würfel’s cycle along the 160km Berlin Wall Trail.
Five polaroids, all of which for unknown reasons shed their owners and now exist alongside the 4000 images in Kyler Zeleny’s Found Polaroid archive. While their original context is forever lost, the displayed polaroids feature flash fiction that was written to reanimate them.
Running alongside the exhibition are the submissions from an Open Call for Photography of absence in the Liverpool City Region, which generated hundreds of images that highlight how absence is woven into the built and social fabric of the area. Five finalists, whose work is exhibited, are:

Daniel Frost
Alishah Iqbal
Paradise Made
Dan Murphy
Claire Weetman

An accompanying special issue of Open Eye Gallery’s magazine, TILT, will launch at the opening of the exhibition. The magazine features specially commissioned texts on the theme of absence, and an expanded selection of images from the open call and every photographer’s project. TILT will be available online for free at Open Eye Gallery’s website, or in print from their bookshop (£5). The magazine will also feature images received through the open call by:

Ellie Byrne
Angela Cheveau
Alan Colclough
Emily Gerrard
Jean Kane
Nicolas Kendall
June Poston
Andrew Stewart
Andrew Wilson

Funded by the British Academy’s BA/Leverhulme Small Research Grants Programme and Liverpool John Moores University’s FSC Research Development Fund, the exhibition also includes a series of public events including curatorial tours and panel discussions.

With support from: The British Academy, Liverpool John Moores University, Open Eye Gallery, Stable Gallery, University of Southampton.

Royal Gold Medal

Royal Gold Medal is a free display curated by the Royal Institute of British Architects (RIBA).

Celebrating RIBA’s Royal Gold Medal 2026 recipient, Níall McLaughlin, this display recognises his lifetime achievement in enhancing the field of architecture. Explore photographs, drawings and studio material that reveal McLaughlin’s creative process and show how his design thinking influences the built environment today.

Accessibility

Tate Liverpool is temporarily located at RIBA North, Mann Island, a short distance (425m) along Liverpool’s iconic waterfront. There is step free access to the main entrance. Please note that our lift is currently out of order. We are working as quickly as we can to fix it. We apologise for any inconvenience.

  • Toilets are located on the first floor
  • The nearest Changing Places toilet is located at the Museum of Liverpool
  • Ear defenders are available to borrow.

Please ask a Visitor Engagement Assistant Additional seating is also available. Please ask a member of staff if you require assistance.

To help plan your visit to Tate Liverpool + RIBA North, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.

For more information before your visit: Email visiting.liverpool@tate.org.uk

One Day Exhibition

One day exhibition with Lilly Patricija Jankaus. Invitation to make art for a day and exhibit it to the public at an evening zine launch, Friday 1st May!

We would love to invite you and your community to a One Day Exhibition at Winter Granby Gardens.

This project is all about bringing people together and showing that anyone can make art, no matter their age or background. Everyone is welcome, whether you come along to make something, share ideas, or just to enjoy the space.

On May 1st, from 1pm until 8pm at Granby Winter Gardens, people can drop in and have a go at creating. It can be something planned or completely on a whim, for themselves or for others. We will have plenty of materials available and if anyone has something specific in mind, they are welcome to bring their own bits too. And it’s all free!

After making something, participants can create a short caption for their work and even exhibit it later in the day during a relaxed evening exhibition and zine launch. It is a chance for people to experience what it feels like to be an artist, in an open and supportive setting.

As part of ideas . work, we are interested in filling a space with as many ideas as possible and creating together in a fun, low pressure way. We would really appreciate you sharing this with your community or coming along yourselves. It would be great to have you involved.

If you have any questions or would like more information please message us on Instagram @ideas.work_ or email emma@kindred-lcr.co.uk