Sweet Factory

Sweet Factory is a vibrant and playful exhibition celebrating the rich, shared histories of sweet making, working-class food traditions, and seaside culture.

Melt, mix, mould, pat, press, settle, slump, stretch, extrude: the exhibition draws parallels between the processes of glass making (liquid sand) and sweet making (liquid sugar), featuring newly created glass artworks by artist Linny Venables and workshop participants from Southport and Bootle, alongside research, documentation, and objects sourced from local sweet factories.

Through colourful displays showcasing joyful experimentation, material transformation, and community storytelling, Sweet Factory invites audiences of all ages to engage with local history and the pleasures of making processes.

Sweet Factory is curated by Linny Venables and supported by Arts Council England and At The Library.

 

LOOK Climate Lab 2026

Launch: 22 January 2025 / 6–8pm / RSVP LOOK Climate Lab is a biennial programme exploring how photography can be a relevant and powerful medium for talking about climate change.

We are transforming the gallery into a lab, bringing together researchers, activists and artists to test their ideas, and encouraging our audiences to discuss systematic changes needed for dealing with the climate crisis.

LOOK Climate Lab 2026 will take place from 23 January 2026 to 29 March 2026, with this year’s programme focusing on gardens and how people connect with green spaces. From memorials to places to hang out with friends, from horticultural perfection to an accidental hedge near your house or a tree that brings back memories, we examine the role plants play in our lives, and how our lives shape theirs.

LOOK Climate Lab 2026 projects include:

My Nature Connection. Photographer Stephanie Wynne has been collaborating with volunteers for Whitby Park Community Garden exploring the positive impact of nature connections, developed in partnership with Chester Zoo as part of their Networks for Nature programme.

Pansy Project. Paul Harfleet has been planting pansies at sites of homophobic and transphobic abuse since 2015. Through this quiet yet powerful act, the ongoing project gently confronts hate crime and brings visibility to LGBTQ+ experiences that often go unreported. 

Seeds of Change is a live project reimagining urban green spaces at the University of Salford. Three students and graduates, Nia Hoffman, Fariba Najafi Barzegar and Frances Veltkamp, have been working in collaboration with university staff, Open Eye Gallery and landscape architects Planit to design a series of multi-sensory and sustainable artworks and planting interventions for the space. The project transforms the space into a vibrant, welcoming, and ecologically rich ‘green doorway’ for the campus. 

Emergence. A socially engaged project between volunteers at Victoria Park Butterfly House and visual artist Anna Wijnhoven. Through a series of photographs and collaborative work, it celebrates the often unseen efforts of those who sustain this unique urban sanctuary. Part of Liverpool City Region Combined Authority’s Cultural Events Programme.

OFFSHOOT is a collaboration between University of Salford Art Collection, RHS Garden Bridgewater and Open Eye Gallery. Socially engaged photographers Fiona Robinson, Anoosh Ariamehr and Liz Lock have been working at RHS Garden Bridgewater and with different groups from the Salford community, including youth groups, wellbeing and community groups. Meanwhile, artist Yan Wang Preston embarked on a memory gathering process in response to the oldest tree at RHS Bridgewater. This magnificent sweet chestnut tree, estimated to be 300 years old, stands on the historical grounds of RHS Bridgewater. If trees are memory keepers, what might this tree recollect from the past three centuries? 

TreeStory Wigan. The Story of Wigan Through its Trees was launched in 2025 by Open Eye Gallery and dot-art in partnership with Wigan Council, celebrating Wigan’s 50th anniversary. Much of Wigan’s green space has been reclaimed from post-industrial sites, transforming former coalfields into thriving natural habitats. Through photography, creative workshops, school visits and outdoor adventures, led by socially engaged photographers Lizzie King and Andy Yates, the project is bringing together local schools, community groups, and residents to share their personal TreeStories and connect with Wigan’s unique natural and industrial heritage. 

Veterans’ Oaks is a nationwide, community-led initiative to commemorate the 80th anniversary of the end of World War Two – historically marked as the ‘oak anniversary’. Through the symbolic act of planting oak trees across the United Kingdom, the initiative commemorates, remembers and celebrates the courage, sacrifice, and resilience of the generation who lived through the war – both military personnel and civilians – and pledges to safeguard the nation’s environmental future in our struggle against climate change.

Roam, River, Roam is a practice-as-research project by artist and producer Liz Wewiora, which forms part of her wider current PhD in collaboration with the University of Salford and Open Eye Gallery. Liz has been working as a photographic artist in residence with different communities located at the points where various rivers meet. The residency explores individuals’ relationship to their local river and its surrounding public green spaces.

The events programme includes workshops, talks, open meetings and more – to be announced soon!

Partners: British Academy SHAPE programme, Chester Zoo, High Peak Community Arts Project eARTh group, Homotopia, Many Hands Craft Collective, Planit, RHS Garden Bridgewater, Salford Youth Service, Stockroom, TreeStory Wigan, Veterans’ Oaks (in partnership with  the Forestry Commission, Duchy of Cornwall, Cobseo, M&C Saatchi World Services, dot-art, Royal British Legion, England’s Community Forests) , University of Salford, University of Salford Art Collection, Victoria Park Butterfly House and Garden, Wigan Borough Council.

With support from: Arts Council England, Chester Zoo, Forestry Commission, Liverpool City Council, Liverpool City Region Combined Authority, National Lottery Heritage Fund,  National Lottery through Arts Council England, Royal Horticultural Society, University of Salford, Wigan Borough Council.

 

 

Pulled Apart By Horses

Pulled Apart By Horses are alternative rock band founded in Leeds in 2008. They combine elements from punk, grunge and indie rock, to create a raw and unique sound that thrills and menaces.

Their intense stage presence has earned them the reputation as one of the most electrifying live bands in the UK. Their shows teeter the line between precision and total mayhem, they blur the line between band and audience curating an adrenaline fuelled cult built on trust, intensity and shared scars. From clubs to festival stages, every corner becomes a part of the performance with frontman Tom Hudson rarely staying on stage, creating something raw and communal.

Support Acts for the live show include:

+Hazmat

+Two Tonne Machete

Treasure: History Unearthed

From Bronze Age gold and Viking silver to hoards of coins, discover Treasure unearthed in this new exhibition.

Revealing personal stories and global connections, Treasure: History Unearthed features the largest collection of archaeological treasure ever shown in the region, with finds from the North West and Wales. Highlights include key items from a number of national and regional institutions including the British Museum and Amgueddfa Cymru – Museum Wales. 

With beautiful jewellery accidentally lost and vast hoards that were buried on purpose, the displays uncover 5000 years of stories.

Explore how our understanding of Treasure has changed over time from Victorian discovery to recording through the Portable Antiquities Scheme. Gain an insight into how these stories are revealed through conservation and collaborative research. See glimpses of behind the scenes museum work and scientific analysis undertaken with the University of Liverpool.

This new exhibition, expertly curated by National Museums Liverpool’s archaeology team, is an exciting celebration of finds. Archaeology, history and science meet to reveal remarkable objects, with their stories told in both English and Welsh.

Caring for Collections

The Lady Lever Art Gallery opened in December 1922 and houses the fine and decorative art collection of its founder, William Hesketh Lever. Lever’s paintings, sculpture, furniture, ceramics and embroideries were made more than 100 years ago and are among the best in the UK. 

National Museums Liverpool employs people with specialist skills to look after these collections. Objects on display and in storage are at risk of damage. Damp, dust, insects, light, and wear and tear all affect their appearance. 

The Collections Care team focuses on ways to reduce damage caused by these ‘agents of deterioration’. Conservators care for objects which have deteriorated over time. Their aim is to stabilise the condition and improve the appearance of objects.  

Find out more about the behind the scenes work of this specialist team in this display.

Developing in the Dark – Charity Photography Exhibition

 

Overview

 

A film photography portrait project that reveals the people and stories of individuals whose lives have been transformed by helplines.

 

Developing in the Dark – illuminating stories of support

Join us for a Portrait Project for National Helplines Awareness Day with Helplines Partnership and Little Vintage Photography.

Behind every call or message is a story that deserves to be heard. In February, for Helplines Awareness Day, we’re bringing these stories to light.

Developing in the Dark is an analogue film photography portrait project that reveals the people and stories of individuals whose lives have been transformed by helplines.

The individuals in this project represent millions who’ve found lifelines when they needed them most. Their stories challenge assumptions about who needs help and why. They’re your colleagues, your neighbours, the person next to you on the train—ordinary people navigating extraordinary challenges. Their personal struggles often go unseen and we want to raise awareness of helplines and the amazing work of the sector.

Event Times

Walk-in Viewing 23 & 25 February 2026 | 9am – 5pm

Special Evening View 25 February 2026 | 6pm – 8pm (Ticketed)

These portraits will reveal:

  • The breadth of issues helplines address
  • The diverse communities they serve
  • The life-changing difference a single conversation can make
  • The hidden resilience in all of us

When someone sees themselves reflected in these portraits—their struggle, their survival—they’ll know they’re not alone. They’ll know that reaching out isn’t weakness. They’ll know there’s help waiting.

 

Can Meeple Escape the Neurophoria?

Curated by FACT’s 2025 Curator-in-Residence, Milia Xin Bi, the exhibition draws inspiration from tabletop games, where every player’s decision rewrites the story. In this exhibition, you become the meeple: a human-shaped game piece whose actions have real-world consequences. The artworks invite you to take part, make decisions, and consider how your actions influence our technological future.

Vytas Jankauskas reflects on the climate crisis, human existence and technological development, revealing the pleasure and pain that emerge from their entanglement. Jan Zuiderveld’s works create encounters between people and machine-learning algorithms placed inside physical objects, highlighting how we often see certain behaviours as signs of life. Joseph Wilk’s tabletop game positions play as a form of resistance against the political ideas built into many technologies.

Step into this playful world, test the boundaries and discover the impact of your choices. Together, these artworks ask: in a world shaped by intelligent systems, who makes the next move?

FACT’s 2025 Curator-in-Residence is supported by the John Ellerman Foundation.

Can Meeple Escape the Neurophoria? is supported by the Swiss Arts Council Pro Helvetia and the Embassy of the Kingdom of the Netherlands. FACT is funded by Arts Council England, Liverpool City Council, with support from Culture Liverpool.

MONUSIM

MONUISM is a completely new light-art work for Liverpool in 2026 and is is an awe-inspiring light, laser and sound installation that creates a luminous landscape of monumental, geometric light structures. It is family friendly, for all ages and totally Instagrammable!

MONUISM is an awe-inspiring light, laser and sound installation that creates a luminous landscape of monumental, ephemeral geometric structures in space. These light sculptures are constantly shifting and evolving in shape, scale, hue, and intensity, creating a sense of dynamic motion as if the very essence of architecture is being sculpted in real-time.

MONUISM is a dance of light and sound with a brand new, specially composed electronic soundtrack, which is also available to stream and download.

The work’s name, MONUISM, reflects the duality at play: the monumental scale evokes the weight and permanence of architecture or sculpture, while the prism-like, lasers suggests fragility and transience. The installation’s geometry is an ever-changing environment, immersing the viewer in a kaleidoscopic display of shifting forms; light both constructing and deconstructing the very idea of monumentality.

Tickets: Eventbrite – search ‘Monuism Liverpool.’

Location: Old Christ Church, Waterloo 

Dates: 30 Jan – 1st Feb 2026

What perfect way to lighten the January blues!

 

 

Women at Work: the Unilever Contemporary Art Collection

 

Discover a new exhibition of work by women artists from the Unilever Contemporary Art Collection in Port Sunlight, the iconic Wirral model village and historic home of the global company.

‘Women at Work: the Unilever Contemporary Art Collection’ is a unique opportunity for the general public to see work from a collection which is normally displayed in Unilever’s offices across the UK. It includes paintings and prints by Bridget Riley, Lisa Milroy and Margaret Calvert.

The exhibition is open Wednesday–Saturday from 22 November until 22 March at the historic Bridge Cottage, which was briefly home to Port Sunlight’s founder William Lever, and is now a gallery space. Entry is free, with donations welcome to Port Sunlight Village Trust, the independent charity responsible for looking after the village.

The history of art is full of work by men, and it is only in recent decades that women artists have begun to be equally acknowledged, outside of the production of artworks which may be considered ‘domestic’. The Unilever Contemporary Art Collection redresses this by displaying work by female artists to show the breadths of their interests, subject matter and media.

Unilever has been associated with the arts since it was founded. William Lever was an avid collector and the business often used fine art in its advertising. Unilever has been collecting contemporary art since the late 1970s, with the aim of creating a more enjoyable working environment for employees and visitors, as well as supporting young artists in the UK.

 

Shift Exhibition

 

Overview

 

SHIFT has been curated and produced by Tobias Ferguson with Artist-Led St Helens

About SHIFT

 

SHIFT is an immersive group exhibition exploring how transformation moves through body, material and collective experience.

Informed by the circadian rhythm, the exhibition unfolds across two contrasting environments shaped by the energies of morning and night.

 

Featuring over twenty artists, designers and creative practitioners, the exhibition invites visitors into a space where light, atmosphere and movement influence how the artworks are encountered.

 

To attend the PREVIEW NIGHT – an evening of art and community, please book a place so we know how many people to expect. This is on the 5th December 2025 (6pm-9pm).

 

Public Viewing will be between 6/12/25 – 14/12/25 – no booking necessary for these days – so please spread the word and let people know about the SHIFT exhibition so that we can share these ideas with more of St Helens!