Event type: Exhibition

As part of a series of interventions in our Philip Wilson Steer ‘In Conversation’ exhibition, the Williamson has invited the Liverpool artist, Ben Youdan, to feature a work that contrasts and explores the themes found within Steer’s work.

Youdan’s practice employs a wide variety of techniques and processes including collage, drawing, painting, printmaking and photography, to create imagery that takes inspiration from the iconography and ephemera of popular culture as well as his lived experience. His pieces explore themes such as identity, glamour and sexuality in an unapologetically Queer fashion.

 

EVENT: On Friday 22nd August at 1pm join Ben Youdan in conversation to find our more about his practice and process. Free, but booking recommended.

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In Youdan’s own words:

“As an artist, I am interested in exploring the notion that the masks we wear can reveal something intrinsic to our nature. These masks can be physical or psychological. The anonymity of concealing our physical appearance can have a liberating effect, that emboldens the individual to explore their true nature. This inherent contradiction is particularly prevalent within queer sexual subcultures.

Steer’s work is often seen as voyeuristic, whereas mine revels in a more exhibitionist nature, born out of lived experience.

Whilst Steer’s work has a muted, naturalistic colour palette, my work revels in its own artifice. The colours selected are deliberately synthetic, clashing, and even gaudy, but with a self-awareness and exuberance that reflects the unapologetic nature of the subject. In many ways this work is the polar opposite of the muted tones and perceived repression found within some of Steer’s work in this exhibition.

In traditional portraiture, the eyes are typically what the viewer engages with, setting the mood for the piece and revealing a vulnerability in the subject. With ‘Mask’, the eyes are deliberately obscured, presenting my subject in a way that is vulnerable, honest and open in a way that protects them, allowing them to remain indifferent to the judgement they might receive. Where Steer’s subjects are laid bare in a passive, open manner, mine retains their agency and power by presenting an authentic version of themselves and their sexuality – on their terms.

The image of the gas mask can be interpreted in a variety of ways. In this specific intervention it is a device used in sexual role-play in a variety of fetish subcultures which deviate from the mainstream. It often denotes a submissive person who has elected to give themselves over completely to the gratification of a dominant partner. To a mainstream observer, this can often have darker connotations. This piece aims to subvert that presumption. Instead of black shiny rubber, it is presented in pink shiny glitter, challenging preconceived notions of alternative sexual expression.

My complex, handmade, mixed media portraits take inspiration from my lived experience of pop culture, the ephemera of daily life and queer subcultures.”

Part of Independents Biennial 2025

 

Philip Wilson Steer: In Conversation

Ben Youdan’s website

 

NOW EXTENDED TO 1ST NOVEMBER

An inspiring exhibition showcasing the work of the Happy Snappers, a Wirral-based photography group made up of both Deaf and BSL users. 

I’ll Tell You Later explores the relationship between the Deaf experience and the hearing world. It sheds light on the barriers D/deaf individuals face, while showing the Happy Snappers as a powerful example of how inclusive, supportive communities can break down these obstacles. Through their work, the group highlights the importance of creating a more inclusive society that benefits everyone.

This exhibition is an opportunity to engage in meaningful conversation through the lens of photography.

Happy Snappers are a group of friends who are both Deaf and BSL users. They get together and enjoy life outside and explore some of the Wirral’s hidden locations and beautiful scenery, and capture these locations on camera. They are not a professional photography group but share the same love of meeting people, socialising and having fun. 

Emma Case is a socially engaged photographer working with local communities focusing on projects that often explore home, identity, memory and place. Emma is interested in building real relationships over time and working collectively, often looking at social issues and their impact but through the lens of changing the narrative through storytelling. Emma is fluent in British Sign Language and has worked with the Deaf community for over 20 years; from support worker with SignHealth to Actress with Deafinitely Theatre. Emma is extremely passionate about accessibility for Deaf audiences and artists within cultural spaces.

I’ll Tell You Later is part of Photo Here, a programme of socially engaged photographic residencies and exhibitions commissioned by Liverpool City Region Combined Authority as part of this year’s Cultural Events Programme. Developed by Open Eye Gallery in collaboration with each of six local authorities: Halton, Knowsley, Liverpool, Sefton, St Helens and Wirral.

NOW CLOSING 18TH OCTOBER 2025

Discover the life of local legend Elizabeth Smolen, a Polish refugee who settled in Birkenhead and became a champion scooter racer and successful businesswoman.

A keen motorcyclist and engineer, Smolen made a name for herself by repairing, dealing and racing scooters and became part of Wirral’s scooter scene. Elizabeth Smolen: Trailblazer explores Smolen’s early life against the backdrop of Soviet Poland, and how her daring escape to England allowed her to make a new home in Wirral.

Objects from Smolen’s life, including two Vespa scooters, will be on display, alongside information about Smolen’s rich life, and stories from those who remember her.

The exhibition also explores the broader Wirral scooter scene, featuring photos and memorabilia from Birkenhead-based Cloud 9 Scooter Club.

Produced in collaboration with Big Heritage.

 

Digging into the land and lineage of historical sites for the past five years, collaborative artist duo, Angela Stringer and Nicky Perrin present their formative works in an exhibition which reveals the alchemical process of turning raw earth into vibrant expressions of story and place.

Harnessing natural materials such as sandstone, soil, clay and botanical matter from their local Wirral environment and beyond, they create paint and dyes to make work which transcends its origins, merging contemporary techniques with ancient traditions.

A reconstruction of the artists’ apothecary style studio will immerse visitors in their creative practice, showcasing the tools used to hand-process rock into fine pigment, before the time-honoured method of mulling it into paint.

Un/Earthed is the materialisation of journeying between the coasts of Anglesey and woodlands of Wirral. It is an exploration of identity, heritage and tales told through natural colour, reflecting on the deep connection between people and place.

EVENTS:

Film Screening: The Nettle Dress

Friday 23rd May, 6pm, £7

 

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