Programme: Debussy Prélude à l’après-midi d’un faune, Mozart Piano Concerto No.27 in B-flat K595, Berlioz Symphonie fantastique
Performers: Adam Hickox conductor, Paul Lewis piano
Take a young composer with a heart full of unrequited love and a head full of wild imaginings. Add bells, witches, guillotines and a super-sized orchestra, and – well, let’s just say that they don’t call it the Symphonie fantastique for nothing. Adam Hickox conducts Berlioz’s extravaganza today, but first, we’ll join Claude Debussy in a garden of otherworldly delights, and Paul Lewis performs Mozart’s final piano concerto. It might be his loveliest.
Programme: Schumann Overture, Genoveva, Beethoven Piano Concerto No.3, Berlioz Symphonie fantastique
Performers: Adam Hickox conductor, Paul Lewis piano
You’re young, you’re French and you’re madly in love. Naturally, you pour all your feelings into a colossal symphony: a delirious, multicoloured rollercoaster of raw passion, gothic nightmares and jangling bells. Sounds fantastic? Wait till you hear Berlioz’s psychedelic symphony conducted by fast-rising British star Adam Hickox, who returns with Liverpool’s own Paul Lewis in Beethoven’s darkest and most personal piano concerto. Things are about to get spectacular – it’s what Berlioz (and his hero Beethoven) would have expected.
Programme: Ravel Sonata for violin and cello, Martinů Sonata No.1 for cello and piano, Gary Carpenter Dioscuri for two cellos, Shostakovich Piano Trio No.2
Performers: Thelma Handy violin, Alexander Holladay cello, Mark Lindley cello, William Bracken piano
Thelma Handy and fellow musicians immerse us in the cool elegance of Ravel, the quirky tones of Martinů and detuned discourse from Gary Carpenter, before diving into one of Shostakovich’s most personal and famous chamber pieces.
Pleasure Island aka Liverpool-based duo Sean Ekins (guitar, vocals) and Sam Pierpoint (drums) make kinetic, cerebral indie-rock for bodies and minds in these post-Brexit, post-Covid, whatever’s-next times.
The band celebrate the release of their debut EP, titled “Now That’s What I Call Sleaze 26” this September. The tracks showcase the bands ability for caustic wordplay centered on the depths of human experience, wrapped in humour and post punk spikiness.
An Evening of Radiohead, performed by a full band, vocalists & string quartet in the ethereal surroundings of Liverpool Cathedral.
Let Me In are back, returning on a UK & Ireland Cathedral tour after consecutive sell-out, acclaimed tours in 2024 & 2025.
Lose yourself in this sonically spectacular celebration of Radiohead’s vast and ever-expanding universe of music – including hits and hidden gems from over 30 years in the spotlight from albums such as OK Computer and In Rainbows – with special attention on the 10th anniversary of their latest (and potentially last!) studio record – A Moon Shaped Pool – embracing the rich, textured sonic landscape of their UK Number One album.
A full live band, with vocalists, accompanied by the nationally renowned Mike Nowland String Quartet, will transport you on an epic journey through the bestselling band’s back catalogue within stunning surroundings for a special show of live music you will never forget.Your band for the evening will be fronted by Christopher Buckle, and will include local musicians and Radiohead lovers – Alfie Woods, Bruce Higgs, Daniel Anketell, Josh Semans, Lydia Karaviotis and Musical Director – Ewan Steady.
The band will be accompanied by very special guests and nationally renowned string players – Mike Nowland, Mathias Svensson, Caroline Bodimead and Hannah Paterson.
The Williamson is excited to welcome local musician Mike Hughes for a night of Jazz & Guitar.
He is a versatile instrumentalist, specializing in vibraphone and percussion, known as a top curator of the Wirral jazz scene. He is a regular sideman for the best jazz players in the UK and is an established soloist in his own right.
Come along to hear some extraordinary vibraphone music. He will be accompanied by the wonderful jazz guitarist Paul McRae.
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The Williamson café will be open for light bites and refreshments.
Northwestern is a dynamic duo whose engaging performances and stellar recorded work reflect the considerable skills of both artists.
Chris Howarth is an eloquent singer-songwriter in the classic vein whose compositions have drawn substantive praise, for example, from Sonoro “ a core of compassionate optimism underscores the song-writing…. damn great, a fascinating meditation.”
Adrian Hough is a bottleneck guitarist who is renowned for his sympathetic accompaniment and emotive expression, about whom, Guitarist magazine stated that his “sublime slide-work is as stunning as it is varied.”
Together these two fine artists deliver a set of primarily original songs with interpretations of classics to appreciative audiences, wherever they play.
“Super cool sounds from Northwestern this evening, a duo that works effortlessly together, crafting great songs and delivering them impeccably! Clever and inventive songwriting, delivered superbly, this is a duo at the top of their game, so come check them out.”
[January ’26 The Salty Dog.]
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The Portrait Paradox is an exhibition which brings together portraits from the Williamson’s collection and Adrian Jeans’ portrait-based sculpture, drawing, photography and video.
Adrian Jeans will be in conversation about his work, the inspiration he found in our collection and the intentions of the exhibition.
Julian Rees is a teacher, musician and mandolinist, author of the Mel Bay publication, “Welsh Airs and Dance Tunes for Mandolin”, and composer of “Ymdaith Idris/March of Idris,” as featured by award-winning author, Claire Fayers.
Through his YouTube channel, Julian showcases rare and traditional tunes, many unavailable elsewhere, offering a unique musical resource:
Julian’s YouTube Channel
Claire Fayers website
Yoga with Live Sitar Music An immersive experience by Milap at The Williamson
Join us for a deeply restorative yoga session with the gentle, meditative sounds of live sitar music.
Led by yoga practitioner Sian Griffin with music by sitarist Jonathan Mayer this 90-minute
experience invites you to slow down, tune in, and connect.
Each session blends pranayama (breathwork), asana (movement), and a guided deep relaxation, ending with a live sound bath using sitar and crystal singing bowls.
The practice is designed to be accessible for all levels, with both dynamic and gentle options available. Let the music move through you, grounding the body, quieting the mind, and opening the heart.
Click Here to Book Now
