Born in Birkenhead, Philip Wilson Steer was a pioneer of impressionism in Britain during the late nineteenth century.
Studying in Paris in the 1880s, he was exposed to this radical way of painting after seeing works by the likes of Degas and Manet.
With his loose approach to painting and depictions of scenes that were seen as indecent for the time, Steer was widely ridiculed on his return to London, but eventually gained acclaim and prestige with the increasing influence of the New English Art Club and his teaching post at the Slade School of Art. Later in his career, Steer was inspired by masters of English landscape painting, such as Constable and Turner, with examples of these works being found in the exhibition.
As well as showcasing the Williamson’s collection of Steer, this exhibition will bring his work into conversation with both his contemporaries and local artists who followed in his footsteps. This will showcase his personal approach to colour and painting, but will also show the limitations of his radicalism, largely through his approach to depicting women.
The Williamson’s collection of works by Steer has long been considered a highlight of our collections, which we are delighted to be able to display a significant number of in this exhibition.