theatre - Uncover Liverpool

STILL HERE: Mari Lloyd Brings Her Acclaimed Play Home to Liverpool

Posted on 01/09/2025 | by Clare Deane

Still Here Rehearsal in London — Mari Lloyd at a rehearsal for *STILL HERE. Credit: Grey Swan / Tim Stubbs Hughes*

After captivating audiences in London and South Wales, Mari Lloyd’s coming-of-age play STILL HERE is making its local debut at Hope Street Theatre on 11–12 September 2025. Developed through research and readings in Merseyside, the play explores the complexities of family, communication, and generational anger against the backdrop of a post-industrial Welsh town. Blending humour with emotional depth, Lloyd’s work reflects her own roots in the Rhondda Valley while remaining universally relatable—and now, it comes full circle, returning to the community that helped shape it.

STILL HERE is returning to Liverpool for its local debut at Hope Street Theatre. What does it mean to you to bring the play “full circle” to the place where it was developed?

I’m absolutely thrilled to present my coming-of-age play STILL HERE in Liverpool. After doing the research and development on Merseyside, it was always my intention to bring it back.

The two protagonists in the play clash in their local boxing gym, so as part of my research, I joined 12 Quays boxing gym in Wallasey. After a week of development, in Liverpool, we did one of our readings at the boxing gym for the boxers, and for staff from the Birkenhead branch of the mental health charity MIND. I felt it was important to reach the people that I was writing about and to get their feedback.

After performing in London and South Wales, people have been asking me when they can see it in Liverpool.

Still Here by Mari Lloyd. Double Jab Boxing Gym - London — Credit: Grey Swan / Tim Stubbs Hughes

The story is set in a small Welsh ex-mining town, which echoes your own upbringing in the Rhondda Valley. How much of your own life and community experiences have filtered into the characters and setting?

I still have family living in Wales and the play was born out of a frustration about people and places that have been ‘disappeared’. It’s the legacy of de industrialisation.

There are individuals in society that are often disappeared, for example people in care homes or people with a mental illness; but in a post-industrial landscape whole communities feel they are not seen and have lost their voice. This has happened all over Britain, not just the Rhondda. The anger left behind can create a void and a people looking for someone to blame.

The play explores the gap between parents and children—the things left unsaid and misunderstood. Why did you want to put that generational disconnect at the heart of the story?

Communication and anger are major themes in the play. And let’s face it, the younger generation have a lot to be angry about in the world today. The two characters in the play cope with their anger in different ways. But unfocused anger is destructive and blights a meaningful conversation, which is what they both need to have with their parents.

I am fascinated by communication. It’s often not through words. There’s often subtext, hidden meanings and metaphors. We do this all the time in storytelling.

True communication requires understanding and empathy which are more important than words or information which can be weaponized. I believe that all plays are about empathy at the end of the day.

STILL HERE blends humour and emotional depth in a very human way. Was it important to you to balance the heavy themes with moments of levity?

Heavy themes and levity are important to balance. I believe that all stories, however sad, will have some humour. It’s how we, as human beings, deal with situations and make sense of the world. And it’s universal. It was funny because in South Wales they thought that the humour was very ‘valleys’ and they asked me if the people in London understood it!

The staging is described as minimalistic but immersive—how did you and director Julia Stubbs approach creating an atmosphere that keeps the audience emotionally close to the story?

I love minimalistic staging. It’s cheaper for a start. But seriously I think that a minimalistic set can keep things focused and can be quite intense. Everything has a meaning and a purpose. We had brilliant lighting, sound and set designers working with us and, because the play is in multiple locations, everything was designed to follow and amplify the emotion of the play rather than reflecting place or time.

Rehearsals in London. Credit: Grey Swan / Tim Stubbs Hughes

You’ve spoken about theatre being rooted in community—what role do you think locally made, socially engaged theatre plays in Liverpool’s cultural life?

I believe locally made, socially engaged theatre is immensely important, and I wish we had more of it. It’s what Liverpool theatres were famous for. Some of the historically famous groups no longer exist, such as The Theatre of the Left, Network Theatre, Burjesta Theatre; others have changed for commercial viability. We need to protect and support our small local theatres. I have huge respect for the community theatres such as The Valley Theatre that do such good work.

Community, at the end of the day, is vital to wellbeing. Which is why, after researching in a boxing gym, I never left. Huge thanks to Mickey Allen at 12 Quays. I’m trying to persuade the boxers that a play is very similar in dramatic content to a boxing match. I hope some of them come along. I’m working on it.

Don’t miss STILL HERE at The Hope Street Theatre from 11 – 12 September. Tickets are available now.

Edinburgh Fringe Festival at Home: A Look at Liverpool’s Theatre Scene This Summer

Posted on 07/07/2025 | by Uncover

By Abbie Billington

Edinburgh Fringe Festival is widely regarded as the largest arts festival in the world. It takes place across three weeks in August, spanning the whole of the city and welcoming millions of people from all corners of the globe. With over 3,000 shows to choose from, the Fringe Festival has something to offer everyone who comes to join in the festivities.

While the Fringe Festival is an incredible annual event, for those of us not making the journey up north, there’s plenty of shows across Liverpool this summer to give you that fringe feeling! Liverpool has a fantastic grassroots theatre scene, and in this feature, we’ll look at just some of the shows making their way to the city this season.

YEP: The Snow Dragons – Everyman Theatre (11 – 12 July)

Deep in the woods, the trees are whispering. Beneath their branches, thrilling stories are being told.

Playing make believe with your friends was one of the best parts of being a kid, and in The Snow Dragons, the young people of the Young Everyman Playhouse programme bring that imagination and excitement to the stage. Eight young friends spend their days in the woods, inventing stories about giants and dragons, sword fights and vengeance. But when childhood games and the grown-up world collide, can they become the heroes they always imagined themselves to be?

The Snow Dragons is jam-packed with stunning songs and live music, immersing you in this dark fairy tale that will take you on a wild, magical ride.

Ghost Town – Unity Theatre (24 – 26 July)

Written in collaboration with 20 Stories High Youth Theatre, Ghost Town is a spooky, comedy thriller that takes place across Liverpool. After Darren disappears into the infamously haunted Newsham Park Hospital, his mates band together to uncover the truth of what really happened. Their journey is fraught with difficulties, with everything from tourists, buskers and scallies disrupting their search for the truth. Ghost Town will have you shaking from laughter and fear and will leave you with the question: do ghosts really exist?

Unity Scratch Night – Unity Theatre (30 July)

One of the best parts about the Edinburgh Fringe Festival is the chance to see brand new works of theatre, fresh off the press. But each one of those pieces had to start somewhere! At Unity’s Theatre’s Scratch Night, five ‘work in progress’ pieces of writing will be given the limelight to showcase what they’ve got so far. These nights are always stacked full of fantastic new talent, and this month’s instalment is sure to be no different! On the line-up this month is Flinger by Steve Wallis, Feed The Scousers by Jakob Taylor, Casu Martzu by Simone Tani, The Fanny Diaries by Erin McDaid, and Seafloor by Jake Angerer.

Sauce and Sorcery – Royal Court Studio (1 – 23 August)

Have you ever wondered what it would be like if two wizards had their own chippy in Old Swan? Well, the Royal Court Studio has got your answer in Sauce and Sorcery.

Abrakebabra is your average chippy run by Finn and his grandad Grant. Alongside the chips, fish, scallops and donner meat, they also serve up a healthy portion of spells and hexes. After already receiving a warning for using his magic in a built-up area, Grant lands himself in even deeper trouble after a transmogrification mistake involving the local drug dealing entrepreneur. With Finn, Grant and the chippy in danger, will their wizarding skills be enough to save them?

Picnic at Hanging Rock – Hope Street Theatre (9 – 10 August)

Based on the hit historical fiction novel by Australian author Joan Lindsay, Picnic at Hanging Rock follows the story of a group of female boarding school students who vanish at Hanging Rock while on a Valentine’s Day picnic in 1900. To this day, it has never been confirmed if the events in the novel were fact or fiction, but in the stage adaptation of Picnic at Hanging Rock, five actors will try to unravel the truth of what really happened that fateful day.

Fakebook – Hope Street Theatre (13 – 16 August)

Our current world is a digital one – we spend most of our lives online, glued to our screens and the topsy-turvy world of social media. Going Nowhere productions explore truth, lies and the masks we wear online in this bold and biting new comedy. Soundtracked by some fantastic music, Fakebook dives deep into what happens when real lives collide with digital personas. With plenty of surprises and full of wit, Fakebook is sure to be one you’ll want to catch this season.

To discover even more theatre shows happening across the Liverpool city region this summer and beyond check out our What’s On listings.

Desperate Times, Radical Measures – RAWD and Ugly Bucket Bring Protest to the Stage This Disability Pride Month

Posted on 30/06/2025 | by Uncover

As July is Disability Pride Month and news turns to more damaging cuts to the support of disabled people, Ugly Bucket’s Grace Gallagher talks protest.

In a climate of relentless benefit cuts, disabled people are facing mounting pressure—targeted by policies that chip away at their independence, dignity, and support. When times are desperate, we turn to desperate measures. In the case of Don’t Call Us, We’ll Call You, those measures come in the form of clowning.

This new show sees 35 disabled performers take to the stage in a dynamic and outrageous spectacle rooted in the spirit of the Block Telethon protests of the early 1990s, but retold through modern perspectives and abstract form.

This year marks a major milestone for disabled arts organisation RAWD as they officially launch as a charity. From humble beginnings in a church hall drama group, RAWD has grown into a vital creative force for learning disabled & neurodivergent people in Merseyside. To celebrate—and respond to the escalating challenges their members face—RAWD teamed up with Liverpool-based clown company Ugly Bucket to explore themes of protest and disabled activism.

The Challenge Isn’t Learning—It’s How We Teach

History is filled with moments where disabled people have fought back—often in bold, creative, and unexpected ways. Our process began in January 2025, as many creative journeys do, with research.

When we began, even the question “what is protest?” felt huge for some members of RAWD. It was unfamiliar ground—intimidating and distant. After all, society often assumes what learning disabled and neurodivergent people can and can’t ‘handle’. This collaboration demonstrates that the issue has never been ability—it’s access.

We learnt about protest not through textbooks, but through clowning. We’ve discovered ways to make big ideas feel accessible, playful and personal. We explored decades of disabled activism—The Blind March, the 504 Sit-In, The Direct Action Network’s London Bus Protests to name a few. However, as clowns, we were drawn—irresistibly—to the garish world of 90s Telethon. The Block Telethon movement, where disabled activists rejected pity-led fundraising campaigns, became a powerful touchpoint for us.

While we play within this world, the show echoes all our learning as RAWD members have stamped this story with their own perspectives and flair. This show is a reflection of the journey they have taken: finding their voice, breaking their own moulds, standing up for what’s right and building confidence to call upon their audience for allyship.

Clowning – More Than Just Laughs

Clowning is often misunderstood—reduced to red noses & big shoes. But clowns come in all different forms and styles. Everyone has an inner clown, an extension of themselves, and part of our process has been guiding RAWD members to discover who their clowns are.

Beyond laughter, we at Ugly Bucket champion the clowning practice as a dynamic tool for community bonding, self exploration, and social change. It’s not just about glorious stupidity, it’s about listening, taking up space, making bold choices, and connecting authentically with others. Why is clowning an unexpected yet perfect protest tool? Because when people are laughing, they’re listening, and Don’t Call Us, We’ll Call You gives RAWD members the platform to be heard.

Clowning, like access, is deeply personal. In this project, we’ve seen RAWD members emerge in ways we couldn’t have predicted. We’ve been challenged to adapt our practice, to innovate, and to discover new ways of learning. This wasn’t about simplifying protest—it was about reimagining how we learn. When the method shifts, the possibilities expand.

Don’t Call Us, We’ll Call You shows its audience that not only can RAWD members handle it, but they can tear up the rulebook, re-write their script, and laugh along every step of the way.

Don’t Call Us, We’ll Call You takes place on Saturday 5th July 4pm and Monday 7th July 7.30pm at Unity Theatre and Wednesday 9th July 7.30pm and Saturday 12th July 2pm at Theatre Porto in Ellesmere Port.

RAWD’s Protest Against Passiveness: Don’t Call Us, We’ll Call You

Posted on 23/06/2025 | by Uncover

RAWD Charity Launch Event Image — Credit: Jack Ehlen

Arts organisation RAWD launch their biggest show to date during Disability Pride Month. Artistic Director Steffi Sweeney talks about how their members are continuing a tradition of pride and protest.

A New Chapter For RAWD

The RAWD Protest began long ago. Almost ten years on, the drum is still banging, the flag is still flying and now… the phone is ringing.

This July marks a major milestone for RAWD. We officially launch as a charity – and we’re doing it the only way we know how: with bold creativity, fierce pride, and stages full of disabled artists. Across the month our artists are premiering directorial film debuts at FACT, performing live music gigs at the Valley Theatre in Belle Vale and, as is RAWD tradition, there will be disabled artists packing out stages across the North West.

But to understand where we’re going, it helps to look at where we’ve been. RAWD began over a decade ago as a disability drama group meeting weekly in a church hall. Since then, we’ve grown into an arts organisation with a mission to tackle inequality and celebrate disabled creativity. Our projects include ‘Boards Are Boring’, which challenged governance structures; ‘Creative Wellness’ exploring inclusive wellbeing; and our ongoing Facilitator Training Programme, which empowers the next generation of inclusive practitioners.

RAWD supported Dora Colquon produce the nationwide tour of her show The Lodger. Credit: Jack Ehlen

Pride, Protest, and Performance

To mark our new chapter as a charity, we’re presenting our biggest-ever month of activity for Disability Pride Month. This year is a key juncture for our organisation as we transition to a registered charity. It is also an important moment for our community as rights are rolled back and vital support is under threat. With our programme of activity in Disability Pride Month we want to make a statement.

Leading our programme is a show with a driving purpose. Partnering with Liverpool’s award-winning clown company Ugly Bucket, Don’t Call Us We’ll Call You has a cast of 35. The show continues another proud tradition of RAWD’s: amplifying the lived experiences of our community. However this time, it hits different.

“The show is blunt, important and completely stupid.”
Tom Daly, RAWD Member.

The questions our members are asking while developing Don’t Call Us, We’ll Call You are: what is protest and where do we fit in this fight? We knew this topic would be difficult to approach so partnering with Ugly Bucket felt like a perfect match to bring levity and power to the project. A company well versed in tackling difficult subjects and presenting important narratives, their techno clown style always delivers their objective: “Taking silliness serious.”

RAWD is adamant that we cannot shy away from the big difficult questions and ultimately our members don’t want to. No-one should be overlooked. It is our strong belief that we have agency to become the changemakers in our own lives, and we need to be part of bigger conversations about the world. In order to equip our members with the tools and skills to do this we “RAWD-ify” the subject matter and broaden our knowledge of what’s come before.

RAWD presented co-devised show It’s My Party at Unity Theatre in 2024. Credit: Jack Ehlen

Learning from the Past, Demanding a New Future

In developing Don’t Call Us…, we have looked back at a century of disabled activism, the history of our rights, and asked what ought to be done now? One member was shocked that the first Disability Pride date was as recent as 1990. RAWD member Mike said: “There may not have been an event, but we’ve always been proud.”

Our research led us to ‘Telethon’ and more specifically the block telethon protests of 1992. Disabled activists gathered outside the LWT Studios on the South Bank to challenge negative stereotypes and patronizing tone being fostered by Telethon. After this protest Telethon was never broadcast again. Johnny Crescendo, a key figure in the protests can be seen wearing a shirt that reads “Piss on Pity”. Regarding the disabled people being exploited by the TV Show the activist said: “‘Please and thank you’ were the best lines in their script. Passiveness and helplessness was not attractive to me”.

At RAWD we prioritise the value and necessity of the voices of our community. Our work is centered around the perspectives and opinions our members want to uncover. There is a failure within the system that neglects the view of learning disabled people. An assumption that societal barriers limit not only ability but the desire to be an active citizen.

Don’t Call Us We’ll Call You is a direct protest against these assumptions. A ticket to our show is also an invitation to join the movement, stand beside us and a call to action.

We ask every artist in the city:

What are you doing for disability awareness month?
Do you support disability theatre?
Can you join us in the RAWD MOVEMENT?

Don’t Call Us We’ll Call You is part of RAWD’s charity launch programme.

RAWD 2023 production Super. Credit - Jack Ehlen — RAWD 2023 production Super. Credit: Jack Ehlen

RAWD’s July 2025 Programme

RAWD Charity Launch
Thursday 3rd July 5-8pm at Unity Theatre
Join RAWD for an evening showcasing whats to come this July 2025.
FREE Tickets

Don’t Call Us, We’ll Call You
Saturday 5th July 4pm – Unity Theatre Tickets
Monday 7th July 7.30pm – Unity Theatre Tickets
Wednesday 9th July 7.30pm – Theatre Porto Tickets
Saturday 12th July 2pm – Theatre Porto Tickets

35 Disabled performers. One stage. Inescapable truths and a call for change. Rooted in the spirit of the Block Telethon protests but reimagined through abstract form and modern perspectives, this show moves between two surreal worlds: The glittering illusion of telethon and the unruly power of protest. Expect a dynamic spectacle of clowning, sharp satire, music and physical storytelling.

Tune In: RAWD Music at PSS
Monday 7th July 1pm – Valley Theatre
Over 12 weeks, PSS have been exploring inclusive avenues of songwriting.
Join us for an exclusive live session…

My Way High Way
Friday 11th July 1.30pm – Valley Theatre
PSS’s in-house RAWD group perform their co-devised show.

Directing Difference: Film Double Bill
Tuesday 22nd July – FACT

RAWD proudly presents two powerful directorial debuts by artists breaking boundaries in film. A rare chance to experience bold new perspectives from creatives breaking through major industry barriers. Sam Hooper, a theatre-maker with Down Syndrome presents I Move We Move, a vibrant celebration of unity, teamwork, and shared energy, through spoken word, movement, and music. Alana Wadkin, a creative artist with Athetoid Cerebral Palsy, debuts Everyone’s Bitchin’ About Al. The culmination of her work developing a Directing Communication Board with RAWD for artists who are non-verbal. This innovative tool redefines how direction can be communicated – and this film proves its creative power. Tickets on sale soon!

Threads of Protest
Tuesday 29th July 7.30pm – Storyhouse, Chester

RAWD Fundraiser
Thursday 31st July 7pm – Future Yard, Birkenhead Tickets
A line-up of special musical guests celebrate the end of our month-long programme and help raise money for RAWD. Guests to be announced soon.

To find out more about RAWD visit rawdproject.co.uk.

Liverpool’s Royal Court Theatre: At The Heart of Liverpool Culture For 200 Years

Posted on 16/06/2025 | by Uncover

By Ade Blackburn

Red Or Dead - Credit - Atanas Paskalev — Red Or Dead. Credit: Atanas Paskalev

Liverpool’s Royal Court Theatre is one of most iconic and welcoming theatres in the city. Housed in a beautifully restored Art Deco building, it’s a venue where modern productions meet historic charm. Known for its laugh-out-loud comedies and musicals, the Royal Court is deeply rooted in the city’s culture — from the stories it tells to the people who bring them to life.

The Royal Court Theatre produces eight long running plays every year, mostly comedies and musicals. The shows have a Liverpool theme with largely Liverpool cast and crew. Sets are built in the city, rehearsals take place in Liverpool and 95% of all money spent by the theatre goes back into the local economy.

If you’re after a scouse night out, The Court is the place to be.

History and Art Deco Grandeur

The Royal Court stands on a site that has entertained the city since 1826, when it opened as Cooke’s New Circus and rebranded in 1831 as Cooke’s Amphitheatre of Arts, presenting opera, music, theatre and ballet. It became the Royal Court Theatre in 1881 and quickly gained a reputation as Liverpool’s leading venue for touring music, theatre, and ballet.

Its Art Deco redesign in 1938 gave it the stylish silhouette seen today — now Grade II listed and lovingly restored by architects Allford Hall Monaghan Morris. Over the years, legends like Judi Dench, Laurence Olivier, Fred Astaire, and Ken Dodd have graced its stage. In fact, Dame Judi Dench made her acting debut here in 1957 and is now Patron of the Royal Court Trust.

Theatre Shows

The Scousetrap. Credit: Jason Roberts Photography

The venue regularly hosted gigs in the 80s, including legendary shows by Kraftwerk, Echo and the Bunnymen and The Specials, amongst many others, before emerging with their own Liverpool-based original theatre productions.

A cast of mainly Merseyside regulars, including former Brookside stars Michael Starke and Suzanne Collins, star in an ongoing season of irreverent comedy with excellent production values. Pre-show dining, cabaret-style stalls seating and a range of drinks are served before and after the show, a feature of a night out at the Court.

The Royal Court also stages Shakespearean productions from the local Lodestar Theatre Company and occasional musical events. In addition, they run a fascinating Heritage Tour, covering the theatre’s history via a backstage tour through set storage, dressing rooms and loft space.

In recent years, the theatre staged their comedy A Thong For Europe and hosted a Eurovision screening, as part of the city-wide Eurovision celebration, and their Boys From The Blackstuff production has played at the National Theatre. Currently, they’re staging the musical Speedo Mick – The Scouse Stomper, an inspiring show about a die-hard Everton fan raising more than a million pounds for disadvantaged young people and the homeless.

Youth Theatre

The Royal Court isn’t just about what happens on stage — it’s also nurturing the next generation of creatives. Their Youth Theatre is open to 11–17 year olds from across the city, this free programme helps young people gain hands-on experience in acting, writing, fundraising, and stage management.

New Writing

One of the region’s largest producers of theatre, Liverpool’s Royal Court has a focus on new writing, with their Stage Write playwright development programme.

The theatre began producing shows in 2006, and quickly developed its own house style. In the early years the programming was a mix of established and commissioned plays but since 2017 all of their work has been written for the Royal Court. As well as their main house works, the 150 seat Studio space is a great place to develop new plays and they commission three new pieces each year.

They are committed to supporting the development of new works and new writers whether for the Royal Court audience or not. As access is an important part of the way they work, all of these initiatives are free to access.

Community Choir

Want to get involved but not quite ready for the spotlight? The Royal Court’s free Communi ty Choir welcomes all abilities. It’s about fun, friendship, and finding your voice — with past performances at events like Liverpool ONE’s Christmas switch-on and Pride in Liverpool. Sessions take place every Monday (except Bank Holidays), 5–7pm in the Studio. Open to anyone aged 16+.

From heritage tours to hilarious comedies, community programmes to inspiring musicals, find out what’s on at Liverpool’s Royal Court via their events listings.

Buried Treasure With ArtsGroupie CIC: Celebrating 100 Years of Liverpool Empire Theatre

Posted on 21/04/2025 | by Uncover

By John Maguire

In this latest instalment of Buried Treasure with ArtsGroupie CIC writer and theatre-maker John Maguire reflects on a century of storytelling, stars, and stagecraft at the iconic Liverpool Empire. As the theatre celebrates its 100th birthday, John takes us on a journey through its rich and dramatic past, reminding us why this majestic venue remains a jewel in Liverpool’s cultural crown.

2025 marks a significant birthday for one of Liverpool’s most beloved theatre’s, The Empire. ArtsGroupie recently attended a centenary celebration showing of Willy Russell’s Blood Brothers and we were reminded of the significance of this venue and its sheer majesty. For, the space is charged with a magical energy. Wonderful and electric. A result of the many dramas being played and audiences coming together to enjoy a piece of storytelling.

For a century, the stage has been populated by theatrical productions, spectaculars, concerts, and a vast variety of entertainment. The theatre site itself is actually older than one hundred years. The first performance to take to the boards was Faust, opening on October 15, 1866, as the New Prince of Wales Theatre and Opera House. This building consisted of a lower story, with carved heads of dramatists Shakespeare, Schiller, Moliere and composers Beethoven and Rossini, above the first floor. A bold statement to indicate its function and figures chosen emblematical of drama and music.

Empire Theatre Liverpool - Courtesy of Liverpool Central Library Archives — Image Courtesy of Liverpool Central Library Archives

When it opened as the New Prince of Wales Theatre, it was Liverpool’s largest theatre built to date, though it was only two-thirds the size of The Empire which now stands in its place. The building changed hands in 1867 and was renamed in honour of the then Princess of Wales, Princess Alexandra of Denmark. It became known for a variety of Italian operas, plays, pantomimes, and burlesque. Esteemed thespian Henry Irving, renowned for his performances in revivals of Shakespeare’s plays performed at the venue, he became the first actor to ever be knighted. The exact dates of Irving’s performances at the Empire are not specified but, the theatre’s history indicates that he and other famous actors, including Ellen Terry, Sarah Bernhardt, and Marie Lloyd, were among the many notable performers who graced its stage.

In 1895, it came under the ownership of a company called Empire Theatre (Liverpool) Ltd., though it retained the name Alexandra until December 1896, when after renovations it was reopened as the Empire Theatre. A production of Cinderella came direct from the Lyceum in London with an impressive two hundred performers in the spectacle.

The theatre switched to Variety performances, until 1911 when it briefly showed silent motion pictures, (it gained the exclusive rights for Liverpool to show Kinemacolour, an invention of pioneer filmmaker George Albert Smith, with the likes of 1908’s ‘Natures Looking Glass’ – the only stereoscopic life motion pictures, reproducing the actual colours of nature without any means of colouring), before the opening of Liverpool’s first purpose built cinema in 1912, Lime Street Picture House (later The Futurist).

History of the Empire Theatre Liverpool - Courtesy of Liverpool Central Library Archives — Image Courtesy of Liverpool Central Library Archives

The theatre continued to host Variety entertainment throughout the First World War (1914-18) and finally closed for the last time in February 1924. The building was then demolished to make way for the much larger art deco Empire Theatre that we know today. The 1925 new build was constructed in the style of a New York City theatre. But the original plans had to be changed as they left out a key asset to a theatre’s profit making. As being modelled on an American venue, there were no bars included. Due to prohibition, venues in the states could not sell liquor.

The Empire’s stage was declared the largest in Great Britain, making it an attractive venue for big names internationally. Big musical productions came to Liverpool, like 1926 Lady Be Good starring Fred and Adele Astair.

Despite Liverpool being the most bombed city outside of London in WWII, The Empire survived and was managing to book Hollywood greats like Mae West (1947), Laurel and Hardy (1947), Judy Garland (1951), and Frank Sinatra (1953), amongst many others during the rebuilding effort. The theatre was still pulling in big names throughout the 1960s, and even during the peak of Liverpool’s economic decline The Empire, alongside the Royal Court had become an important rock and roll venue hosting the biggest rock acts in the world. The Rolling Stones, Bowie and Kate Bush, to name a few.

The theatre would go through multiple renovations and improvements over the years. The Empire is now Liverpool’s largest receiving house, attracting the countries biggest touring theatre shows.

Here is to another hundred years of theatrical adventures.

Must-See Theatre Shows In Liverpool And The City Region This Spring

Posted on 17/03/2025 | by Uncover

By Abbie Billington

Spring is finally here and as the ice melts and flowers bloom, we’re looking ahead to an exciting season of theatre shows in Liverpool and the city region. From feel-good musicals and wild animal adventures to jaw-dropping drama — there’s lots to get excited about. As Hal Borland once said, ‘No winter lasts forever; no spring skips its turn.’ So, why not shake off those winter blues and enjoy some top-tier theatre across the Liverpool city region?

Red or Dead – Royal Court (21 March – 19 April)

The life and work of Liverpool Football Club legend, Bill Shankly is brought to life in this fictionalised epic on stage at the Royal Court. Shankly came to Liverpool with one goal: to build Liverpool Football Club up and up until they were invincible. With a whopping 52 cast members, the energy in the auditorium is sure to be electric, transporting you back to a golden age of football. So, whack out your red scarves and hats and lose yourself in Shankly’s Liverpool!

Animal Farm – Playhouse (1 – 5 April)

Animal Farm. Credit Pamela Raith Photography — Credit: Pamela Raith Photography

“All animals are created equal. But some are more equal than others.” When a revolution against the humans explodes at Manor Farm, the animals soon find that a life without humans is not all it’s cracked up to be. The utopia of equality they create soon dissolves under the tyrannical hooves of pigs Napoleon and Snowball. As tensions mount, how will the animals fare? After the huge splash of Ryan Craig’s adaptation of 1984 in November last year, Ian Wooldridge brings another of George Orwell’s chilling tales, Animal Farm, to life at the Playhouse this spring.

War Horse – Empire Theatre (8 – 19 April)

The critically acclaimed National Theatre production of War Horse returns to the Empire Theatre this April, and this is certainly not one to miss. Based on Michael Morpurgo’s novel and adapted by Nick Stafford, War Horse tells the story of Joey, a farm horse sold to the Cavalry during World War One and shipped off to France. It is a heart-wrenching story of love and loss, and the bond we share with our animal companions. South Africa’s Handstring Puppet Company bring the horses of the story to life and provide captivating visuals that will surely stick with you for a lifetime.

Everybody’s Talking About Jamie – The Atkinson (10 – 12 April)

Dust off those heels and join SONG for their production of Everybody’s Talking About Jamie at The Atkinson! SONG are Southport’s Award-Winning Musical Theatre Society, and twice a year they produce two high quality productions. This April, they’re retelling the story of Jamie New, a young boy who defies expectations as he embraces his true identity. The show carries a heartfelt message of acceptance and is certainly one that the whole family will enjoy.

Extremis – Hope Street Theatre (16 – 19 April)

When human resilience is tested, will hope prevail, or will darkness reign? In this new play by award-winning playwright Ian Moore, humanity is pushed to its absolute limit in this gripping tale of survival and sacrifice. It is a fantastic exploration of the human spirit and will leave you asking the question; what does it mean to make the ultimate choice?

Takeaway – Everyman (26 April – 17 May)

Fancy a takeaway? The Everyman’s creative director, Nathan Powell, shines a spotlight on Liverpool’s Caribbean community in this uplifting narrative of fun, heartbreak and just the right amount of spice. When the beloved Hyltons Caribbean takeaway is threatened by the technological age knocking at their door, Carol’s family are thrown into a chaotic whirlwind. Tension isn’t the only thing that’s rising as a block of luxury flats is set to demolish a local Community Centre, an all too contemporary reality in Liverpool’s current climate. If you like your theatre with a sprinkling of family tension, a dash of fun and a whole heap of delicious food, then this is the show for you.

Hamilton- Liverpool Empire Theatre (6 May – 7 June)

Lin-Manuel Miranda’s multi award-winning masterpiece, Hamilton, arrives to the Empire this spring! Known for its unforgettable score and show-stopping choreography, there’s a reason everyone can’t stop raving about this show. The story of Alexander Hamilton, America’s Founding Father, is rooted in drama, deception and dance numbers – what’s not to love? If you like your history lessons served with hip-hop, jazz, blues, rap, R&B and Broadway, then the Empire Theatre is your place to go.

Afloat – Unity Theatre (23 – 24 May)

Asylum Link offer a poignant, thought-provoking piece of theatre for social change in Afloat, following the journey of two English asylum seekers fighting for their lives as the dream to make Britain Great turns into a living nightmare. Afloat offers a first-hand experience of the challenges that asylum seekers must face every single day and invites its audience to engage with the work with a sense of empathy and compassion. It is an important piece of theatre that shines a light on the misunderstood members of our community who deserve our kindness.

Asylum Link also invite audiences to a post-show discussion, opening a dialogue on how we can collectively support asylum seekers in our community.

Speedo Mick – The Scouse Stomper – Royal Court (30 May – 5 July)

Join the much loved, world famous, Speedo Mick as he recounts his story of being that homeless guy in the shop doorway they said wouldn’t amount to anything, to raising hundreds of thousands of pounds for disadvantaged young people and the homeless. This inspirational show is the feel-good boost we all need.

Maybe it’s time to dig out those speedos?

FOUR – Hope Street Theatre (11 – 14 June)

Tip Tray Theatre have just hosted their What Happens Next competition for 2025, but in June the Hope Street Theatre hosts last year’s winner, FOUR. Written by Elspeth Todd, FOUR sees four family members hit with some unexpected news. Each family member is given the spotlight, recounting their version of events in this story of love, loss, and grief. Tip Tray Theatre and their What Happens Next competition have been at the forefront of supporting emerging writers and their work, setting them up for success in the theatre industry. If you want to support grassroots theatre, then look no further than Tip Tray Theatre!

To discover even more theatre shows in Liverpool and the city region check out our What’s On listings.

Must-See Pantos In Liverpool And The City Region 2024

Posted on 02/12/2024 | by Uncover

By Ade Blackburn

Pantomime season is upon us, and there’s no better way to celebrate the festive period than with a trip to one of the Liverpool city region’s top shows. With laugh-out-loud comedy, dazzling costumes, and plenty of audience participation, pantos bring a touch of magic that appeals to all ages. Whether you’re shouting “He’s behind you!” or singing along to chart-topping hits, these family-friendly performances are a beloved Christmas tradition. From classic fairy tales to unique local twists, here’s our guide to the best pantos in Liverpool and the city region for 2024.

Highlights include the legendary Everyman Rock ‘n’ Roll Panto, Rapunzel, RAWD’s The Little Mersey Mermaid at Unity Theatre, and a star-studded production of Snow White and the Seven Dwarfs at St Helens Theatre Royal.

Disney’s Aladdin: Liverpool Empire (11 December – 5 January 2025)

From the producers that brought you The Lion King, Beauty and the Beast and Frozen, comes the spectacular Disney, Broadway and West End musical Aladdin, The performance features stunning music by renowned writers Alan Menken, Howard Ashman and Tim Rice.

They’ll be flying in on a magic carpet to Liverpool Empire with four weekend performances available!

Rapunzel: Everyman Theatre (Until 18 January 2025)

Let your hair down with Rapunzel, as the iconic Everyman Rock ‘n’ Roll panto returns for 2024. As ever they’ve assembled an awesomely talented bunch of actor musicians who will sing, dance, entertain and play music live on stage, as they bring the classic fairytale to life in surprising style.

With celebrations continuing for the Everyman 60th Birthday, they’re delighted to welcome back Michael Starke as Dame Debbie Updo, having played in many Everyman pantos back in the late 1980s.

Star of Wonder: Unity Theatre (17 – 21 December)

In Star of Wonder at the Unity Theatre, audiences of all ages and abilities are invited to join three friends on a wondrous journey to follow a star. A magical and memorable show for all the family, full of clowning, magical interaction and brilliant puppetry.

Created by the award-winning Liverpool-based collective Teatro Pomodoro in partnership with Theatre Porto, and performed by a cast of international actors, Star of Wonder is the perfect family experience this season.

Sleeping Beauty: The Atkinson (6 – 31 December)

Step into a winter wonderland as KD Theatre Productions returns to The Atkinson with Sleeping Beauty. Set in the magical kingdom of “Southportopia,” this enchanting family pantomime is packed with laughs, adventure, and festive cheer. Join Princess Aurora, her brave prince, and a lovable cast of characters as they battle the wicked fairy Carabosse to break a spell of eternal slumber. With dazzling costumes, toe-tapping tunes, and plenty of audience participation, this classic tale promises to delight audiences of all ages.

The Little Mersey Mermaid: Unity Theatre (7 – 9 December)

Join Random Acts of Wildness Disability (RAWD) for The Little Mersey Mermaid, a hilarious and heartwarming Liverpool-inspired twist on the classic tale. Expect a show full of laughter, music, and a dash of Scouse spirit!

Catch the magic at Unity Theatre, where RAWD is an associate company. Celebrate with them as they round off another fantastic year, supporting their community of disabled artists.

The Further Adventures of Peter Pan – The Return of Captain Hook: Floral Pavilion (6 December – 5 January 2025)

New Brighton’s Floral Pavilion are presenting The Further Adventures of Peter Pan – The Return of Captain Hook. Join Peter, Smee, Tinker Bell, and Ethyl Mermaid on a brand-new swashbuckling adventure full of fun, laughter and crocodiles!

This production is full of sparkling sets, lavish costumes, amazing song and dance numbers, giggles galore and bags of audience participation. Hook is back! So watch out, he might be behind you!

Snow White And The Seven Dwarfs: St Helens Theatre Royal (30 November – 12 January 2025)

Pop legend and West End star Maureen Nolan plays the Wicked Queen, while Emrhys Cooper, Coronation Street’s Rowan Cunliffe, takes on the role of Prince Fredrick in Snow White and the Seven Dwarfs. The enchanting pantomime heads to St Helens from November to January 2025.

They will be joined by the fairest cast of them all, panto royalty Leanne Campbell, who is appearing digitally as the Magic Mirror. They have also enlisted the help of some very special local legends to voice the roles of the Dwarfs – including Johnny Vegas, Pete Price, Craig Phillips and Louis Emerick.

Aladdin: The Brindley, Runcorn (5 December – 5 January 2025)

Aladdin is sure to have the usual spectacular scenery, amazing costumes, hilarious jokes, singalong songs and fun for all the family. This fantastic festive pantomime is presented by New Pantomime Productions at Runcorn’s The Brindley.

The show stars Amanda Lovett from the hit TV show The Traitors as The Empress, Rebecca Lake as Yasmin, Alexander J Smith as Abanazar and Sean Luckham as Twanky. There is a performance with British Sign Language on 28 December and a Relaxed Performance on 30 December.

The Magical Adventures of Peter Pan: M&S Bank Arena (17 – 29 December)

The delightful The Magical Adventures of Peter Pan features great songs from their live band, magical dance routines, stunning scenery, beautiful costumes and amazing 3D effects. Peter Pan must outsmart Captain Hook and his bumbling crew, overcoming challenges, and discovering the true meaning of love, loyalty, and never-ending magic!

Join in the family fun for the swashbuckling adventures of Peter Pan, it promises to be an unforgettable experience for children and adults alike.

Sleeping Beauty: Hope Street Theatre (13 – 31 December)

A spellbinding tale of Sleeping Beauty. The beautiful Princess Aurora Lily Wheeler (Italia Conti) pricks her finger on a spindle wheel which has been cursed by the evil Carabosse at her 18th Birthday party.

The show features sparkling sets and dazzling costumes, plus songs that will make you want to sing and dance! There is even a visit from Santa at the end of selected shows.

The Scouse Red Riding Hood: Liverpool’s Royal Court (26 November – 25 January 2025)

This is a show that’s for grownups only, so leave the kids at home and have a night out for yourself with The Scouse Red Riding Hood!

Christmas is coming and nan is laid up as her sciatica is giving her gyp. It’s down to Little Red and her mate Big Blue to get out to her cottage in Spinney Woods with a proper scran. She wants some of that CBD rubbing oil you get from the place in St John’s that does the Spanish cleaning products too.

Join the Royal Court gang on another Christmas adventure that is guaranteed to have you laughing and singing into the new year. Get down for great food, drinks, jokes, songs and so much more!

To discover more theatre events and so much more, check out our What’s On Event Listings.

‘Lost Soul 2. Smigger’s Wrecked Head’, At Liverpool’s Royal Court, Is Classic Scouse Comedy With A 70s Soundtrack

Posted on 04/09/2024 | by Uncover

By Susan Wallace

Lost Soul 2 - Liverpool's Royal Court - Credit AB Photography — Photo Credit: AB Photography

If you miss illustrious 70s Liverpool nightclubs Chequers, The Babalou, The Beachcomber, Ugly’s and Flintlocks, or just love 70s music and a good laugh – this one’s for you.

Feeling old after becoming a grandfather, cheeky, Scottie Road Scouser, Smigger (Andrew Schofield) escapes weekend babysitting to boogy on down to his favourite 70s disco when the realities of life do his head in. He’s wrecked.

This very funny, toe-tapping treat is the latest production in the popular, ‘Lost Soul’ series by plasterer turned successful playwright, Dave Kirby at Liverpool’s Art Deco, Grade II listed Royal Court Theatre – which offers a unique, cabaret-style, ‘Dining Experience’ option in the stalls. It has some matinees and is five minutes walk from Central – and Lime Street Station for wooly backs!

Life’s gotten stale. Where did the years go? The 70s music heyday and Liverpool nightlife, gone faster than ‘Chicken in a Basket’.

Smigger misses attention and sexy play time with wife, Donna, (Lindzi Germain), who’s doting on her new grandson and not been up for their traditional over 40s Sunday pub night in town lately, let alone anything else.

So they ditch domesticity and do the hustle off to Pontins Prestatyn for a saucy weekend.

The cast of seven also includes their daughter, new mum Amy (Jennifer Hynes); her laddish, scally boyfriend, of sorts, Charlie (Michael Hawkins); family bessies, couple, Terry (Paul Duckworth) and Pat (Cath Rice) with hapless, young barman (Lenny Wood) watching the seniors strut their funky stuff at the weekly ‘Soul Train’ 70s night disco for oldies.

At Pontins, Donna is all poised in red negligee set. But hopes of any inventive, raunchy role play are soon dashed as Smigger’s mucked up the packing.

Lost Soul 2 at Liverpool's Royal Court - Credit AB Photography — Photo Credit: AB Photography

On stage, the rotating set returns us home where crazy antics continue to conspire. Smigger’s had enough. The eternal teenager loves his family, but he’s off to have some time away by himself. He goes to the Riviera – Guest House, that is. He wants to go on Love Island for the over 50s.

Meanwhile, back at the disco, there’s hot drama and uncool dancing – with a comedic, clapalong performance on the dance floor when the barman has a go – more Morris than Motown!

In the house, Donna tanks up on paracetamol to cope without her wayward ‘Peter Pan’ husband and a madcap plan is hatched to hopefully reunite the devoted pair – always and forever.

With its 70s Liverpool nightlife nostalgia, catchy soul soundtrack, strong language, goofy gags and puns and indigenous one-liners, we smile in the face of the angst of love, life and loss.

A dab of pathos, and altered pace, doesn’t distract from the fun of the slapstick action – sharply, yet warmly directed by Bob Eaton – as we see Smigger comically lament the scary passing of 40-odd years at the speed of a disco inferno and the inevitability of having to let the music play.

As the script reveals through one hilarious altercation, just don’t ever mention the actor Alan Ladd to a Liverpool Lad. You’ll be there all day!

Lost Soul 2: Running until 14 September. Tickets from 0151 709 4321, liverpoolsroyalcourt.com and in person.

10 Unmissable Things To Do In Liverpool And The City Region In September

Posted on 02/09/2024 | by Uncover

September in Liverpool and the city region is packed with a vibrant mix of cultural events. From interactive art exhibitions and a Latin American festival to powerful theatre performances and jazz concerts, there are plenty of things to do in Liverpool and the city region this month.

Highlights include the return of BlackFest, celebrating Black arts with an exciting lineup, and the Neurodiversity Arts Festival, showcasing neurodivergent creativity. Music lovers can look forward to an evening with songwriter Guy Chambers and a special jazz performance by Shez Raja. Whether you’re into art, music, or theatre, Liverpool has an array of events to explore this September.

Things To Do In Liverpool & The City Region This September

1. Art Plays Games (5 September – 27 April ’25)

FACT has transformed their upstairs gallery into a new space dedicated to showcasing artists’ games and works made using AI technologies. Fun, playful and suitable for gamers and non-gamers of all ages, Art Plays Games looks at how artists are increasingly using games as a way to challenge conventional forms of storytelling and offer us new ways to make sense of the world today. Whether you’re a fan of interactive art exhibitions or looking for exciting things to do in Liverpool, Art Plays Games at FACT offers a fun and engaging experience for all ages.

2. La Feria (10 – 15 September)

La Feria Festival returns to Liverpool for an exciting and innovative programme of music, dance, theatre and street-arts from across the Latin Continent. A range of periphery events including storytelling, street arts and food and drink will also take place across the festival week, all exploring the beautiful and rich diversity of Latin American culture.

3. The Holly Johnson Story (14 September – 27 July ’25)

The Holly Johnson Story, at Museum of Liverpool, explores the incredible life of Holly Johnson and his meteoric rise to fame, where he became one of the first openly gay and openly HIV+ high profile artists in history. The opening of this exhibition also marks the 40th anniversary release of Frankie Goes to Hollywood’s album Welcome to the Pleasuredome featuring Relax, Two Tribes and The Power of Love. Supported by a £142,338 grant from The National Lottery Heritage Fund, National Museums Liverpool has partnered with local arts organisations Homotopia and DuoVision in collaboration with Holly Johnson to deliver this landmark exhibition.

4. An Evening With Guy Chambers, Liverpool Philharmonic Music Room (18 September)

Join one of the UK’s most successful songwriters, Guy Chambers, for an unforgettable evening of music and storytelling. Known for his iconic hits with Robbie Williams, including Angels and Let Me Entertain You, Chambers will perform piano interpretations of his greatest songs and share anecdotes from his 40-year career. In a unique twist, an audience member will have the chance to join him on stage to write a song on the spot!

5. Who The F—k is Shakespeare, Unity Theatre (19-21 September)

Following a sell-out run, four of Shakespeare’s (in)famous characters are back for a national tour, ready to tell their side of the story. Join Who The F-k is Shakespeare as they blow the dust off the classics to stage a multi-art form political occupation of stories steeped in racism, patriarchy and violence.

6. Sherlock Holmes: The Last Act, The Atkinson (20 September)

Sherlock Holmes: The Last Act explores the iconic detective’s life after his final confrontation with Moriarty. Holmes reflects on his career, friendships, and the lingering mysteries that haunt him. Experience cross-examinations, heated arguments between Holmes and Watson, and interactions with many of Conan Doyle’s famous characters. As the play concludes, the great detective reveals a shocking secret.

7. Neurodiversity Arts Festival 2024 (20 – 29 September)

The Neurodiversity Arts Festival 2024 brings together all the major arts organisations in Liverpool to celebrate neurodivergent talent, diverse perspectives, and creative expression, transforming Liverpool into a hub of creativity. Supported by notable artists including Johnny Vegas and Ashleigh Nugent, the festival features art showcases, theatre, music, and comedy, all spotlighting neurodivergent creativity. Additionally, educational workshops and talks aim to increase understanding and accessibility.

As this is a charity initiative, they deeply appreciate any donations to help make this festival a success. Contributions will directly support the festival’s activities and the broader mission of The Brain Charity to provide emotional support, practical help, and social activities to those with neurological conditions. For those seeking unique things to do in Liverpool the Neurodiversity Arts Festival is a must-attend event that highlights diverse artistic expressions.

8. Shaun Ryder – Happy Mondays and Fridays and Saturdays and Sundays, St Helens Theatre Royal (22 September)

Happy Mondays and Black Grape frontman Shaun Ryder is hitting the road for a new, spoken word tour in support of his new book: Happy Mondays – and Fridays and Saturdays and Sundays. Fans can look forward to a carnival of excess, wild tales, and improbable truths, as they enjoy the talents of a unique rock’n’roll star dubbed Britpop’s answer to WB Yeats.

9. BlackFEST 2024 (23 September – 31 October)

BlackFest returns this Autumn, celebrating Black arts with a powerful lineup of 16 events, a visual arts exhibition, and a dynamic programme across Liverpool. The festival showcases Black artists in music, spoken word, theatre, and fashion. Highlights include a special House of Legends Jazz concert headlined by King Courtney Pine for his 60th birthday. BlackFest offers a platform to support and celebrate Black culture, with artists like Ash Nugent, Joe Taylor, and Pari Richards. This special ticket gets you access to all their events, where you can save over £50!

10. Future Yard + Milap present: Shez Raja

Milap are collaborating with Future Yard for the first time, to present virtuoso British-Asian bass player Shez Raja. Renowned for his high energy live shows and unique Indo-jazz-funk sound, Raja was voted one of the ‘Hottest Bass Players in the World’ by readers of Bass Player magazine. Shez will lead a stunning line-up that features sax sensation Vasilis Xenopoulos, Chris Jerome (Courtney Pine) on keys and rising drum star Jamie ‘Drumcat’ Murray.

With so many things to do in Liverpool and the city region this September, from art and theatre to music and cultural festivals, there’s something for everyone to enjoy throughout the city. To discover even more events happening in September check out our What’s On Listings.